May Morning Make 2021

May is commonly known as Me Made May in sewing circles. The goal of which is for people to both showcase their hand made clothing and reflect on ready to wear/fast fashion clothing in their closets. Really, it is an opportunity to show off your sewing and styling.

While I am far away from a handmade wardrobe, I do have a few things that I wear consistently. It’s been years since I sewed any clothing of my own though. So instead of showcasing a handmade wardrobe for Me Made May I decided to work on building mine through my Morning Make Practice. Each day I woke up and spent a little time working on clothing items from start to finish. Some days I only cut fabric or sewed just a couple of seams, some days I spent an hour or more moving from step to step. On the weekends I often found myself spending the afternoon making a lot of progress. The pandemic is certainly good for this extra, quiet time at home.

In the end I made 6 garments. Three for me, one I will give away because it ended up being way too small, and one each for my girls.

The Gallery Tunic by Liesl and Co. I’ve made this a couple of times before and like the fit. It was a good one to start with for it’s familiarity. I was wearing it to work by May 4.

The Charlie Caftan was a pattern I’d admired for a while. I liked that I saw it on many different body types with a lot of different design and fabric options. This was my wearable muslin. I bought a gorgeous rayon to make another version with but I need to make some adjustments to the pattern. For now, the whole house agrees I made a very lovely hospital gown.

The Lark by Grainline Studio has been sitting in my sewing room for years. I made a few Linden sweatshirts years ago and liked the pattern. I loved the idea of making a basic tee. And I really wanted to sort out sewing with knits on my machine. Well, my fabric did not have enough stretch and this DOES NOT fit. Bummed because I really liked this fabric. It was a discouraging experience and stopped me from using knits for the rest of the month. But I forged ahead with the finish to learn more about my machine and sewing with knits. Then a friend claimed the shirt, no matter what.

Another Closet Core Pattern, like the Charlie Caftan, this is the Kalle Shirt Dress. I’ve had the pattern and this fabric for it since a visit to Patch Halifax in 2018. This shirt was a huge learning curve of techniques, but between the pattern and the sew along everything was well explained. Which is more than I can say for how to do buttonholes on my Bernina. This will definitely get worn out of the house.

The Ogden Cami by True Bias was the perfect match for this fabric my oldest, The Monster, has been hoarding. We picked it up in 2019 at the Contextural show in town and it is a hand painted fabric by Caroline Forde. Cropped, because she is 14, and with the lining made longer based on pattern reviews, it is perfect all around. Not a pattern for a large buster 46 year old, but perfect for her.

Finally, the Fiore Skirt, also by Closet Core patterns for my newly minted teen, The Evil Genius. She came with me at the beginning of the month to by thread at Rick Rack Textiles, spotted the pattern, and convinced me to make it for her. I’m not sure if it was bribery on her part to pick fabric of my own design. If so, well played. The pattern came together very well and I am tempted to make a linen version for myself.

Unlike quilts, I felt a very strong need to finish each of these garments before moving on to the next. So much so that I felt them as a bit of a weight at times. I’m not sure I will be as focused on one thing of this magnitude again for Morning Make again! It was a lot of thinking for first thing in the morning too. Quite often I found myself needing to come back in the afternoon or evening just so I could have my brain be really awake for the task at hand.

It was really good to get back to garment sewing again. With the new techniques I’ve picked up I am even more motivated to keep going. Just maybe not at quite the same pace. I have a few more things I would like to make for summer. And, of course, my son has requested I make him something now. As for Morning Make, I’ve moved on to something entirely different for June, something a lot less taxing first thing in the morning.

Perimenopause Chronicle Quilt Update

One month in.

I’ve never paid this much attention to my menstrual cycle. I’m finding it quite eye opening. Part of it is about deciphering whether a mood is as result of outside forces (life/Covid/work/parenting) or influenced by hormones and impacting my responses to those outside forces. Part of it is realizing how much my sleep, or lack thereof, is both impacted by perimenopause and impacts my moods. Frankly, it all has me appreciating just how much we women can get done with all this happening to our bodies.

The project itself involves 5-10 minutes of sewing at the end of the day. After the kids go to bed and before I sit down with my husband I stitch up the block. Pain? Mood? Any flow? What about all that other random stuff? Pain (associated with my cycle only, not my back pain) is a strike through the center of the vagina representation. The background is the mood. The center is about flow or not flow. Orange bits account for the night time stuff (sweats and dreams) or bowel, breast, or other things. In the first month I marked my Covid vaccine. In this second month I marked my restart of iron supplements for anemia. Each night I post the block and quick summary on my Instagram stories. #perimenipausechroniclequilt

I am wildly curious to see consistencies and changes over the year. Sure, I could use an app like my teenage daughter, but this visual representation is very appealing to me. Here is the legend I am using.

Only one person has criticized me for the project, for sharing too much information. While I get that - this is a lot for me to be sharing, I’m sure my teenage nephews that follow me love it - I really do believe that it is important to be open in this conversation. After I first announced the project I received so many positive emails from women of all ages. I really appreciate every comment, it adds to the conversation. If the emails and comments are any indication, we need to have more and more conversations.

Improv Square in a Square with Hand Dyed Fabrics

Hand dyed fabric plus an improv experiment equals a vibrant and unexpected quilt top.

The hand dyes were the rejects from my perimenopause project. Just not right for that project but still a stack of gorgeous fabric. to be honest, I simply expected them to be set aside to be used years from now - like most of my experiments. But then I had an idea, a wonderful, let’s see if this works at all idea.

Even though I’ve been quilting for a few decades and I can design patterns, with the math, without too much trouble, sometimes you just need to cut up the fabric and sew to see if the idea works. So I had an idea and needed to cut and sew to see if it was plausible. The stack of the hand dyes was there, just looking pretty. In my quilting journey I was taught that hand dyes were precious and to be savoured. Well, life these days begs for joy wherever we can get it so I dove into the pile. Also, now that I’ve been playing with the hand dyes I am comfortable making more if I want/need them. So I grabbed the stack, picked a few and got to playing.

And play I did! My experiment worked and I fell in love with the results. So I kept playing and playing and in a few hours I had the makings of a quilt top! The pretty stack of hand dyes is now a messy pile of scraps and I couldn’t be happier.

It all worked so well that I’ve decide to offer up this Improv Square in a Square as the next Quilters’ Playcation Playdate. We will hang out and I will demo a stress free way to make this Square in a Square block in any size. Sign up for the Friday or Saturday session, or both.

June 4 - 5 PM MST or June 5 - 10 AM MST

Remember, if you sign up for the Quilters’ Playcation Get The Scoop newsletter you get a discount code for your first event.

April Morning Make 2021

Blackout Poetry

Take a page from a book, literally, and cross out words so that the ones left are a poem. Made famous by Austin Kleon, blackout poetry is a unique way of creating. Part destruction, part seeking, part rebuilding, all creativity. What you remove is as important as what remains.

To begin I bought myself a hefty Sharpie and perused my bookshelf for a book I was willing to destroy in the process. I chose a self help book on anxiety. Not because I don’t need it anymore (hello third wave of Covid!) but because it was small in stature. My beginner brain assumed that less words on the page would make it easier to construct the poem.

That was a false assumption.

Such a specific topic and small pages meant that each page I ripped from the book was likely to contain one very narrow topic with a lot of repetition of words. This, I think, made it challenging to not only construct a poem I felt was valid and beautiful but also one that wasn’t necessarily about what was already on the page. Some days were better than others. Here are some of my favourites.

At first I felt my heart in my throat as I ripped pages from the book. The destruction! I really do love paper books. Then I started to see the beauty in the craggy edge where the page came away from its confines. I love the back side, where the Sharpie bleeds through. I love the searching for more beyond the content of the page. Finding the poem is almost like resuscitating the words so that they aren’t lost to the ether.