Bjork - Scandi Village Quilt Complete

Bjork

82” x 86”

She’s a Scandinavian snow princess. Okay, princess is a strong description for her soft, yet strong personality. She is just at home in the forest or on the mountain as she is in a coffee shop with friends. Loyal, but not a fault. Adventurous, but always safe. Bjork is from a small town, up North but makes her home in the city. Longing for open spaces and comfort, she dreams of her little village in the snow.

This quilt is an epic journey into making cute. I don’t normally do cute, but that’s truly what she is. From the little houses and trees to the finishing details, it was a near constant squeal of delight as I made her.

She started as an experiment for a the little tree. That grew to the houses, of two shapes, and even a gnome. I’ve taught the class as a Quilters’ Playcation Playdate a handful of times, always added to the pile of adorable blocks. Eventually, I put them together into a quilt top. Then, a year later, I finished her.

Finishing her was also a delight. I quilted her with a pale pink thread on a rented long arm. It was all free motion waves, with the goal to make it look like snowdrifts. I love choosing a coloured thread versus white, when quilting a predominately white quilt. It adds an extra dimension to the quilt. It’s a little bit unexpected.

The backing is mostly a holiday version of Rashida Coleman-Hale’s famous washi tape design. It is mostly green, so it coordinates nicely with the front. It did need to be pieced so I added in a strip of reds and pinks left over from the houses on the front.

No doubt, I went a little extra in finishing her.

First, instead of standard handstitching on the binding or instead of big stitch with a heavy thread, I made these little green Xes. Using the stripe itself as a guide I did the diagonal lines in one direction first - all the way around the quilt. Then I went around again, adding the other side of the quilt. I used an 8W from Wonderfil for these stitches.

Second, I decided to add little white snowflakes/stars randomly all over the quilt. I chose a bright white 8W thread, also from Wonderfil. The background of the quilt is Kona Snow, which is ever so slightly off-white. It makes these little elements glow. To be clear, the stitches of these only go through the top and batting, they can’t be seen on the back.

Finally, I used a whipped backstitch in two shades of pink, also 8W from Wonderfil, as a type of piping. It’s so very extra, but a beautiful finish.

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NOTE: I am offering two more Scandi Village quilt workshops in March 2025

March 1 (In Person) 2-5 PM

March 4 (Virtual) 5-8 PM

Register here.

Ariel - A Cut Sew Repeat Playdate Finish

Ariel

56” x 56”

Ariel is a wild child. She comes from a solid suburban background but never felt like she fit. Not that she wants to turn her back on her childhood and her family, but she is itching to move beyond. She wants to taste pomegranates in the Middle East, swim over the Great Barrier Reef before it disappears, hear the crunch of snow underfoot in the Arctic. Her parents long ago gave up/gave in to her wanderlust and can only watch from a distance as she travels the world, trying new things. That’s because she always comes home.

This particular quilt started life as a bit of play. Then again, that’s really how most of my quilts start! I was teaching the Cut Sew Repeat technique in a Quilters’ Playcation Playdate and these were samples. Full disclosure, I went through a few iterations of blocks before settling on this particular Cut Sew Repeat Process. I loved the fabric together, but the earlier trials weren’t that exciting or were messy. As soon as this one was done I knew we had the winner.

Two of the fabrics were from deep in the stash - an original Architextures from Carolyn Friedlander and this lovely ‘dot’ from Angela Hooey. I think the the gold and pink were more recent fabrics from Ruby Star Society, but don’t quote me on that. Maybe Allison Glass? Regardless, I remember having to buy more of the gold to finish off the blocks before I ran out of the other fabrics too.

For quilting I attempted some point to point work on the long arm. I had the appointment and wanted to finish the quilt. I knew, however, that an all over design wouldn’t help the quilt any so I decided to play. It’s clear that I am beginner at this point to point stuff, but you have to start somewhere, right? I used a pale pink thread that didn’t stand out too much on any of the fabrics.

The backing came together with an older piece from Carrie Bloomston that was sitting in my stash. The swatch/paint chip fabric had all the colours, and then some. And, in usual fashion for me, I went with a contrasting binding. The teal speckles were just perfect for finishing off this bold piece.

I’m teaching this technique again in a Quilters’ Playcation Playdate in April. I can show you how to make this specific style of block, but we will explore a lot of options. For example, you could go a lot more random like this one, or really showcase your fabric like I did here. You can join online or in person at my new studio.

Cut Sew Repeat Playdate

Online - April 8

In Person - April 12

Register here.

Blobs of Improv Applique

At some point in the last few years I made one of these blobs. I was using it as a sample for an Improv Applique class I was teaching online. I probably made another one in another class. These were only ever intended to be samples.

Intentions and reality rarely meet in my quilting play.

Now that I have the studio and no machines at home my Morning Make is always handwork, when it comes to stitching. As I uncovered these blocks during the move they came to mind as one thing to play with as the morning grew cold and dark. It turns out they are a fun spot of joy! Now I keep making them.

This was my initial plan for layout: random. Just the four colours and laid out in no particular order. As soon as I decided to turn these blocks into a quilt this was my plan. I also wasn’t expecting to make a large quilt, only 5 x 5 blocks. As the background pieces are 10'“ squares, this would make a simple little baby quilt.

But then… but then I laid out the blocks by colour. It was actually only so I could ensure I wasn’t repeating the background fabrics in each colour way. Seeing them together was easier than thinking through that. And oh! Did that change everything!

This layout is amazing. It is so much stronger in showing off the blobs, giving them colour order. I still get randomness in the various fabrics, but the structure of columns is a much stronger design. There is no going back now.

What I do need to do, however, is add more columns. I’ve currently got 7 of each colour. If I add one more colour I now get a small lap quilt (47.5” x 66.5”). If I add 2 then I get a bigger lap quilt, especially if I make 8 blocks of each colour (57” x 76”). I could add 3 colours, stick with 7 blocks, and get a classic square (66.5” x 66.5”). I’m torn, to be honest. So, I will add 1 colour and see how I feel about it.

Who knows? I may change my mind completely again.

Wren - A Scrap Quilt of Happiness

Wren

78” x 80”

She’s the joyous girl of sunshine. She grew up in a hippie community on an island. It’s easy to be easy going when you grow up surrounded by peace and love. Sure, there is always an underbelly to that and life is always far from perfect. She chooses to move forward with love, however, no matter what happens. As a result, she spreads that calm and joyous nature to the people around her. At night, she retreats and regroups, a little bit alone in her personal sorrow. But without pain you can’t feel joy, right?

This quilt was a wonderful bit of therapy. I mean that both in the making and the end result. She started from a literal pile of scraps that my son threw on the floor as a toddler. Rather than put them away I started sewing them together right from the floor! Fast forward a decade and I pulled it out to make it bigger through some play.

You see, a few eyers ago I faced a rather deep hole of depression. No specific trigger or anything, but life was hard and I turtled. It happens and I am grateful for the support of family and friends and therapy and medication that helped me through. But there I was laying in bed one day, the quilt over me reflected in the light fixture above. The pinks in the chrome with the spots of crystal struck something in me. At that moment I decided to pull out some pink fabrics and play. Why pink? It’s simply a happy colour to me. I made one quilt top, then I decided to play with another. The first one I am in the midst of hand quilting, the second took a trip to the long arm rental with me. She’s done now.

That light fixture has seen some things! It was such a splurge for a light that we don’t actually turn on much (I am one of those people who doesn’t like to be in a room with overhead lights on.) Despite that, she brings me joy every day, reflecting the room around her and the light itself.

After making the initial quilt top a functional size, I set out to make a back that gave me as much joy as the front. I used some precious, favourite fabric from Denise Schmidt I’d been holding on to plus a few others from the stash. Life’s too short for an ugly quilt back!

This was not the quilt for fancy quilting. It is essentially one giant slab quilt with a riotous mix of fabrics. Quilting is for texture here more than anything. That being said, I ended up getting a bit fancy! I started with wavy lines across the quilt in pink, peach, and yellow. Sometimes they overlap, mostly they don’t. It wasn’t until I was off the long arm that I decided on some additions. My first thought was the odd line of hand quilting in waves, just for fun. Then I decided on some words. If this was the quilt that helped me through my depression, then I wanted some reminders to keep my mental health in a good state. So I started stitching words right in to the quilt. Both embroidery and quilting in one.

Connect

Relax

Laugh

Walk

Make Love

These are the actions I need to remember moving forward. As I healed, I learned that I need these things (plus creating, but that is a given) to help me on a regular basis. If I do these things, I can make it through anything. Stitching them through the quilt was a good moment of reflection, and their subtlety in the quilt is like a little message for me - or anyone else - using the quilt.

Of course I wasn’t quite done with the hand stitching. After finding the perfect pink binding (an old favourite from Emma Jean Jansen) in my stash, I went with the big stitch for closing the binding. Yes, this works well and holds up to washing, in case you were wondering. It’s a rather nice way to put a finishing touch on a quilt full of love and joy.