54 -10 = 44

Today is my birthday. 44 trips around the sun.

Because I have a love of alliteration I have a special affinity for this particular year. I suppose that means I like all years that are multiples of 11. Perhaps there is a meaning to that in numerology?

Regardless of both my birthday and whatever that numerology may mean, I’ve been thinking about my Quilts Under Construction list this week. So far in 2019 I’ve finished two quilts, a handful of quilt tops, and just have the binding to do on another. Miraculously, I’ve only actually started one quilt and it is already a finished top. Every day I sew, it’s just that it takes awhile to see progress the way I do it - 30 minutes a day, if I’m lucky and small piecing of late.

Morning tea in hand, I double checked my master list of Quilts Under Construction. It stands at 54, as of today. Even with those finishes I mentioned above. It isn’t that the number upsets me, it’s that I actually do want to finish some quilts. I want the excitement that comes with burying the last threads from quilting or the peace of hand stitching the binding. I want to live with these quilts, not just the creative outlet.

So, as of today - my birthday - I am stating the goal that I want to make this list down to 44 by next year. It seems doable. There are a lot of projects on there that I am still so excited to work on! A few small ones to round out some epic projects, some ones that have been around forever and deserve their day in the sun. And, my Bernina just came back from a trip to the spa so some quilting is in order.

But first, cake. Then assembling those blocks behind me into a quilt top. And washing the floors so I can baste a quilt or two. I did want to research lights for filming video this week. Oh wait, I have to take my son to ballet today too.

10 finished quilts this year. Hold me to it, alright?

What it really means to PLAY on the design wall

My absolute favourite part of making a quilt is the getting it all to work together part. For me, this means design wall play. Generally, I have a whole bunch of components and have to come to a lay out that I like. It would be different if I planned it all in advance. In that case the design wall would only be confirming what I intended. That just isn’t how I work.

More often than not I start out making a quilt without knowing I am actually going to make a quilt. An idea, a technique, a colour story. Anything can get me going. At the beginning, however, I don’t really know that it is will be a quilt. It is just something I want to try. Even if I have full quilt intentions, I have no idea how it will actually turn out. It could be awful or a different idea can come in to being. What is most important to me is to be open to the process.

Take my most recent project as an example.

I started off making sample blocks to promote my class with Marisa Anne of Creative Thursday fame. The Make Waves block is for the Thursday Club, an online class I taught earlier this month. With waves being obviously blue I made all my samples in shades of blue. Then Marisa suggested that I add in some other colours because not every one likes blue. (I know! Right?)

At this point I had no intention of making a quilt from these blocks. It was just fun times, a good sample. I honestly expected the blocks to sit around for a few years until I rediscovered them and then maybe made more.

Then I saw that yellow block, that pink one, the teal, the blue. I immediately thought SUNSET. More specifically, OCEAN SUNSET.

And boom! I immediately starting making more and more blocks, picking colours of the sunset. Just running with the idea, no clear plan for a quilt just yet.

After I made a dozen orange and coral blocks I stopped to take stock. What exactly would I need? How many blocks should I make? Am I focused more on the sunset than the ocean now, or vice versa? Deep breath before I dive too deep. So I sketched a picture.

Nothing fancy, mind you. I just coloured the sunset of my imagination. An image search showed many, many variations on the theme of that red/orange sky and a dark foreground. The emphasis should be on the sky, not the water. This led to a more formal plan.

My goal was 2/3 sunset and 1/3 water. Since I’d already started with blocks squared up to 9 1/2’’ x 9 1/2’’ I kept that. If you know me at all, you know I don’t make small quilts, so my finished sized is typically over 80” square. It just so happens that that is the perfect size for a double bed and Oh! Guess what size bed all my kids have? Well then, 9 blocks wide gives me 81” finished. And 9 blocks tall gives me an even split into thirds. That meant I needed 54 blocks for the top part and 27 for the bottom. There, quilt math done.

Over the course of a few weeks I got the sunset blocks done. I did precisely zero planning for how many blocks of each colour. I just cut a bunch of fabric - first raiding scraps, then stash - and made blocks. All blocks are improvised, but with the same technique of gentle curves and number of strips. I did save yellow for last, assuming I wouldn’t need as much because that was my sun. It’s up to the design wall play to make them work together. Of course, I am open to deleting some blocks and making others, if that is what is called for.

Then I had to lay it out on the design wall - where the fun really begins. And frankly, it doesn’t truly end until I start sewing things together and commit to the layout.

Here is the first go around with all 54 blocks.

It feels choppy, like the colours aren’t flowing. I’m never going to have a perfect gradation, but this is too far off. I also don’t like that one random bit of yellow in an orange block. It needs to be managed.

On to the next try.

Much better. The pink is more on the one side and the orange on the other, but without there being a defining line. But a few blocks stick out too much to me, I want more flow. And that pesky yellow strip is a bit more under control.

Still need to play.

Closer yet. I think the pink has too much of a vertical dividing line now though. I may need to wrap the pink around the orange a bit more. And maybe have all the lights be at the top?

This is how it currently stands on my design wall, which means I am not done yet. I’ll know when it feels right. I usually, involuntarily, squeal and jump when it feels good. Then I sleep on it. Now matter how perfect I think it is I do not sew it together as soon as I think so. I always sleep on it. Then I do two things. 1. Look at it is bad lighting. If it still looks good, it’s probably a winner. And 2. Take a picture. Not just to compare to previous iterations like I’ve done here, but because then it is like looking at it far away on the wall. That’s when colour and shape become prominent.

The key thing is to not rush it. Something the perfect layout is the first one you do. No need to doubt that! Sometimes it is the 10th or 20th. Don’t doubt that either. By embracing the process of quilt making, but thinking of this as play and not work, you are giving in to creativity.

Itty Bitty Curves Update 2 Years later

When I posted some photos of these little curves the other day a non-quilting friend asked me if I was making another version of the quilt. Because she remembered me working on them last year. Nope, same quilt. More piecing.

I pulled this project back in to the rotation last week. After so many scrap projects of late it is nice to be working with a controlled colour scheme. Not that the piecing is any faster with these itty bitty curves! I guess this was the itch that needed to be scratched.

Many times I’ve been asked how big I plan to make this quilt. The answer is always “Until I run out of fabric.” Of course, since I am working with solids I could replace them. Frankly, I’ve done that once already. But even I have limits and will likely stop once this round of fabric is done. In actuality, the supply of yellow fabric is getting low so I guess that will be my limiting factor. As it currently stands, the pieces for the top make it about 40’’ x 60’’ .

As the fabric supply dwindles I’ve decided to focus on making the little blocks instead of assembly. I have absolutely no idea how much bigger this can and will get. My little plastic baggies are filled with the size sorted blocks, like some sort of quilting drug deal. Every time I sew, press, square up, and add to the collection my potential finished quilt gets an inch or two bigger. By sewing all the blocks now I will ensure that my colours stay balanced across the entire finished quilt and not have a portion where there is no yellow, for example. So I will sew all the blocks first then sew them all together. Fingers crossed this leaves me with a functional sized quilt.

It’s been precisely 2 years since I started this project in a class with Chawne Kimber. At the time it was a fun experiment, a good way to play with one of my idols in the room guiding me. There is no rushing tiny piecing, especially when you want the finished result to be large enough to cover a lap and not just a wall. There is also an inherent boredom in tiny piecing, especially when making something larger. It is a A LOT of repetitive action. If it takes me a few years, it takes me a few years. I am thoroughly engaged in the process when I am doing it and have no problem letting my interest ebb and flow. I’m floating down a slow river and the ride is good.

Pocket Squares - Improv Applique with Tag Fabrics

Pocket Squares

40’’ x 50’’

So many of my quilts start with random ideas. Some times the ideas come to a full quilt, other times not so much. Happy to say that after a few years this quilt is now fully done.

It started with mini charm packs of my Tag Fabrics that I cut for giveaways. I had one left over. Enter the need for a hand work project. The mini charm pack made friends with a charm pack of Kona solids sitting on the cutting table. I snipped a corner off each minicharm and appliqued it to the charms. Each one has slight variations - improv in hand applique!

After finishing all those I decided that I would do another layer of applique, bringing Tag fabrics back in to it. Each fabric in this collection of mine is represented in the quilt twice - once small and once as the background.

NOTE: This is why I am no good at promoting fabric collections. I started this quilt 2 years ago when my first collection came out and I am only just finishing it.

It isn’t a fancy quilt. I’m not breaking any design barriers either. But it sure was fun to make! Another great example of the process being as important, if not more so, than the finished quilt.

Because it’s been a long time since I quilted anything myself I got back into the swing of things with some straight line quilting. Originally, I thought I might do a grid, but at first pass my lines are 1/2’’ apart. That would have been a tiny grid! With chronic pain plaguing me these last 9 months I didn’t want to push it too much. I was just happy to have got through basting the thing. The Aurifil thread in this purple ended up perfect.

If you’ve ever seen me talk or paid attention to my quilts you know how I love to throw contrast into the whole thing. In this case, I introduced a completely different colour with this teal and white binding. Which brings me to my first finish of 2019 and my first finish since May of last year.

Oh, and full naming credit goes to my friend Sharon at Color Girl Quilts. Every time I posted a picture of this quilt on Instagram she said it made her think of pocket squares.