November Morning Make 2022

Well this was a different month!

I have a Creative Bug membership. In fact, it is like a gym membership for me. I pay for it each month and almost never use it. Oops! But the daily practice I did in November made it all worthwhile. Every day I worked on a book structure, as led in a class by Faith Hale: 30 Structures in 30 Days - A Daily Practice in Bookmaking.

There was an investment in supplies to start - book board, an awl, an Xacto knife fancy paper, glue, waxed thread. I shopped at two local art stores and the big A to get it all. In all honestly, the paper cost the most and I have a lot left. I was nervous about the knife, having sliced off part of my thumb as a kid with a similar blade. This time I followed instructions and I am 47, not 7.

Faith did a great job of moving through a number of techniques for folding, cutting, and assembling the book structures. Some were super simple and only took a few minutes. Others were a multi day process. We stitched sometimes, others we just folded. Some books have hard covers some are just paper. I even got to add fabric from my stash to a few because there was no official book cloth to be found.

The simplest ones are my favourites. Or the ones with interesting folds. Or the ones with hard covers. I picked out some of my favourites and filmed them for more detail.

I can definitely see making some of these again as gifts or for special notes for special people. All of these are currently blank. Now that I know how to make them I would like to try again with the pages already filled or at least planned out prior to assembly.

All in all, this was a fantastic month! I absolutely enjoyed this creative challenge. It still had me playing with colour but was a new to me experience. Totally perfect for Morning Make.

Wish Upon a Star

Wish Upon a Star

48” x 48”

For a little baby boy, born to parents raised across the country , a quilt to make all the wishes. Or, just to spit up, poop, and play on. And hopefully keep you warm. Heading your way soon.

This quilt is a slight adaptation of a pattern by Kristyne Czepuryk in her recent book, Perfectly Pretty Patchwork. The only change I made was to skip the outside round of stars, thus reducing the overall size of the quilt. It was a definite change in making for me - using templates and all that precision piecing! Changing things up can be good though! Keeps you on your toes.

Most of Kristyne’s work is soft, pastel, and oh so pretty. It’s gorgeous stuff but not necessarily what I am drawn to for my own quilts. Not wanting to go shopping I decided to see what I could do with what was on hand. I’d been saving this Carolyn Friedlander print for a totally different project. It had been sitting long enough, however, and deserved to see some glory. The rest of the colours came from an Ikat butterfly print by Tula Pink. You can see it there in that corner star, and again on the back (below). The nice thing about this pattern is that I could dig through my stash and scrap bins to cut the diamonds for the stars. It meant a lot of variety; scrappy all the way. The prints used are a combination of old and newer, modern and boring, bright and simple. All together I think they balance nicely and create so much visual interest.

To quilt it I simply did an edge to edge wave, varying the thickness of the lines as I went. It was nice to have the change in texture from the points on the pattern. With a pattern like this I think you can really emphasize all those points with ditch or echo quilting, or you can contrast it. Bonus: contrasting it is easier. My thread choice was a dark turquoise Aurifil in my stash. It doesn’t stand out too much anywhere but doesn’t quite blend in. I rather love it.

Binding was an unexpected choice. I didn’t have enough of any green or yellow that worked to make it around all 4 sides. I debated using the same dominant blue print. Grey seems boring too. Then I spied this other Tula Pink in the stash. It’s a really cool pixelated print of tigers. (Both the binding and the inspiration/backing fabric are from her Eden line.) Cut for binding it looks totally different! I rather like the change and I think it frames the quilt nicely.

Again, because I couldn’t pop out to the store and wanting a backing done when I wanted it done I got creative with my stash. There wasn’t enough of the butterfly print to make it so I added these big blue dots (a leftover piece of Lotta Jansdotter fabric from our collaborative Lilla quilt) as a frame. This might be one of my favourite quilt backs ever.

Thank you for pushing me out of my box a little here Kristyne! I won’t lie, I’m a little sad to send this one out the door but a certain baby boy will surely appreciate it.

Sawtooth Sampler from Walk, Jog, Run: A Free Motion Quilting Workout

A few years back I met the bundle of positive energy Dara Tomasson. I think it was at a trunk show I was doing but don’t quote me on that! As we got to know each other we discovered that she had family living only blocks away, her husband and I likely crossed paths as teens, and we had a mutual love of dogs and ice cream. Now she has her first book debuting in the world! When she asked if I could help her showcase it I did not hesitate.

Walk, Jog, Run is a free motion quilt (FMQ) book designed to help you build muscle memory, and thus, expertise. It isn’t just a book full of doodles for FMQ though. Dara walks us through set up, the right tools, and trouble shooting before she even gets to quilting patterns. As a former school teacher and current coach she is adept at breaking everything down to feel both manageable and informative. One of my favourite bits is the discussion on tension troublesheeting - something that I still have to look up after 21 years of quilting.

One of the other parts of the book that makes it unique is the drawing exercises and ‘training’ she suggests to build your skills. Like the title suggests, you can’t run a marathon until you know how to walk first. You can’t FMQ the king size beauty until you can draw the lines you want to make.

Now I am pretty comfortable with my FMQ skills. But I admit that I get lazy. I want to minimize stops and starts so I choose all over designs. Or I want to finish quickly so I choose something easy. But after reading the book and making this Sawtooth sampler I am motivated to try a few new to me things. That’s because they aren’t any more difficult, it was just my perception of the difficulty.

I’ve never done the ribbon candy before, but I love the look. It is definitely something that requires the muscle memory, so I did it all over the background on this piece. And one of my new favourites is the double meander on the top there. These are only 15” stars so quilting on a piece this size was a perfect way to practice. The sandwich was easy to manipulate yet I had ample space to experiment

To quilt I used two colours of Auriful 50W - a fuschia for all the stars and a pale yellow on the backgrounds. Of course, if you really want your stitching to pop then use a contrasting thread. You can see that in effect when I used the fuschia on the blue star.

Confession: I made a mistake when I was cutting the fabric for one of the stars, but I didn’t notice it until I was sewing. Of course, I didn’t have enough fabric left. So with a quick pivot I decided to turn this into a pillow cover. With pandemic shut down though I had to go with a size of pillow form already in the house. That just meant I could do a literal pivot too. I rotated things as I trimmed the quilted pillow top, cutting off points and the oddly shaped star mess. A fun solution! Since it had to be just a few inches bigger than my largest ruler I made the pillow back first and trimmed based off that. Nothing fancy there, just an unquilted envelope back of some fabric in the stash.

Congratulations Dara on your book! It’s a great one and I hope the rest of you will check it out. Especially if FMQ is new or intimidating to you. This book is a great trainer and Dara is a wonderful coach.

As you can see, about 20 minutes after I finished the pillow was put to good use as my littles listened to a teacher reading stories.

Modern Mills and Stars from Perfectly Pretty Patchwork

Back when we could hang out with other people I had a lovely breakfast with Kristyne Czepuryk. We are lucky enough to live in the same city and get to hang out when our schedules allow. She shared a copy of her latest book with me. It is pretty and perfect and so bang on for her style, I love it. And right now, a lovely distraction from the real world. She asked me to make something from the book and share it as part of her book tour.

I chose the Mills and Stars pattern, one that has always appealed to me yet I’ve never made a single block. Because it is me, I changed up the colours quite a bit from Kristyne’s typical pastel palette. It works with the patterns in the book because they are classic, traditional patterns that be played with.

Mills and Stars can also be known by Hummingbird as well as Periwinkle. In fact, I remember Kristyne telling me the story of the block at that breakfast but it has slipped away from my brain.

I won’t lie, this quilt was a lot of work, especially for me. I am decidedly not a template person. Yet there I was cutting out hundreds of pieces for 73 blocks, each with 12 pieces of fabric in them. (I watched/listened to Fleabag, Dr. Thorne, and Austenland while I worked on it. Whatever it takes!) In the end, however, it was welcome work. A respite from the world to just get lost in someone else’s decision making. Once all the cutting is done it just becomes assembly line production. I always forget how fast the sewing goes when you’ve cut everything in advance. I did eventually finish.

The final quilt is a slight adaptation from the original pattern. I made it one row of stars all the way around smaller. My intention is to gift this as a baby quilt so I didn’t need it to be 60” square. I also used a single piece of the background around the center section, rather than what the pattern called for. Just to show off that cool Carolyn Friedlander fabric.

So often we think things aren’t ‘for us’. I won’t lie, the book is delightful and pretty, but it isn’t something I am instinctively drawn to. More often than not, however, it is about seeing shapes or projects beyond the fabric. Kind of like viewing a house you want to buy and ignoring the colour on the walls. I’m not a basic beige person in my house, but someone else may love it. I’d rather have lime green and that can turn off a whole new crowd of people. I think we all need to look at shapes and patterns more than fabric and colour when we see a book or a new quilt. That’s why I was drawn to this pattern myself. It was the mix of block sizes and the graphic nature of the block itself that grabbed me. I just had to add my own spin on it.

The books is full of classic designs and some really cool projects. For each block design there is a quilt pattern as well as a small project. And who is to say you can’t mix and match one block with another project? The instructions are attentive to detail, templates are included in a tear out sheet, and the photography is well, pretty. Kristyne has made a lovely book.