Ariel - A Cut Sew Repeat Playdate Finish

Ariel

56” x 56”

Ariel is a wild child. She comes from a solid suburban background but never felt like she fit. Not that she wants to turn her back on her childhood and her family, but she is itching to move beyond. She wants to taste pomegranates in the Middle East, swim over the Great Barrier Reef before it disappears, hear the crunch of snow underfoot in the Arctic. Her parents long ago gave up/gave in to her wanderlust and can only watch from a distance as she travels the world, trying new things. That’s because she always comes home.

This particular quilt started life as a bit of play. Then again, that’s really how most of my quilts start! I was teaching the Cut Sew Repeat technique in a Quilters’ Playcation Playdate and these were samples. Full disclosure, I went through a few iterations of blocks before settling on this particular Cut Sew Repeat Process. I loved the fabric together, but the earlier trials weren’t that exciting or were messy. As soon as this one was done I knew we had the winner.

Two of the fabrics were from deep in the stash - an original Architextures from Carolyn Friedlander and this lovely ‘dot’ from Angela Hooey. I think the the gold and pink were more recent fabrics from Ruby Star Society, but don’t quote me on that. Maybe Allison Glass? Regardless, I remember having to buy more of the gold to finish off the blocks before I ran out of the other fabrics too.

For quilting I attempted some point to point work on the long arm. I had the appointment and wanted to finish the quilt. I knew, however, that an all over design wouldn’t help the quilt any so I decided to play. It’s clear that I am beginner at this point to point stuff, but you have to start somewhere, right? I used a pale pink thread that didn’t stand out too much on any of the fabrics.

The backing came together with an older piece from Carrie Bloomston that was sitting in my stash. The swatch/paint chip fabric had all the colours, and then some. And, in usual fashion for me, I went with a contrasting binding. The teal speckles were just perfect for finishing off this bold piece.

I’m teaching this technique again in a Quilters’ Playcation Playdate in April. I can show you how to make this specific style of block, but we will explore a lot of options. For example, you could go a lot more random like this one, or really showcase your fabric like I did here. You can join online or in person at my new studio.

Cut Sew Repeat Playdate

Online - April 8

In Person - April 12

Register here.

Blobs of Improv Applique

At some point in the last few years I made one of these blobs. I was using it as a sample for an Improv Applique class I was teaching online. I probably made another one in another class. These were only ever intended to be samples.

Intentions and reality rarely meet in my quilting play.

Now that I have the studio and no machines at home my Morning Make is always handwork, when it comes to stitching. As I uncovered these blocks during the move they came to mind as one thing to play with as the morning grew cold and dark. It turns out they are a fun spot of joy! Now I keep making them.

This was my initial plan for layout: random. Just the four colours and laid out in no particular order. As soon as I decided to turn these blocks into a quilt this was my plan. I also wasn’t expecting to make a large quilt, only 5 x 5 blocks. As the background pieces are 10'“ squares, this would make a simple little baby quilt.

But then… but then I laid out the blocks by colour. It was actually only so I could ensure I wasn’t repeating the background fabrics in each colour way. Seeing them together was easier than thinking through that. And oh! Did that change everything!

This layout is amazing. It is so much stronger in showing off the blobs, giving them colour order. I still get randomness in the various fabrics, but the structure of columns is a much stronger design. There is no going back now.

What I do need to do, however, is add more columns. I’ve currently got 7 of each colour. If I add one more colour I now get a small lap quilt (47.5” x 66.5”). If I add 2 then I get a bigger lap quilt, especially if I make 8 blocks of each colour (57” x 76”). I could add 3 colours, stick with 7 blocks, and get a classic square (66.5” x 66.5”). I’m torn, to be honest. So, I will add 1 colour and see how I feel about it.

Who knows? I may change my mind completely again.

Much Needed Play with Ravel by e bond

Before there was such a thing as an influencer we had celebrity endorsements. When real people started to become more popular through blogs we simply called them bloggers. As a quilt blogger it was quite common to receive or at least be offered fabric. The catch being, of course, that you would make something to promote the fabric. Ideally, you would do that to coincide with either fabric purchasing for stores or the launch itself in stores.

Many times I was offered fabric. The first few times you get super excited and jump at the chance. Free fabric and exposure?! Sign me up. Then we realized that we were giving away free labour and not really getting paid by the fabric companies to use us as promotion. Not really a fair deal for the time invested. On top of that I was positively AWFUL at actually making something with all the shared fabric in a reasonable time frame. I was, frankly, a crappy promotional partner. So working with me to promote a fabric line was a bad deal for both parties.

On top of all that, I always found it very difficult to work with a single fabric collection. It felt stifling, creatively, and was always a challenge because of one common issue with fabric collections: the majority of the fabrics are the same value. This means it is hard to get contrast in your designs. As a result, many designs made with a single fabric collection, without the addition of other fabrics or neutrals, can fall flat.

So, no matter how much I’ve loved a collection, I rarely buy a single line of fabric. Instead, I pick favourites or the most interesting or simply what I need at the time.

I could not resist, however, when I saw e bond’s Ravel collection. I love everything about it! The colour, the text, the graphic nature, the graffiti... and while I've never met e, her online presence is inspiring and real. I've had it for a couple of months and just started playing with it. Not only did I buy the whole collection, I'm using it all together. Who am I?

Yes, a good chunk of the fabric falls in the same value family, but there are enough contrasts with the lights and the darks as well as the texture of the prints that things seem to be working so far. I couldn’t resist though, I did add in a few solids for fun and respite.

I have no real plan for the quilt. I’m just playing. Life has been quite heavy of late and none of my current projects were giving me the joy I needed from my quilting. I’d sat with the fabrics and obsessed over coming up with something just right. That was taking all fun out of it so I decided to just grab some fabric and cut. I defaulted to my comfort of improv curves, primarily, but other things come up here and there and I let them happen.

Normally, when I make an improv quilt that is block based, I make all the blocks and then figure out a layout. This time around I am enjoying adding and subtracting and playing with composition as I go. Not so much planning each block as an individual unit, but seeing how a few blocks might talk to each other. A conversation. As it grows I am really embracing the chaos it brings. It’s a wild thing. In a way, it reminds me of a spot under a bridge with layers of graffiti marking the lives of people who’ve been there.

Working Title for This Quilt: Happy Scraps

Barbie Pink became a trend right when I needed it. Hot pink is always a dopamine hit for me. I will seek out the colour on a down day, fixate on things in this delicious hue until I feel myself smile.

This particular quilt started as a mess on the flower. More than a decade ago my son was playing at my feet as I wrote. He pulled down the coloured scrap bins and had a grand time throwing fabric around. He was happy and I was sewing so it was a win win situation. When it was all over I had a mess of pink, orange, yellow, and a grey scraps all over the floor. Clean up got a lot more fun when I simply started sewing. That’s right, I grabbed two pieces from the floor, sewed them together, and repeat until all the pieces were picked up. A much more enjoyable way of cleaning up! A little while later I had a small quilt top.

Then it sat. And sat.

Last year, as I finally felt healthy after a years long depression, I embraced all the pink in the world. This quilt, then, came to mind. The top I made more than a decade ago was a small, awkward size. I generally don’t worry too much about size, but I wanted this joyous one to be big enough to snuggle with myself. Luckily, I never have a shortage of scraps. I simply sewed pieces together, making slabs to ‘border’ the original top. I assembled them log cabin style around the original in the hopes that it would blend more.

It gave me such joy to finish piecing her, to play with this colourful fabric. There are some treasures in here, some long time and recent favourites playing together. I will never not smile looking at this quilt top.