Odetta

Odetta

52” x 52”

A few years ago I was privileged to go through some of the antique quilt collection of Heritage Park. Heritage Park is our local historical village. At the end of May they host a quilt show, where the quilts are all displayed outside, on fences, in the historical buildings. It’s a great affair. As part of the show they showcase a few quilters and have some classes. I was supposed to teach back in 2020 but, of course, the show was cancelled. In 2021 I was able to teach. My goal was modernize one of the quilts from their antique collection.

The original quilt was a repeat of the great Tree of Life block, simply two fabrics. The blocks were placed without sashing and on point, so that they stood tall and proud on the quilt.

In the class we talked about different ways to explore a modern version of this quilt. The main block is a half square triangle, so that became the basis of play. Exploring colour and scale were the two most common ways to play. As was playing with fabric. In the end, we had a collection of very different blocks in a rainbow of colours.

This version is made with 4.5” Half Square Triangles. The quilt is essentially one big block, floating in some extra patchwork. I used a collection of purple fabrics from my stash for the Tree and a wide assortment of black and white, low volume fabrics for the background. This is quite the update from the original ditzy floral and solid white background.

For quilting I stuck with straight lines and a wider than my usual distance between the lines. As this is a good size for a baby I kept it simple and softer. Another move to modern is that I chose a pale pink thread for quilting. Not purple, not white.

The backing fabric is a voile from my stash. I’d actually started making a backing for a different quilt but made a mistake. Because it is voile fabric and I didn’t have any other in my stash I assigned it to this quilt, so that none got wasted. It ended up being perfect. When I went shopping for the binding in my stash I liked the contrast of the magenta with the purple. It’s close, but not the same. And it goes perfectly with the backing! Interestingly, both of those fabrics are by Rashida Coleman Hale. Very different fabric collections, made years apart, but both hers.

The quilt is finished in time to be in the special Trees exhibit at the Heritage Park Quilt Show this year!

Hermia

Hermia

72: x 65”

Not known for her stature, Hermia is known for her passion. Her Shakespearian namesake was an apt inspiration. She is always willing to engage in a debate and will fight fearlessly for the rights of all. She’s marched, written letters, educated quietly, and interrupted when necessary. Perhaps her size makes her less intimidating? Or is it that she is ignored, assumed to be worth ignoring. Never make that mistake.

These particular curves started in a Small Piecing workshop with Chawne Kimber. I wanted to see how small I could go. It turns out that ¾” curves are the answer to that question. Chawne encouraged her students to try for smaller and smaller, as well as gave tips for managing the size. Once I started I couldn’t stop! The quilt is the size it is more because I ran out of a number of the fabrics but I was tempted to make it bigger. Small pieces + big quilts = heaven!

Improv curves are a comfort block for me, something to feel good sewing when I am not sure what to sew or need the joy in the act of sewing. Curves are always the answer. Truth be told, I was sad to finish this quilt. It gave me such joy to work on it. The quilt is great! But this is one of those times when process wins over product.

I had a few ways to go with quilting. No matter what, I knew it would be easiest choosing an all over design. I also chose to do straight line quilting with my walking foot to manage any potential headaches with all those seam bumps! Essentially, I quilted her twice. In one direction in various blue threads. Why various? well, I had a whole bunch of more than half empty spools so decided to use them up. Then I did the same thing in the opposite direction with yellow.

My original plan for binding was to use the black and white print I used in bits on the front. This is one of the prints from my one and only fabric collection. In the end, though, it felt too busy as binding here so I swapped it for the Famous Last Words print. Perfect!

It took the motivation of my first solo quilt show at Heritage Park to finish this one. Otherwise, I might have kept making curves. Once I found my fabric, of course.

Tree of Life Vintage Quilt Inspiration

What better way is there to spend a late winter day than immersed in a vintage quilt collection? Back in March I had the opportunity to explore part of Heritage Park’s collection of donated and gathered quilts. It was all in anticipation of the Festival of Quilts, taking place in August. Delayed twice because of Covid it was a special experience. My goal was to identify a quilt to inspire a modern interpretation for a special class at the Festival of Quilts. Let me tell you, it was hard to narrow it down!

In the end I chose this pastel version of the Tree of Life pattern. I took a million pictures then came home to sketch. My goal to was make a straightforward version of the block, one easily made with a rotary cutter and one that lent itself to play. I wanted students to be able to play with colour, fabric, and scale, creating their own modern version of the block.

The first version I made tested the pattern. It was also an opportunity to play with fabric and scale. This particular block finishes at 36” square! I dug into the stash of both purples and the low volume black and whites. I love the combination of warm purples and cool purples. Together they make the block very dynamic.

This size proved popular in the class itself. It’s a great way to get far with a project.

The block itself can be set with a straight set like this or on point. It’s hard to decide what you want until you make the block. For example, I debated making 3 more blocks this size to make a four patch in this straight set, maybe all pointing to the four corners. However, I think I will add another round of black and white patchwork squares to make it a bit bigger and turn it into a baby quilt.

Here’s what it looks like on point, like in the original.

You can see I am having fun playing with fabric. Exploring variations in the colour green and playing with value placement keeps this from being boring. The entire block is made from half square triangles and squares. Super easy to make! But also a bit tedious. So having some excitment with the fabric sure helps. So does a good show in the background (I am currently watching Sex Education on Netflix.)

In the class itself students worked in all sizes and with a wide range of colours. It is always so exciting to see people play!

A huge thank you to Heritage Park, curators and staff there, as well as the Festival of Quilts volunteers for making this happen.

PS Don’t follow those pattern instructions, it contains errors that I fixed later.

May Morning Make 2021

May is commonly known as Me Made May in sewing circles. The goal of which is for people to both showcase their hand made clothing and reflect on ready to wear/fast fashion clothing in their closets. Really, it is an opportunity to show off your sewing and styling.

While I am far away from a handmade wardrobe, I do have a few things that I wear consistently. It’s been years since I sewed any clothing of my own though. So instead of showcasing a handmade wardrobe for Me Made May I decided to work on building mine through my Morning Make Practice. Each day I woke up and spent a little time working on clothing items from start to finish. Some days I only cut fabric or sewed just a couple of seams, some days I spent an hour or more moving from step to step. On the weekends I often found myself spending the afternoon making a lot of progress. The pandemic is certainly good for this extra, quiet time at home.

In the end I made 6 garments. Three for me, one I will give away because it ended up being way too small, and one each for my girls.

The Gallery Tunic by Liesl and Co. I’ve made this a couple of times before and like the fit. It was a good one to start with for it’s familiarity. I was wearing it to work by May 4.

The Charlie Caftan was a pattern I’d admired for a while. I liked that I saw it on many different body types with a lot of different design and fabric options. This was my wearable muslin. I bought a gorgeous rayon to make another version with but I need to make some adjustments to the pattern. For now, the whole house agrees I made a very lovely hospital gown.

The Lark by Grainline Studio has been sitting in my sewing room for years. I made a few Linden sweatshirts years ago and liked the pattern. I loved the idea of making a basic tee. And I really wanted to sort out sewing with knits on my machine. Well, my fabric did not have enough stretch and this DOES NOT fit. Bummed because I really liked this fabric. It was a discouraging experience and stopped me from using knits for the rest of the month. But I forged ahead with the finish to learn more about my machine and sewing with knits. Then a friend claimed the shirt, no matter what.

Another Closet Core Pattern, like the Charlie Caftan, this is the Kalle Shirt Dress. I’ve had the pattern and this fabric for it since a visit to Patch Halifax in 2018. This shirt was a huge learning curve of techniques, but between the pattern and the sew along everything was well explained. Which is more than I can say for how to do buttonholes on my Bernina. This will definitely get worn out of the house.

The Ogden Cami by True Bias was the perfect match for this fabric my oldest, The Monster, has been hoarding. We picked it up in 2019 at the Contextural show in town and it is a hand painted fabric by Caroline Forde. Cropped, because she is 14, and with the lining made longer based on pattern reviews, it is perfect all around. Not a pattern for a large buster 46 year old, but perfect for her.

Finally, the Fiore Skirt, also by Closet Core patterns for my newly minted teen, The Evil Genius. She came with me at the beginning of the month to by thread at Rick Rack Textiles, spotted the pattern, and convinced me to make it for her. I’m not sure if it was bribery on her part to pick fabric of my own design. If so, well played. The pattern came together very well and I am tempted to make a linen version for myself.

Unlike quilts, I felt a very strong need to finish each of these garments before moving on to the next. So much so that I felt them as a bit of a weight at times. I’m not sure I will be as focused on one thing of this magnitude again for Morning Make again! It was a lot of thinking for first thing in the morning too. Quite often I found myself needing to come back in the afternoon or evening just so I could have my brain be really awake for the task at hand.

It was really good to get back to garment sewing again. With the new techniques I’ve picked up I am even more motivated to keep going. Just maybe not at quite the same pace. I have a few more things I would like to make for summer. And, of course, my son has requested I make him something now. As for Morning Make, I’ve moved on to something entirely different for June, something a lot less taxing first thing in the morning.