Virginia - Maple Leaves for a Unexpected Fall Quilt

Virginia

60” x 60”

She is a crafty girl, taking her knitting with her everywhere. At this time of year she is buried in yarn and apple cider and cat cuddles. She wants to jump in a pile of leaves, take her girlfriend to a sunflower maze, and totally watch Gilmore Girls even though it is terribly problematic. She’s wearing layers at the first sign of a chill and refuses to take them off when the sun warms her on a walk. She may come across as basic, but she is anything but.

More than a year ago I made a single block. Just one maple leaf to show some folks in a Playdate that you can find use for the ugly fabric hiding around corners in your stash. Ugly, after all, is just like beauty - it’s all in the eye of the beholder.

Of course, of course, I put that first block dead centre in my finished quilt top. That so not me leaf fabric was paired, unexpectedly, with a ikat butterfly print from Tula Pink. From those two fabrics the rest of the quilt came to be. I shopped from my stash and had a blast putting together different combinations. The end result was a fall inspired quilt like no other.

The quilting is there merely to add texture. Each block was quilted with wavy lines crossing the block on the diagonal. Because the leaves themselves change direction across the quilt, I carried the direction of the waves with each leaf. For thread I chose a teal blue Superior at the long arm rental spot. (My preference is for 100% cotton, but this works well with their machines and there is absolutely nothing wrong with it.) I wanted the quilt to be extra squishy so an allover design versus outlining each leaf was preferred.

I broke my fabric shopping fast (I have sooooo much fabric) to pick up a binding choice from the clearance section at My Sewing Room. As I was taking the quilt off the long arm I realized that a rosy binding was going to be the perfect choice. Now, I know my stash, there is not a single rose coloured fabric in any value in there. I am a hot pink girl! Keeping with the theme of the quilt as a whole - starting with ugly fabric - I chose a print very much out of character for me. Turns out it was perfect. It binds the quilt so well and is a great complement to the colour scheme.

In the end, this quilt is another unconventional fall quilt. They don’t all have to be reds and oranges folks! And as I was stitching the binding I also realized that it goes perfectly in our living room with its chartreuse sofa on one side and the blue/brown one on the other. I guess it was just all meant to be!

Braided Rug Quilt Coming Along

There are a lot of different reasons folks make scrap quilts. And many for why they don’t! I go over a lot of them in my presentations and classes. I can say that one of the key reasons to make a scrap quilt is to clean up/use up scraps. There comes a point where the pile/bin/basket is too much and to avoid throwing them out you have to find a way to use them up while making yourself happy with the process.

That’s exactly what happened with these blocks. I have 3 more to make to get the quilt to where I want it to be. Have I used all the fabric yet? Nope. Am I sick of making these blocks? Yup.

Now I could just stop, set everything aside, and come back in a year or so. I do that a lot and have no problem doing so. But that itch to clean up/use up those scraps was strong. Very strong. So I did the math on what was required to get where I want to go. That is, after changing my mind. I’m so close now that I am excited by the finish.

Besides, my new studio is so very nearly ready and it will be great to go in there just a little bit lighter on the scraps.

Quilters' Playcation Adventure Sewalong Update

It’s hard to believe that we are 28 weeks in to this sewalong. Mostly because that means we are more than halfway through the year already!

As a leader/instigator/quilt teacher I get such joy from seeing my students and followers enjoy the process of improv quilting. I never anticipated how much joy I would get joining in with you. It is a great comfort to me to show up each week and sew with people. On the occasions where I missed and had to reschedule I’ve been quite sad. I feel like I am letting everyone down, for sure, but I also just really miss it.

This year’s Quilters’ Playcation Adventure Sewalong is different for me. How many times have you heard me talk about NOT squaring things up until you are making layout decisions? (Hint, almost all the time.) This time, however, I started squaring up and sewing the blocks together right at the beginning. This means I am composing the quilt as I go. It’s a different thought process. It’s a good challenge for me.

So long story short, I love everything about the Quilters’ Playcation Adventure Sewalong this year.

Wildfire Quilt

It’s scary to think that wildfire season started here in February. February, when it is supposed to be cold and dark and snowy. February, when we are cocooning and only dreaming of summer days and the dappled light of the forest. Not this year. Wildfire season already started and, indeed, zombies fires from last year still burning.

This quilt started life as a fun experiment and sample for a Cut, Sew, Repeat Playcation. I used it as a sample in the class then had fun continuing the play. The entire time I played and sewed I saw it vertically and just about the interactions of the colours. Then, the night I was basting it, I saw it horizontal and only saw the wildfire influence. Then I couldn’t unsee it. So I ran with it, adding quilting to accentuate that design aspect.

For the quilting I used a coordinating thread for each band of colour. It was a mix of Wonderfil and Aurifil 50 weight cotton threads - whatever colour I had around that worked well. In each section I changed my free motion design. The orange, obviously, had flames. The green was a triangle meander that I’ve used once before. I don’t know what you would call the blue section, it’s some kind of hatch but not really. The purple was a wavy meander for the sky/smoke. Breaking it down like this not only made it manageable from a working perspective, but really accentuated the overall design.

Binding the quilt was straightforward. My usual high contrast binding was not going to work here so I went with a charcoal grey. I want to say it is symbolic because of soot and ashes, but really it is about picking a neutral to frame but not take away from the quilt. Black was too dark, too sharp. The grey was perfect.

Most of us here are worried about what the coming months will bring for fires. We did not nearly have enough snow cover and cold temperatures to give our forests and grasslands a proper break. We can hope for a wet spring, but that brings its own challenges. With a kid with asthma that definitely gets triggered by poor air quality, wildfire season takes on another meaning too.

In my previous career I worked on the climate change file. I started there over 25 years ago, working to convince a lot of people that we needed to act, acting in industry where we caused a part of the problem. I had to leave because it got so disheartening, if I am being honest. While I am glad that I no longer have to define or explain climate change, if that had happened 25 years ago we might be in a different place.