applique

13 Reasons to Hand Baste With Needle Turn Appliqué


You might see an ugly mess of threads here. Frankly, that is what it is. But this mess of threads represents hours of work. Not work that I tore out in disgust or because of a mistake. Work that I intentionally put in then pulled out at the end of the process.

These are basting threads.

When I started sewing of any kind I, like many others, eschewed basting as a waste of time. Why baste if I can just pin and sew it? I thought basting was just an extra step that slowed down the entire process. And basting while quilting? Now that was just getting downright ridiculous.

Then I was proven wrong.

Basting is an absolutely integral part of hard appliqué. Taking the time to baste and baste properly makes a huge difference to your project - from process to finished project. A few months ago I was teaching a hand appliqué class and I had a student there for a refresher and simply because she loved the pattern. She was not inclined to want to baste like I was suggested but I encouraged her to at least try it for the class. If she hated it then she never had to do to again. By the end of the class, like me, she was a complete convert to a more detailed and time consuming baste. Neither of us are going back to the old way and here's why:

1. Basting holds everything in place so you don't have to worry about anything moving as you stitch. Your appliqué gets moved, manipulated, scrunched up, folded, and otherwise manhandled as you sew. If you aren't properly basted to start the appliqué won't stay where you want it to.

2. Because of the above, pins won't cut it. You can buy pretty little appliqué pins. They are usually shorter in length and with a small head. Super cute, but best used for holding your appliqué in place while you baste. All that handling of the block means a lot of pin pricks if you only use pins.

3. A few stitches to simply hold the appliqué in place doesn't cut it. That's because the appliqué will move along the edges ever so slightly as you sew. If you've only basted in the centre of the appliqué that means the appliqué rotates. In other words, it isn't staying where you want it to stay.


(Lesson learned on my Alturas blocks, they were always a little askew. Don't chintz out on basting.)

4. Baste on a flat surface, like a table, not in your hands or on your lap. This keeps the pin pricks to a minimum. It also makes it much easier to hold your basting threads in order.

5. Use old thread or bobbins that need to be emptied but you don't want to waste the thread. As long as it is not heavier than a 40W thread (the smaller the number, the thicker the thread, the bigger the holes left behind.)

6. Use a regular sewing needle, but not a huge one. I don't think it is necessary to use the tiny appliqué needles, but you could. But this is not the time to use a big embroidery needle just because that is what you can find. A Universal hand sewing needle is just fine. Again, the bigger the needle, the bigger the hole it leaves behind.

7. Double up your thread. I know, this makes it thicker. When you double up the thread you don't have to worry about constantly pulling your thread through the eye of the needle. If you are comfortable with a single strand, then go for it. I prefer to have it doubled up because that is easier for me.

8. Do not knot your basting thread. Just hold on to the first couple of stitches you make then they will be fine. Start from the back and do not pull all the way through, leave a tail about 1/2'' long to hold on to.

9. Use a running stitch to baste. Not a small stitch, but not huge either. So a simple up and down with your needle through both the background and the appliqué. If you are listening and doing this on a table top you can even turn that into a bit of a rocking stitch, taking 2-4 stitches at a time before pulling your thread.



Run your stitches 1/4'' from the edge of the appliqué. Every single edge of the applique. If you aren't comfortable eyeballing the 1/4'' and have a marking pen you trust (that is, it comes out), mark the line first. I don't think this is necessary. And if you stray from the 1/4'' here are there, do not worry about it. This is a guide as much as it is a basting stitch, not a seam line.

This is the part that no one likes. It totally seems like overkill. Trust me, it isn't.

10. Machine basting seems like good idea. It does go quicker and you can easily get that 1/4'' line. But the stitches are way more difficult to remove. It might save you time up front but it more than doubles the time at the end. Plus, you still have pins while basting and they poke you even more. Unless you use glue, but that is another issue.

11. Glue. It seems like a good idea, but I hated it. You have to be very, very careful not to get any of it on the edges or else your fabric will not fold over. It also makes things stiffer. That isn't a big deal, but it reduces the tactile enjoyment of hand appliqué. Yes, that is a thing.

12. Remove your basting stitches. All those hand stitches add a really interesting element to your appliqué and it might be tempting to leave them in. Remember, however, that they are not knotted and therefore not permanent in the fabric. If you love them so much replace them with hand quilting. Hand stitching basting comes out so, so easily too.

13. Embrace the process. It takes time, no doubt. So does cutting out fabric, sewing it together, quilting, and binding. If hand basting feels like such a waste of time then maybe hand appliqué isn't for you either. This is slow stitching, it isn't meant for a quick turn around. So accept what it is, put on a movie, pour a cup of tea (or open a beer), and stretch your fingers.

As I said at the beginning, it is totally worth it to baste your appliqué this way.

First, your appliqué stays where you want it.

Second, and more importantly, the basting stitch acts as a guide for your appliqué stitches. The fabric folds under at the edge, to meet the stitches. This gives you a consistent seam allowance. That means your curves and corners go where they are supposed to in a smooth line. It is pretty much impossible to end up with points on the edge this way.

Taking the time to baste properly means your appliqué goes smoothly. And you can actually relax as you do it. Frankly, that's kind of the point, right?

I must give full credit to Carolyn Friedlander for converting me to this form of basting. She is an appliqué whiz and designs her appliqué patterns so well. If not for her I wouldn't be doing this hand work at all.


Circle Lattice Quilt Top Complete


It seems that big appliqué projects take me about a year to complete. My Circle Lattice quilt is no different. 

I looked back and realized that I started my first block in late September last year. When I cut that first block I only had the intention of making that single block. It finishes large at 34'' (if you cut it properly) so there is a lot of appliqué involved. But I completely fell in love with the fabric and the block. Quite early on I made the commitment to make four blocks.

Now the quilt top is done. These blocks have been to Alabama, Montreal, Las Vegas, Jasper, Arizona, Utah, Idaho, Minneapolis, Austin, Drumheller, and many more places. Seriously, that's the best part about appliqué, the portability. I would spend weekend mornings stitching and drinking tea while the rest of the family caught up on TV. It was my respite, even though I find the process of the block coming together quite exciting.





One of the most entertaining things - to me - is that this quilt top only has 5 fabrics in it. I don't think I've ever made a quilt top with so few fabrics!

There is a mistake in my blocks. Somehow I cut the first block wrong, starting with a 33'' piece of fabric instead of 34''. It only meant that the straight bits on the side were cut off. So I ended up making the rest of them that size as well.



There was some definite lessons learned with basting these blocks as well. Look for a post coming on that.

Now to quilt it...

Park Blocks



File this one under a class sample that will most definitely become a proper quilt. That will happen in that magical land called Someday. In the meantime, I'm quite enjoying building a collection of blocks.

The fabrics first came from a bundle of fabrics I sent to Lysa to paint. That was 2 years ago and once she returned them they sat there in a stack. She'd asked for my favourite fabrics from my stash and that is what I sent. I thought it would be appropriate to make something with them all together. When I put together the first few blocks for teaching hand appliqué I immediately turned to this bundle.

Unfortunately, only about half of the fabrics in the bundle were big enough to be used for the pattern at hand. So let's just say that the collection of blocks is inspired by that original bundle.





The pattern itself is Park from Carolyn Friedlander. She really does knock 'em dead when it comes to appliqué patterns. I'm sure, in time, I will make them all! In consultation with Carolyn I picked this pattern when I was asked to teach hand appliqué. It covers all the basics of prepping blocks, basting, and all the shapes, corners, and turns to master when learning appliqué. Bonus, Carolyn includes directions for turning a single block into a pillow sham, making it an easily finished project.

These blocks make a regular rotation in my appliqué tote (A Nest Egg Tote from Carolyn, of course). In the midst of the giant Circle Lattice it is nice to start and finish one of these in a relatively short time frame.

Circle Lattice Update


Wow, three blocks done. I'm pretty wowed myself. Even more amazing, I'm not bored with this block yet. Not at all. Considering the intensity of my time with it I find that surprising.

When I started with this particular block - from Carolyn Friedlander's amazing book Savor Each Stitch - I thought I would make one block. It was the one pattern from the book I was desperate to make right away. It was like Carolyn saw into my brain for the exact appliqué pattern I'd always wanted to make. One block was great, but I knew I couldn't stop there, the finished quilt would be far too small.

...
I should clarify that one of the reasons I always make larger quilts is that my husband really doesn't like quilts on a wall. I would rather have the opportunity to cuddle with a quilt then make a small one that languishes in a pile.
...



So now I am on to the 4th block. The fabrics for all the other blocks were easy decisions. I loved the contrast of the NYC print with the colours and patterns of the others. But I really hemmed and hawed on what to do here. Yellow seemed like a good choice, but I didn't have enough of any one print that I loved to use. Then I remembered some Stendig calendar fabric I picked up at QuiltCon. Just a little pop of yellow and much more subtle contrast. It is perfect. The calendar fabric, by Kokka, is a slightly heavier weight so it had to be the background, but that's totally fine.

Summer evenings, the rest of Le Tour, and car rides ahead of me. I will definitely be savouring each stitch as this last block comes together.

The Third Circle Lattice block


And another Circle Lattice block. Just can't get enough. Once you make two, you might as well make four, right? That is my plan, at least.

It took me longer than I would have liked to finish up the second one, only because there were a lot of quilts to bind. That took up a lot of hand work time and nearly killed my wrist. The longer time, however, doesn't bother me. That is indeed the point - to slow down (and savour each stitch).

This time I switched up the fabric. I still totally love the New York City fabric from Samarra Khaja. Even with all that face time spent with it, I am not at all bored. Lucky for me, I was also able to get more of it. So I have enough for the 4 planned blocks, and then some. This time the great fabric is making the circle lattice instead of being relegated to the background. Instead of unicorns in New York, the city is taking over the forest. Hmm, there is a political message in that...

For those of you new here, the block comes from Carolyn Friedlander's book, Savor Each Stitch. And it has taken me 6 months of hand appliqué here and there to make the 2 blocks so far.

Upcoming Hand Applique Classes


With two heavy weeks of travel behind me I am so happy I have hand appliqué to keep me company. Long plane rides, lonely nights in a hotel room, and an overwhelming need to sew something. Applique keeps my company through all that.

If you've not embraced the power of hand appliqué (and you live in or near Calgary) you can learn the basics from me at My Sewing Room.

I chose the Park pattern from Carolyn Friedlander for the class. It allows us to get a block prepped and basted and get to the appliqué. When we are learning the appliqué we cover the basics of needle turn as well the tricks for sharp corners, smooth curves, and finishing. This block has them all. (And it looks really cool.)


Last month I was basting this block in an open house at the store. So many people commented that they liked the block but would default to a zig zag stitch to get it done. Nothing wrong with that, but I think it misses the point. Hand appliqué isn't about getting it done fast. It is about the process for sure. But it is more about slowing down to sew and, frankly, the portability. Having an on the go project with no end in sight gets us sewing anytime, anywhere. And forces the deep breathes we all need more of as we move through the day.

To register for the class call My Sewing Room at 403-252-3711 and check it out in March, April, or May.

A Year in a Quilt - Alturas is Done


Alturas Quilt
60'' x 75''

A true labour of love and joy is finished! Almost a year to the date of starting my first major hand appliqué project the last stitches went in the binding and the last threads were buried. This is the Alturas pattern from Carolyn Friedlander. And when I started it I thought I would only make 9 blocks in an attempt to simply say that I tried hand appliqué!

I never got bored making these blocks. They were the perfect on the go project for me. Small, very portable, and easy to both prep and finish. Once I realized I was going to go beyond my original intention of a pillow it was easy to get caught up in the process. From picking fabrics to prepping the appliqué, from receiving fabric donations to round out the combinations to all the places they went with me. They always kept my attention. I must admit, I was a little bit sad when I finished them.

I'm not sad that I've finished the quilt, though. It makes me smile. There are so many memories in this quilt. Really, I should just call it 2014. And so many more will come in its enjoyment.


Initially, I thought the binding would be a coral print to bring out the colours of the appliqué. But when I put it up against the quilt I found that my eye was drawn out to the binding, not in to the appliqué. So I picked a pretty, but much more subtle fabric from my stash for the binding. This is a great print from Violet Craft's Brambleberry Ridge line with Michael Miller.

The binding does tie together the few bits of yellow I decided to add to the quilt. Just enough.


The quilting was super simple. While I'm not opposed to quilting over my hand stitching on all that appliqué, I wanted to go easy on the quilting with this one. It would be soft no matter what because of the Quilter's Dream batting, but I really wanted to emphasize the appliqué with minimal quilting. So I went in the ditch on all the patchwork. Around the borders I added additional lines. And each Alturas appliqué has a bar tack in the centre. Nothing fancy.

Let me tell you this though - that was a lot of threads to bury from 72 bar tacks!


Well now I think I will give this quilt away to a friend. This quilt was entirely about the making of it. Almost all of my joy and pleasure in this quilt is already there. Sometimes you get so excited to finish a quilt, the excitement builds and builds to a giddy little dance when you are done. This was different. I enjoyed all the appliqué, all the making so much that the finished quilt is not as exciting. Don't get me wrong, I love it! But my heart is already IN the quilt, I don't need to be under it to feel the love.

It's funny. I always talk about how Improv is about the process. Starting without much more than an inkling of where it might end up. While I started this quilt with little intention of a finished product, I never would have figured that appliqué, for me, would be ALL about the process. Seems silly, in retrospect, because slowing down in order to appliqué inherently makes it about the process. I just never clued into that before.

I sure am happy I've got that now.


Friday Favourites - Silk Thread


Okay, so it isn't exactly breaking news. But silk thread for appliqué? Oh my word, this stuff is awesome.

We know that I have the full on appliqué addiction. I started another new project for appliqué this week (In my defence, it is a class sample for a hand appliqué class I'll be teaching.) So I pulled out the thread Carolyn sent me for Christmas. I figured that if she recommended it and I was addicted to her patterns as much as I am that I should try it.

Life changing. I was using Aurifil 60W before, so not exactly bad thread. But that's like comparing a glass of clear, filtered water to drinking water as it drips from a glacier. Or a fantastic bar of Ghiradelli chocolate, then a chocolate piece right from a swiss chocolatier's hand. Both wonderful, both without any reason to complain. But one is clearly better than the other for the task at hand, whether that be refreshment, pleasure, or hand appliqué.

If you are interested in learning appliqué yourself and are local or close to Calgary, check out the schedule at My Sewing Room. And make sure you are all subscribed to the newsletter for all sorts of events, announcements, and extra bits.

Antlers on Plaid - A Mini Quilt



                                                                   Antlers on Plaid
                                                                          15'' x 15''

I made a mini.

In the spirit of embracing a challenge posed to me, and pushing myself out of my comfort zone I made a mini quilt. And it didn't kill me.

But, I didn't particularly enjoy it. Of course I didn't hate it, I was making a quilt after all. I can't say as it was something I really want to do again. It seemed like a lot of effort for something so small. You have to do all the same steps you would if you were making a full size quilt. So yes, it goes quick and there is the satisfaction of a finish, but it seemed like too much work. Not to mention any mistakes you make are magnified.

On top of that, what the heck am I going to do with it?! We aren't really quilts on the wall people - with a few exceptions. And I don't need any table runners/mug rugs. So this particular one will now be on its way to my sister as she asked for it.

When I decided to accept the challenge to make a mini I also decided to tackle a few things that irritate me. Go the whole way with pushing myself. So I pieced a red plaid pattern. I'm sick of seeing red plaid on everything this winter - from men disguising themselves as urban lumberjacks to Christmas cards. Lumbersexuals and their beards are not for me. Another thing I am sick of are antlers. Antlers on everything. I have family and friends that hunt for meat and if they want to mount antlers then so be it. And when I started seeing stag heads on quilts and stationary I kind of liked them. But now? Not so much.

Of course, someone commented that the antlers look more like Grinch hands and that is all I can see now.

So I made the mini. Don't expect me to make more.

And Again - Another Circle Lattice block


I couldn't help myself. One just wasn't enough. Firstly, hand appliqué is wildly addictive for me. Second, this pattern is pretty awesome - it makes appliqué so attractive to a quilter like me with modern design sensibilities. And third, I am incapable of making small quilts unless a real, tiny human is going to be involved.

So now there is another Circle Lattice block under way.

This time I made my life a little bit easier. Mostly because I was anxious to get to the appliqué part. I machine basted, instead of hand basting. I was nervous about this; worried that the appliqué would shift as I pivoted here and there to get it all down. That meant I pinned a lot. It also meant I got pricked a lot. Next time I will glue, then machine baste. From 6 hours down to 1 for basting.

And then on to the appliqué, the best part.

Savor Each Stitch (Weekend Reads)


It's been a while since I posted about a book. I've been reading, that's for sure, but so busy that I haven't had a chance to stop and post about any of them! But I HAVE to tell you about this book. 

Savor Each Stitch is the recent publication by Carolyn Friedlander. It is a beautiful book and full of so much information. The book is a glimpse into Carolyn's life and the way her brain works as she makes quilts. That doesn't mean it is only a book about Carolyn though. At its core it is a quilting book, a resource.

When we write quilt books one of the first questions asked during the proposal process is who the audience is for your book. Of course we want to say that the book is for everyone! I wonder what Carolyn said when it came to her book? My read is that her fans will love it, the new or beginner quilter will be inspired, and the established quilter will look at the design and process with new eyes. I can say that the latter happened to me.

Instead of running through techniques or colour theory in a standard way, Carolyn talks about different aspects of design. She explains the concepts, then uses quilts to demonstrate what she is saying. All the projects have multiple iterations to further illustrate the concepts. 

While the book is clearly a reflection of Carolyn, her aesthetic, her process, and the quilts reflect that, it is more than that. I found it tremendously inspiring and informative. It got me thinking about fabric in some new ways, about combinations I never would have thought of. It also has me looking at my older quilts and the ones I'm working on for my intentions. Have I articulated what I wanted to with my choices, my seams, my process? This is precisely why Carolyn speaks of Mindful Design.

It isn't about tearing into a new project like a bag of potato chips - hands in, crumbs everywhere, and pure enjoyment without consequence. If we take a moment to evaluate, internally, our selections and intentions we can savour the process as much as the result, maybe even more so.

You know already that I love Carolyn's work and find it inspiring enough to work with both her patterns and fabric frequently. So it should be no surprise that I jumped at a project from Savor Each Stitch.


Having finished my Alturas top I was searching for another appliqué project. I was going to try and design my own little graphic block, but I couldn't ignore how completely awesome Circle Lattice is. This project is from Savor Each Stitch and Carolyn uses it to demonstrate the concept of Scale in the book.

It happens to come together quite neatly, like a paper snowflake. This makes it even cooler.



I chose two completely disparate fabrics. My background is a drawn illustration by Samarra Khaja, made by Timeless Treasures. There are so many little details in the fabric that it is rather fun to discover things as I stitch. I did nothing to prepare the fabric in terms of fussy cutting, so little treasures like Lady Liberty shining through here are a treat.

For my appliqué I chose one of the Charley Harper fabrics from Birch Organics. I've been hoarding it, frankly, so it was good to pull it out. As much as I love the fabric and its birds, I love that elements come and go in the empty spaces. And sometimes the birds are exactly where they need to be.



This one block will be a labour of love. It took me about 6 hours just to hand baste the thing. I thought about glueing and/or machine basting. But it seemed more cumbersome. Something about the hand stitching called to me. So I loaded up Anne of Green Gables, and the sequel, and basted away. I'm on to the needle turn and it seems faster than the basting. It's certainly more enjoyable. I'm glad I followed Carolyn's directions for basting too. It seemed redundant to go on both sides of the appliqué as opposed to down the middle, but it is making the appliqué a breeze. See, even an old pro like me has a lot to learn. And I'm glad I've let Carolyn be my teacher in Savor Each Stitch.

Now, about that missing U...

Friday Favourites - Alturas Portability

So, making the Alturas blocks was a lot of fun. I completely fell in love with both the portability of the project and the uniqueness of each block. Here and there I would take photos as I was sewing. It was a good reflection of the places Alturas and I went together. And the daily bits of my life. Often, I would Instagram the photos, some I did not.

Follow me, see where we've been.



Sitting on our balcony in Ixtapa, Mexico. One of the first blocks. Little did I know what I was getting into when I started.
(I also took Alturas with me to Turks and Caicos the following month, but due to that camera going swimming in the pool thing I have no proof.)


Snowy afternoons sometimes call for drop-in gymnastics on Fridays. I think I got approximately two stitches and this picture in before I was called to watch yet another bounce on the trampoline.


Sewing while watching The Great British Sewing Bee. Very meta. Very awesome.



Our Telus Spark Science Centre is a pretty great place to spend a day. In the Creative Kids Museum the kidlets are so wholly entertained by all the games, gizmos, water stations, stages, climbing structures, and more that I am completely forgotten. That means Alturas and I play together.



You wouldn't know it from this photo, but during the spring the girls took rhythmic gymnastics. But the old Russian ladies who ran the club wouldn't let parents watch, so I would sit watching the swimmers, remembering my competitive days. That is, on the rare days there was no toddler to entertain too.


I clearly remember that this was a bright, clear, spring day. The girls were at the park and I sewed. Until I was called to monkey bar duty. Seeing the trend? I think I'm going to get to sew, then I have to be a Mama again. That's okay, Alturas always knew I would come back. 


Road trip! The best drive in the world - The Icefield's Parkway. It was actually rather difficult to sew while on this road. First, there is the view. Then there are all the twists and turns and ups and downs. Don't be fooled by this picture.


Sometimes, we parked, and then I could sew more. While moving all of this had to stay contained in my handy pouch.


A truly loverly weekend in Jasper with all of my immediate family. All of us in one luxurious cabin. It did have this deck, with a view of marmots, elk, pika, chipmunks, and golfers.



My birthday weekend. A quiet affair and was treated to a quiet morning with leftover birthday cake for breakfast and time to sew one whole block from start to finish.


On our way to a wedding here. We were in Ontario and I sewed up quite a few blocks during the endless Toronto area driving. Alturas got dressed up too. I made that belt AND a block from that yellow fabric.



Had said goodbye to my family and The Workroom after a day of teaching. Then I was headed down to the Niagara region for what turned out to be a transformative teaching experience for me at Quilt Canada. This was on the shuttle. Then I stopped sewing to watch the sunset.



So we went to Jasper again for the Canada Day long weekend. Part of my packing included another handful of prepped Alturas blocks. We got there and the kids started to explore and play and make new friends. We saw a mama bear and her cub walk through the campsite. As we adults settled into conversation and an early campfire I got frantic. I couldn't find my little sewing pouch. NO!!!! I forgot Alturas. I was totally distraught. I felt like a part of me was missing. You mean I would have to just sit, and do nothing with my hands? Felt so strange. Then I found the pouch, buried in the car and I started to breathe again.


It was Jasper in the mountains at the end of June. So when the rest of our group went on a hike and a boat ride, we and another family stayed at the campsite to veg, paint rocks, and chill out. As it was rather chilly the men obsessed with a fire in the wood stove of the cook shelter. And I snuck in a little sewing between bear lookouts.


Le Tour!!! I think I made at least a dozen blocks during the 2014 Le Tour. Every night we sat together, chatting, watching, and me sewing. And life was good. 


A weekend in Revelstoke to hit the Skytrek Adventure Park. I spent the first few hours in the car with a little guy napping. More Alturas for me!



On the way home with Alturas and my bruises. Worth every second and every bruise


Ah, summer. Kids in bathing suits on the front lawn. Alturas put aside for water fights and lemonade refills. (And I would be remiss in pointing out the primary colours here, The Monster would totally catch that.)


The day I tried to sew at the beach. Bad idea. At least the little guy wouldn't go in the water, but the girls did and so Alturas had to take a backseat to safety.


My brother is a doctor, so here Alturas waited with me while he took The Monster on a little behind the scenes tour at his hospital. I drank tea and chatted with this lady a little bit.



 Another glorious weekend morning with all the things I love. Okay, not all of them. How about the inanimate objects that I love? Alturas and Peaches and Magazines!


 That time I sewed my finger to Alturas.


True story: I finished this block while recording a podcast with Carolyn Friedlander. Pretty cool. And you can check out the podcast on Modern Sewciety. It's all about the QuiltCon experience. 



The very last Alturas being done, in the wild. If you count a meeting of our community playground committee the wild. I think I was distracted because I signed up for the sponsorship sub-committee. Oh, the power of Alturas.

Alturas Quilt Top Done!


My Alturas quilt top is done! That means I am also done with hand appliqué for 72 of these blocks. I won't lie, I'm a bit sad about that. Don't get me wrong, I LOVE this quilt top and am thrilled with the way it turned out. The thing is, I really enjoyed making these blocks and I'm not sure what to do with myself now that is done. (More on that aspect tomorrow.)



You will notice that there is something you could call a border on this quilt. For long time followers and fans this must be tremendously shocking. I understand, I'm pretty shocked myself. These blocks absolutely needed something to set them apart though. Once sewn together the appliqué is more or less only 1/4'' apart. I wanted the appliqué to really stand out, so a border was needed.

Instead of following the original Alturas pattern I added more width (and another row of blocks from the pattern) to the border by using additional charm squares as the border. This was another way to showcase the fabrics I used as the background for the appliqué, quite a nice treat considering you don't see much of it under the appliqué.

And, shock of all shocks, I made the quilt rectangular. I adore square quilts but something about this begged to be a rectangle to me. That's why I added that extra row of appliqué. And a third row to the border on the bottom. That last part is totally inspired by Carolyn Friedlander (she who wrote the pattern) because she often has one side wider than another on her borders.


(This grey fabric is from my very first quilt. Can you believe that?! This is officially the last scrap of it that can be used.)


In the end I'm quite happy with my decision to add a few bits of yellow to the quilt. I'm not sure what it adds, other than a shot of sunshine, but it feels right. The grey/coral/navy/teal combo is pretty awesome all on its own. Yellow just amps it up a bit more. With winter just around the corner (thank goodness last week's snow is gone) this highlight will be well received.

I'm also happy that I made a few blocks with quite low contrast. I realize that, from a distance, they kind of disappear. That's okay. I think that this fact, along with the yellow, keeps your eye moving. Instead of just seeing all the appliqué, all the time.


There are so many old and new fabrics in here. Some I bought just for the project. Some that awesome readers sent in or local friends shared. Some, like I mentioned above, that are 16 years old! There are civil war prints, organic fabrics, modern prints, shirting, and even solids. Just missing batiks and novelty prints. Each block is unique and no appliqué fabric is repeated.

I've already got the backing fabric (more Botanics from Carolyn Friedlander), plus some Cotton and Steel for the binding. I even know how I'm going to quilt it. Now, who is going to baste it for me?

Giant Dresdens Quilt



Giant Dresdens for Baba O
62'' x 90''

Sometimes quilts are really hard to give away. And sometimes you are so excited to do just that. Not because you want the quilt off your hands, but because you know the recipient will love it. Then there are the times you are sad to see the quilt go, but it is totally worth it because you get to see your cousins you hardly see in order to pass it on to their family. Sometimes.

I come from a giant extended family. My mom, an only child, became the 11th child of her aunt and uncle because that's how things work in big Ukrainian families on neighbouring farms. So I grew up with that family as mine as well. And while almost all of the family was in Saskatchewan, there was one set of cousins with us in Edmonton. We spent a lot of time together growing up, dancing, eating, playing, tormenting each other, laughing.

A few months back they asked me if I would make them a quilt for the Baba on the other side of the family as they are celebrating her 90th birthday this fall. Even though I don't really do commissions I wouldn't say no. Plus, I got to play with some ideas and that is always fun.


Three big Dresden plates, made with the Fat Cat Ruler. Gorgeous fabrics and loads of negative space to quilt on the long arm. Pretty quick to get together  - I think each Dresden took me about an hour to make, then only appliqué time. I machine appliquéd, so that wasn't very long either. Just 3 blocks to sew together and long strips for the side. And that was it.

I have a feeling there will be more Dresdens in my future. Maybe. I might need another request from the cousins in the midst of the other deadlines...


My dot to dot quilting on the long arm needs a fair amount of work, but I'm feeling very comfortable with all over free motion work. It is quite liberating and such a thrill to have it come together quickly. For this twin size quilt I was off the machine in slightly less than 4 hours, including my loading time and breaks for texts and instagram.  I used what I call a Paisley pattern, and my long arm teacher calls  headbands. I've used it before, but on my home machine.


The back was pieced with what I had at home, including this Amy Butler print from years ago. I bought it for another project that never came to fruition. I was worried it would be too girly for a 90 year old, but my cousins assured me that Baba O will like it. A few extra inserts of fabric that was also used on the front to bring it up to size.

On the front, in the centre of the Dresdens I wrote out birthday wishes. This way there is no need to flip it over to see the real reason Baba O is receiving this quilt. On the back are the labels - one with wishes from the family and one with maker and care info. As I pointed out, the quilt is likely to outlive even them, so the history needs to go with the quilt. But thankfully my cousin's wife has very neat handwriting so she actually wrote out the labels instead of me! I stitched those on over deck cocktails with my cousins. A gaggle of our kids eating popsicles and popcorn and playing in the backyard. Our conversations full of the stories of now and yesterday. Love, history, and the future all coming together, thanks to a quilt.


52 Alturas Blocks


Up to 52 blocks now. In six months.

It doesn't seem like six months. But I know that I started these while the girls were out of school for Christmas break. And I took them with me to Mexico in early January. And here it is summer vacation.

Not once have I been bored with these. I may not touch a block for weeks, but there are always a few ready to go when the mood hits. And then I might make three in a weekend. Or two at night while I watch the Tour de France.

I said at the very beginning that I was only committed to making 9. Then I said that I would go until I was bored. Now I think I might go until I make 72. With a border  - yes, I am actually planning a border - that will give me a finished quilt of 60'' by 75''. At least that is how it is coming together in my head.


Of course, I have to say thank you to everyone who sent me squares and scraps of fabric when I asked for help. Every time I go to prep another set of blocks I have so much to choose from. It has definitely helped in expanding the range of fabrics in the blocks. All the appliqué pieces will be unique, but the backgrounds to have a bit of repeats. 

So, thank-you to:

Carolyn Forster
Erin Harris
Barb Robson
Anna Passafiume
Penny Gold
Latifah Saafir
Katrina Hertzer
Liz Zok

If I missed someone, I'm sorry! Some of the envelopes may have been recycled by eager little girls after the mail was opened.

Another Alturas Update and a Request


26 Alturas blocks!

And I just can't stop making these. I now prep them in groups of five. Some weeks all five get done, some times I go weeks before I get any done. Either way is fine by me. Quite a bit of progress from those first nine!

Last week I decided to throw some yellow into the mix. I felt like the blocks needed a bit of pop. I wasn't sure at first, but now I really like it. In truth, it now reflects one of my favourite fabrics ever, Motif Madness from Tsuru by Rashida Coleman Hale for Cloud 9. Hmm, I wonder if I could get my hands on more for the backing?

I'm at the point now where I am almost out of the options I've got in my stash for blocks. I am trying to make no two blocks alike. Not a perfect charm quilt, as some backgrounds may get used more than once, but as close as I can get. So now I am putting out a call for help.

Would any of you be willing to send me pairings of fabric for a block? Just a 5 1/2'' square for the background and a 5'' square for the appliqué. You could pick any combo you like, so long as we stick with the colours I've chosen:

- coral (not pink, not orange)
- blue
- teal (not turquoise or aqua or mint)
- grey.

I've got enough yellows to tackle those blocks.

I'm not picky about modern vs traditional fabrics, loving them all. But I do know that batiks are no good for the needle turn appliqué that I am doing.

If you are keen on sharing a bit of your fabrics with me, let me know and I will send you my mailing address. I would appreciate it so much! So would this quilt. It wants more variety, it keeps telling me that.

Alturas Update


So, I may have mentioned my new addiction before. At the time I said I would make at least nine blocks. Well, I've made nine and I'm already on to the next round. Maybe seven more? Maybe seventy?

It's slow going project, there is no doubt about that. It takes me about an hour and a half to make a block, sometimes 2 hours. It depends on how many interruptions I get from small children asking for food or cuddles, or how engrossing the conversation or movie is on TV. At that rate it is going to take me a very long time to make this a big quilt.

Just like improv quilting, appliqué seems to be so much more about the process than the finished project. Of course it will be gorgeous when it is done. Right now, however, I am just enjoying the process, with no real goal in mind. One block at a time.


Alturas Applique


With all due credit to Carolyn Friedlander and Sarah Fielke I must admit to a new addition: hand appliqué. Okay, so it is only in the early stages, but boy do I like it.

Yes, I have a hand quilting project on the go. And a hand piecing project (which I'm really going to wrap up as soon as I can find the first chunk of sewing I did). But over the winter break neither of these were getting me all that excited. I was looking for something to keep me busy as I kept Hubby company at the end of the day while he watched endless episodes of Top Gear and Patrick Dempsy: Le Mans.

You know my aversion to patterns, but I didn't have the brain power to be creative in this instance. Besides, I had Carolyn's appliqué patterns and they are just so cool. So I decided to keep it simple and go with the block based pattern Alturas. Fuel to the addiction for sure.

That being said, I'm not sure I have it in me to make a full size quilt of hand appliquéd blocks. Right now I am committing to nine of them and then we'll see what happens.