Quilters' Playcation Adventure Sewalong Update

It’s hard to believe that we are 28 weeks in to this sewalong. Mostly because that means we are more than halfway through the year already!

As a leader/instigator/quilt teacher I get such joy from seeing my students and followers enjoy the process of improv quilting. I never anticipated how much joy I would get joining in with you. It is a great comfort to me to show up each week and sew with people. On the occasions where I missed and had to reschedule I’ve been quite sad. I feel like I am letting everyone down, for sure, but I also just really miss it.

This year’s Quilters’ Playcation Adventure Sewalong is different for me. How many times have you heard me talk about NOT squaring things up until you are making layout decisions? (Hint, almost all the time.) This time, however, I started squaring up and sewing the blocks together right at the beginning. This means I am composing the quilt as I go. It’s a different thought process. It’s a good challenge for me.

So long story short, I love everything about the Quilters’ Playcation Adventure Sewalong this year.

Yes, You Can Change Your Mind While Making a Quilt

Did you know that you are absolutely allowed, even encouraged, to change your mind while making a quilt? Far too often folks think that because they started down a certain path in the quilt making process they are not allowed to veer from it. This isn’t school and standardized testing. Or, as my husband likes to say when the children complain about him changing his mind: I’m an adult and I can do whatever the eff I want!

Definitely applicable to quilting.

These blocks started as class samples. I use them in my Scraptastic class as one option for when you are playing with scrap strips. I make one in a class, put it with the others and move on with life. I had zero plans for the blocks, they served as a teaching tool.

Last month I was teaching a virtual workshop with the Thompkins County Quilters’ Guild out of New York. I had a pile of these blocks on my cutting table and starting arranging them to show possibilities. Quite quickly I was struck by a certain layout of 8 blocks. I don’t think I even had 8 blocks at the time, but I could see potential.

After the class, I finished up those 8 blocks and quickly sewed them together. Smitten, I decided to make more blocks. A lot more blocks. My initial plan was that top picture there. Every 8 blocks sewn together with them all assembled in an alternating layout. In my mind it was perfect.

Not so much on the design wall. My seemingly brilliant idea looked a hot mess.

When I am lecturing and teaching about using scraps one of my big messages is about finding order. When people complain that scrap quilts look messy it is often because they do, because they are lacking order. You can find that order with colour selection, playing with value, or through shape. My blocks are multicoloured, improvised, and made without regard to the value placement of the fabrics. That meant that shape matters the most.

Now my initial blocks - an improv variation on the Prairie Braid - are all trimmed to the same size. That helps. I thought the block layout made with 8 blocks would be totally fine in repeat. As you can see in that top photo, I was wrong. Even with the repetition of the original block shape/size and the repetition of making the larger square block, it still looks messy.

Here’s the thing, nothing was sewn together or set in stone. Even if it was, I would have taken it apart. If it’s not working, it’s not working. If you subbed salt for sugar in your cake would you still eat it? If you installed a bathtub too small for the space you framed, would you just live with it? No matter what, you aren’t tied to finish something that isn’t working.

So I tried something different. I played around and realized the second layout was much stronger, way less messy. Better yet, it used the exact same amount of blocks that I had planned to make!

That is, until I changed my mind again.

Sunshine for Days - A Bold Star Quilt

Bold, full of sunshine and memories.

This quilt top began its life as a leftover stack of fabric squares. On our big trip to Egypt and Turkey last year I travelled with a stack of 6.5” squares. I made a block each day to reflect our travels - a trip diary of sorts. That turned into this quilt. The scraps from making all those blocks then turned into this quilt. Of course, I cut far more fabric than I needed and carried it around with for the entire month. When I got home and finished those other quilts I was left with a stack of pre-cut squares.

You know me, nothing it going to waste! I pulled them out and played until I landed on making HSTs with the non-yellows plus yellows. That gave me nearly enough to make 4 stars. I did have to augment with a bit of stash for all colours, but not much. My goal was to use the leftovers and that’s it.

I made the HSTs and sorted out a layout early in the winter. Then the blocks got put aside (all numbered and ready for assembly). A few weeks ago I needed some no-brainer sewing. After consulting my big list of quilts under construction I decided to turn these into a quilt top. I did, then I realized it was too small for me. It came in, with only the leftover squares, at 44” square. A good little baby quilt. The problem, however, is that I have no need of another little baby quilt. So I debated my options.

1. Accept it’s size.

2. Make a border of some sort.

3. Make more blocks.

Truth be told, I am incapable of making small quilts with no reason. It is very, very difficult for me to stay small. When pressed or shockingly motivated I can stop at a small size, but it is not my norm. Option 1 was out.

Borders… oh borders. Any fabric I used on a conventional border was only going to take away from the stars. I did debate a yellow patchwork border, two rounds of squares all around. The yellow and feature fabrics, however, are pretty close in value. I felt that the stars would too get lost this way. Besides, when do you ever see me use a border? Option 2 is out.

That leaves me making more blocks. This is almost always the best option. You can see that it worked well too. With HSTs finishing at 6” this was easy and relatively quick sewing. I did have a lot of the fabrics from last year still so it was easy shopping. My yellow supply, however, was very slim so I did spend some cash to fill in the gaps (and fill up my yellow bin again). Luckily I was able to get some of the same fabrics so it really doesn’t look like I have two separate sections.

She is done for now. I am debating adding that patchwork border too. Maybe just one round of yellow squares all the way around? Yes, I am suggesting that despite what I said just two paragraphs above. We’ll see. For now, I have some sunshiny memories sewn into this quilt and that makes me happy.

Much Needed Play with Ravel by e bond

Before there was such a thing as an influencer we had celebrity endorsements. When real people started to become more popular through blogs we simply called them bloggers. As a quilt blogger it was quite common to receive or at least be offered fabric. The catch being, of course, that you would make something to promote the fabric. Ideally, you would do that to coincide with either fabric purchasing for stores or the launch itself in stores.

Many times I was offered fabric. The first few times you get super excited and jump at the chance. Free fabric and exposure?! Sign me up. Then we realized that we were giving away free labour and not really getting paid by the fabric companies to use us as promotion. Not really a fair deal for the time invested. On top of that I was positively AWFUL at actually making something with all the shared fabric in a reasonable time frame. I was, frankly, a crappy promotional partner. So working with me to promote a fabric line was a bad deal for both parties.

On top of all that, I always found it very difficult to work with a single fabric collection. It felt stifling, creatively, and was always a challenge because of one common issue with fabric collections: the majority of the fabrics are the same value. This means it is hard to get contrast in your designs. As a result, many designs made with a single fabric collection, without the addition of other fabrics or neutrals, can fall flat.

So, no matter how much I’ve loved a collection, I rarely buy a single line of fabric. Instead, I pick favourites or the most interesting or simply what I need at the time.

I could not resist, however, when I saw e bond’s Ravel collection. I love everything about it! The colour, the text, the graphic nature, the graffiti... and while I've never met e, her online presence is inspiring and real. I've had it for a couple of months and just started playing with it. Not only did I buy the whole collection, I'm using it all together. Who am I?

Yes, a good chunk of the fabric falls in the same value family, but there are enough contrasts with the lights and the darks as well as the texture of the prints that things seem to be working so far. I couldn’t resist though, I did add in a few solids for fun and respite.

I have no real plan for the quilt. I’m just playing. Life has been quite heavy of late and none of my current projects were giving me the joy I needed from my quilting. I’d sat with the fabrics and obsessed over coming up with something just right. That was taking all fun out of it so I decided to just grab some fabric and cut. I defaulted to my comfort of improv curves, primarily, but other things come up here and there and I let them happen.

Normally, when I make an improv quilt that is block based, I make all the blocks and then figure out a layout. This time around I am enjoying adding and subtracting and playing with composition as I go. Not so much planning each block as an individual unit, but seeing how a few blocks might talk to each other. A conversation. As it grows I am really embracing the chaos it brings. It’s a wild thing. In a way, it reminds me of a spot under a bridge with layers of graffiti marking the lives of people who’ve been there.