Tag Fabric + Improv Applique = Fun

Seriously, I might just call this quilt Fun. It's nothing precious and doesn't take itself too seriously. It was just some play time that resulted in a finished quilt top - shocking!

I started with a bundle of mini charms of my Tag fabric. It was one left over from a guild trunk show where I gave them away. I also happened to have a bundle of Kona Cotton charm squares. One day they landed on the table together. It happened that that day I was sheduled to teach Improv Applique. So I grabbed to two bundles and they became friends. And well, you know me, I don't like mini quilts all that much so I couldn't very well just sew 20 charms together and call it a day. So the solids got attacked by the scissors too and then those got sewn to more Tag Fabric.

True confession: there was intense debate with my daughter about what shapes I should cut. She said the initial shapes I cut out of the mini charms reminded her of Alberta so the other ones should have been too. I argued that it would get too meta, even for me. So now we have gems/envelopes/whatever you might see. 

That's the joy of Improv Applique. Take some scissors to the fabric and see what happens!

Improvisational Piecing For Those Afraid of Improv

Yes, this still counts as Improv. It has precisely pieced curves, all made and squared up to the same size. It has a controlled grouping of fabric. It isn't at all what I thought I would make.

I define Improvisational Piecing as this:

Starting a quilt without knowing what it will look like when you finish.

This puts the emphasis on the process, on the path, on the exploration. It makes it about the act of sewing more than the fun of figuring out how to make something beautiful from that act. 

So when I started this quilt it was just to play with the fabric and the curves. Years later, when I returned to the fabric I kept the initial play and ran with it. I simply made the blocks. There was no finished quilt in mind. Obviously, my intent was to actually make a quilt at some point and not just a pile of blocks. But I had no idea what size that quilt would end up or what the actual design was going to be. I just made blocks until I ran out of the grey fabric. (To be perfectly honest, I'd wanted it bigger, but the fabric is years old and I was too lazy to try and hunt it down. So 54'' square is the size of the quilt.)

Then I had to figure out a layout. With quarter circles you have practically infinite design possibilities. I spent a morning sketching and colouring some options. I played on the design wall. I looked at the quilts of Jen Carlton Bailly, in particular. All cool and pretty, but not what felt right with these fabrics. In the end, I remembered the movement of a quilt I made with a stack of half square triangles. The design wall play worked!

No plan, no sketch, no pattern. Just a bunch of blocks turned into a quilt top. Complete improvisation.

If the thought of wonky or irregular cut fabric freaks you out - and I know it does for some people - but you are willing to embrace the challenge of an adventure then I suggest an exercise like this. Take precisely pieced building blocks, like a quarter circle, half square triangle, equilateral triangles, or even pieced coin strips and embrace some playtime. Make them without planning out a design, then try out a million and one different options for lay outs. This is indeed improvisational piecing. Don't let anyone tell you otherwise. 

Summer Play - Improvisational Piecing With Solids

A little bit of this, a little bit of that. We sew when we can.

The Improv triangle work started as a class sample. Then I liked it so much I kept playing. Still, I play. I set some parameters for the play. This is always a good thing to do, especially if you find Improv Piecing overwhelming. These are mine:

• Two colour blocks, high contrast in value.
• Only solids.
• Fundamental construction revolves around the techniques I share in my Improv Triangles class.

I've invested in some more solids because my stash is minimal in that department. These are all a combination of Cloud 9 organic Cirrus Solids (so seriously dreamy) and Kona cottons. I work only 2 colours/1 block at a time. No rhyme or reason to my choices other than I think those two fabrics look fun together. 

Kids started summer vacation over the weekend. And we were going hard with activities until that Friday night. We are all totally pooped. The sum total of the sewing I've done (minus the quarter circles that got me on a tangent) in the last month is right there on my design wall. Hand sewing my Euroa quilt while still on pool decks and soccer pitches, and little Morning Make triangle bits slowly, ever so slowly adding up. Whether it is after dinner frisbee tossing or sewing triangles together, I'm having fun with this summer playtime.

Tangential Creativity

One of the best things about having a large list of Quilts Under Construction (currently at over 40, but I don't know the exact number today) is that I can never get bored. The other great thing a large list affords me is the luxury to not give a hoot about having a large list. So if I want to start something new, I will. And I will never feel bad about that.

Being open to inspiration and being inspired to act is one of the key reasons I quilt in the first place. Because I want to create, I want to explore, I want to try new things.  And with quilting I can do that with pretty much zero danger (compared to rock climbing), a minimal investment (compared to travel), and no ick factor (compared to trying some exotic foods). The idea hits and I can run with it and the only thing it impacts is my stash.

Last week a friend in the neighbourhood popped by with a beautiful gift. A stack of unique kimono fabrics direct from Japan. Her mom, a new quilter, was visiting from Japan. One morning they came over and I shared my quilts with her. We talked (via my friend, translating) inspiration, style, fabric, what we knew of the Japanese quilting community, and making in general. It was lovely visit and I wished her well as she left, a bag of scraps and some books for her to carry home for new inspiration. I told her to come by next time she visited Canada and we would stitch together. The beautiful fabric was a wonderful, and unnecessary gift. It sits on a shelf, where I pet it and smile - for now.

But, the colours reminded of another stack of gifted fabric. This one given to me by my mother in law over 5 years ago after a trip to India. I had to look up just how long ago she gave me these treats! Thank goodness for having a 10 year old blog.

Back in 2012 I think I made 4 blocks with the fabric. Just to play. Those blocks, and the fabric, sat in a bin with all my other materials for teaching Circles. A few times a year I dusted them off and never thought of them again. That kimono fabric got me thinking, my hands got twitchy, and a few days later I already have 50 quarter circle blocks sewn. With enough background fabric for maybe 40 more.

Oh no, I have too many quilts on the go I couldn't possibly start another one. I'll have to park this idea and put the fabric back in the bin until I finish a few more quilts.

Yeah, that's not me! I relish the opportunity to see the tangent and take off down the path it opens up. I realize that not everyone is this way or that even reading about this might cause twitching in someone else. I knew that if I didn't embrace the idea right then and there I might never go back. And if it wasn't for that kimono fabric I might never have thought about these Indian cottons. If, if, if. I don't want to live a life of what ifs, I want to see what happens when I respond with Okay, now what? 

Who knows how long the kimono fabric will sit and be admired, or tucked away for safekeeping. I could try something next week or it might be 5 more years. I'm good either way.  One day it will make it to the Quilts Under Construction list.