Faye

Faye

72” x 72”

Years in the making. Like her namesake. A fearless woman, tenacious, and patient. She knew her time would come. Moved to New York with a dream. Moved through New York with relentless energy. Meeting people, making herself just that much more, ignoring the naysayers. She persevered and found her beauty and her success.

Faye, the quilt, began life in the follow-up to making the Alturas quilt. Carolyn Friedlander’s book, Savor Each Stitch came out and I fell in love with the graphic pattern. She’d already got me hooked on needle turn appliqué so this seemed like a logical step. I started the first block back in the fall of 2014. This finish is indeed a long time coming.

One block led to two and then I might as well do four, right? The initial pattern in the book calls for one block and a great use of negative space. I never follow a pattern anyway. So over the course of a few years I worked on the blocks. Looking back, it took me about 6 hours to baste each block, then who knows how many to stitch. Appliqué is not for a quick finish. Then again, nothing is a quick finish for me.

The finish for Faye come very recently though. Our family wanted to gift a quilt to celebrate a wedding. The gift was long overdue and we decided that this quilt top matched the couple’s personality. I will admit, I had a moment of selfishness for her. Then I realized that my love for her came in the making more than anything. It was time to set her free and share that love.

I always have a hard time with quilting an appliqué project. It’s a battle between accentuating the appliqué and ease. At least, it feels like a battle. In the end I went for a straight line quilting pattern. For one, Carolyn has done this a lot in the past and it works. It provides texture and security without taking away from the graphic design. Secondly, I am hoping this will be a loved couch quilt so I wanted dense quilting to help keep her strong.

The whole quilt is divided into quarters with an X through the middle. Then I echoed that line between each triangle. I chose a pale yellow/cream Aurifil thread in 50W (2311). It isn’t harsh on the backing but disappears for the most part on the front. It might seem odd to use a creamy colour when there is so much bright white, but the reduction in contrast on the coloured fabrics makes it worthwhile and you don’t even notice it on the white.

You know me and my love for a contrast binding. This bright yellow might seem like a funny choice, but almost all of the blocks have a bit of yellow in them. Black, my other thought, seemed too harsh. I had just purchased this yellow Spectrastic by Giucy Giuce from Keystone too. It was meant to be! Such a fun pop to finish this off.

The whole quilt really is a collection of some favourite and treasured fabrics. I started the whole thing with Samarra Khaja’s amazing New York illustrated fabric. Combined with a much loved Charlie Harper print that first block set the tone for the rest of the combinations. I stuck with the New York fabric when I realized I had enough of it, then paired it with some hoarded Heather Ross unicorns, the Stendig calendar print, and a gorgeous purple from Carrie Bloomston. On the back I shared another Charley Harper treasure.

Hopefully I will get to visit Faye in her new home.

Modern Mills and Stars from Perfectly Pretty Patchwork

Back when we could hang out with other people I had a lovely breakfast with Kristyne Czepuryk. We are lucky enough to live in the same city and get to hang out when our schedules allow. She shared a copy of her latest book with me. It is pretty and perfect and so bang on for her style, I love it. And right now, a lovely distraction from the real world. She asked me to make something from the book and share it as part of her book tour.

I chose the Mills and Stars pattern, one that has always appealed to me yet I’ve never made a single block. Because it is me, I changed up the colours quite a bit from Kristyne’s typical pastel palette. It works with the patterns in the book because they are classic, traditional patterns that be played with.

Mills and Stars can also be known by Hummingbird as well as Periwinkle. In fact, I remember Kristyne telling me the story of the block at that breakfast but it has slipped away from my brain.

I won’t lie, this quilt was a lot of work, especially for me. I am decidedly not a template person. Yet there I was cutting out hundreds of pieces for 73 blocks, each with 12 pieces of fabric in them. (I watched/listened to Fleabag, Dr. Thorne, and Austenland while I worked on it. Whatever it takes!) In the end, however, it was welcome work. A respite from the world to just get lost in someone else’s decision making. Once all the cutting is done it just becomes assembly line production. I always forget how fast the sewing goes when you’ve cut everything in advance. I did eventually finish.

The final quilt is a slight adaptation from the original pattern. I made it one row of stars all the way around smaller. My intention is to gift this as a baby quilt so I didn’t need it to be 60” square. I also used a single piece of the background around the center section, rather than what the pattern called for. Just to show off that cool Carolyn Friedlander fabric.

So often we think things aren’t ‘for us’. I won’t lie, the book is delightful and pretty, but it isn’t something I am instinctively drawn to. More often than not, however, it is about seeing shapes or projects beyond the fabric. Kind of like viewing a house you want to buy and ignoring the colour on the walls. I’m not a basic beige person in my house, but someone else may love it. I’d rather have lime green and that can turn off a whole new crowd of people. I think we all need to look at shapes and patterns more than fabric and colour when we see a book or a new quilt. That’s why I was drawn to this pattern myself. It was the mix of block sizes and the graphic nature of the block itself that grabbed me. I just had to add my own spin on it.

The books is full of classic designs and some really cool projects. For each block design there is a quilt pattern as well as a small project. And who is to say you can’t mix and match one block with another project? The instructions are attentive to detail, templates are included in a tear out sheet, and the photography is well, pretty. Kristyne has made a lovely book.

Park Quilt Blocks Done and Resting Together

Over two years worth of hand applique. Not the only hand work I did in that time, but definitely the bulk of it. Maybe it should be a relief that it is over, but there is some sadness there too. It's been such a constant companion in that time. Coming with me on trips, to pools, while watching shows, on quiet Sunday mornings. Forever forcing me to slow down, to be silent. A welcome respite from the frenetic energy of improv piecing, deadlines, and household chaos. 

All that being said, it won't be getting quilted anytime soon! Mostly because I haven't a clue how I want to quilt it. The quilt top needs some time to rest and I need time to think on it.

The whole thing started for two reasons. One, I was teaching a couple of hand applique classes and Carolyn Friedlander's pattern is a perfect lesson. With her permission I used the block. The other starting point was a bundle of fabric I gave to Lysa Flower to paint years ago. She asked for a bundle of my favourite fabrics. Many of those fabrics are in this quilt and the originals inspired the rest of the fabric selection. 

It was a lot of fun to pick different combinations of fabric for the blocks. Some times I went for really high contrast, others for almost none. The pattern combinations are shocking to many, but I love each and every one.  I was able to use some of my new Tag fabrics with some old treasures.

I really do need to think on the quilting so I can do the whole quilt proper justice. It's okay, I'm not going anywhere and neither is this quilt.

Park Quilt Progress

Here is where I currently stand with my Park Quilt blocks. I have a 16th already on the go. 

If I stopped now the finished quilt would come in at about 70'' x 70'', once I press and square up the blocks. That's a pretty good size quilt. Definitely large enough to snuggle under, even with a guest. But it doesn't fit a bed. And frankly, I have a lot of quilts I can snuggle under. This might yet become a gift and I like the idea of gifting a bed quilt better. 

But that means 9 more blocks. Said that way it doesn't seem like that many. Truth be told, I think it could use a few more pop of orange too. Really, if I were to sit down and make a block from start to finish it takes me a couple of hours. So for maybe 20-25 hours of work I could have all the blocks done. Add another hour or so to get the top together and it doesn't seem like that big of a deal, right?

Right?