Label Your Quilts!

Everyone has a different approach to labelling a quilt. Some don’t do it at all, others design and make embroidered labels. Some simply sign it with a marker, others screen print fabric and make it part of the back. Some just add a ‘signature’ bit of piecing or binding, others have custom labels made and sew them in. Truth be told, there is no right or wrong way to do it. What is most important is that you put your name to the work.

For one, be proud of the work you did. You made that! Put your name to it, on it, in it.

Secondly, give your quilt the history to live beyond you.

There are various schools of thought about what should be included on a quilt label. Here is what I think should be on it:

• Your name

• Date the quilt was made/finished

• Material make up

Anything else is just gravy. And gravy is good, so I include other things. I like to name my quilts so that is always there. If there is a specific inspiration or starting point, then that gets included. If I used a pattern I acknowledge it. If it is a gift, I like to put the recipients name on there too (and wedding/birth date if it is for that.)

Your name and the date is important. This is the history part. Should your quilt live beyond you or be separated from you (by choice or not) there is a record of the maker. If your grandchildren uncover the quilt one day they will want to know! So will the historian, the neighbour, the treasure hunter, the buyer.

Material make-up is very useful information for care instructions. I work almost always with cotton, including cotton batting and thread, so this helps any recipients present and future know how to wash it and care for it. If I use something different, then I include that. You could get super detailed here and list the thread used, batting chosen, and even fabric lines. The level of detail here is personal, but at least include material make up.

I know that labelling is a pain. We are so excited to finish the quilt, to wash it, to cuddle with it that we very often skip this system. Including myself in that majority. But I always label a quilt before gifting it. And lately I’ve been feeling the guilt of not having all my quilts lately. Might be the Covid stress and fear of the unknown - what quilts will outlive me? The solo show I had recently forced me to label a bunch of quilts as I did not want them going out into the world with no record.

As for ways to make labels, there are as many ways as there are quilts. I’ve seen people screen print fabric and sew it into the back of the quilt, embroider and stitch on a label, write right on the back of the quilt, sign the front, get custom labels printed, and appliqué something. Myself, I’ve done fancy ones where I’ve used leftover fabric for framing before stitching it onto the back, printed ones with special papers, intricate traced designs, and plain writing on white fabric. The last one has been my go-to of late. I use scraps of white fabric and a Micron pen to write it. Every now and then I might decorate the label with fabric markers. Nothing fancy, easy, and gets the job done. Unobtrusive too. Most importantly, it is there.

One last thing, a little tip I learned years ago. If you are gifting a quilt that will be used in a public setting like a dorm or care home, undo the binding and write some info on the inside of the binding before stitching it back up. Labels that are stitched on can be removed if someone really wants to claim the quilt as their own. But having a signature hidden in the binding then ownership can always be proven.

Hermia

Hermia

72: x 65”

Not known for her stature, Hermia is known for her passion. Her Shakespearian namesake was an apt inspiration. She is always willing to engage in a debate and will fight fearlessly for the rights of all. She’s marched, written letters, educated quietly, and interrupted when necessary. Perhaps her size makes her less intimidating? Or is it that she is ignored, assumed to be worth ignoring. Never make that mistake.

These particular curves started in a Small Piecing workshop with Chawne Kimber. I wanted to see how small I could go. It turns out that ¾” curves are the answer to that question. Chawne encouraged her students to try for smaller and smaller, as well as gave tips for managing the size. Once I started I couldn’t stop! The quilt is the size it is more because I ran out of a number of the fabrics but I was tempted to make it bigger. Small pieces + big quilts = heaven!

Improv curves are a comfort block for me, something to feel good sewing when I am not sure what to sew or need the joy in the act of sewing. Curves are always the answer. Truth be told, I was sad to finish this quilt. It gave me such joy to work on it. The quilt is great! But this is one of those times when process wins over product.

I had a few ways to go with quilting. No matter what, I knew it would be easiest choosing an all over design. I also chose to do straight line quilting with my walking foot to manage any potential headaches with all those seam bumps! Essentially, I quilted her twice. In one direction in various blue threads. Why various? well, I had a whole bunch of more than half empty spools so decided to use them up. Then I did the same thing in the opposite direction with yellow.

My original plan for binding was to use the black and white print I used in bits on the front. This is one of the prints from my one and only fabric collection. In the end, though, it felt too busy as binding here so I swapped it for the Famous Last Words print. Perfect!

It took the motivation of my first solo quilt show at Heritage Park to finish this one. Otherwise, I might have kept making curves. Once I found my fabric, of course.

Fall Inspired

So technically, this is a fall inspired quilt. Well, it was when I started it last fall. The colours and energy reminded me of a oh so brief yet spectacular fall season here in Alberta: blue skies and all the colours of the changing Prairie. I’m not sure what motivated me to pull out the blocks, add some more, and finish the top this past week. It certainly wasn’t the snow covering the sprouting crocus and green grass growing. Or maybe that is precisely what did it?

The blocks began in my Improv Square in a Square Playdate hosted through Quilters’ Playcation. I was enamoured with the technique and the colours that I committed to a quilt top. Just five blocks put together in a free hour here and there. No pressure making, just the way I like it! Play for the sake of sewing. I think that is what I needed over the Easter/Passover long weekend - sewing for the sake of sewing. Then, when I counted the blocks, I realized that I was pretty close to finishing up the total needed. Some quiet evenings, a snow storm, and a sick kid home from school meant that I was not only able to finish the blocks, but get the quilt top pieced!

These blocks are all improvised. That means points are sometimes cut off and they don’t always match between blocks. On a moving, used quilt though that will never be noticed. This construction technique is so much more relaxed than a paper pieced or precision pieced version, at least for me.

This entire quilt top was also an excellent way to play with fabric and colour. I chose my colour story - blue, coral, orange, and yellow - and explored value, hue, and tint in each block. Some blocks have bold contrast, some are subtle. Some move from light to dark, some are less prescriptive. The constants were the construction method, overall size, and the transition from warm to cool with each square in a block. Then I made half the blocks starting with warm, half starting with cool. That meant for a great overall pattern when assembling the quilt.

The weather is doing it’s normal, indecisive thing these days. Not yet spring but not really winter. When my son - who helped me with the photos because he is out of school with a bad cold - lamented that now we would have to baste the quilt I told him not to worry because it is definitely not fall. This quilt, well, it makes me think of fall. Don’t worry, son, we’ll probably be basting it next September! Or the one after that.

Gemma

Gemma

60” X 60”

This was the first iteration of the Quilters’ Playcation Adventure Sewalong. Every decision, from inspiration to binding stitches was voted on my Instagram followers. I needed to play and taking the decisions out of my hands was a unique way to do so.

She is a free spirit. Sure, she knows the rules, but she also knows that life is more fun when you veer off track a little. Or, a lot. Unsure where she will actually end up most days, Gemma is a risk taker. She might go too far sometimes, but she has good friends who will always help her pick up the pieces. No matter how many times she screws up. No matter what, she is always willing to go an an adventure.

Week by week I asked my Instagram followers to guide my decision making on this project. From the inspiration to fabric to block choices, from layout to thread to binding choices. It was a bit like designing by committee, but I found that most people leaned the way I did. Or maybe I led them to the same decision? No one will ever know.

It was an excellent exercise in letting go. Definitely a moment for the process to shine.

One area where my idea was not the winner in voting was the quilting. I’m not complaining about the 80s school photo laser background, but it is not the curves I was initially thinking of doing. You know what, though? It looks fantastic!

When it came time to bind the quilt a classic black and white stripe won the popular vote. Not a bad choice at all. When someone, however, suggested pops of the quilt colours in the binding I couldn’t resist that idea. To finish I wrapped the binding around to the front and used an 8W Valdani to finish with nice, prominent stitches. A perfect finish.

My idea for the back was thwarted by an odd alphabet print. Seriously, who makes an alphabet print and doesn’t include all the letters? Oh well. Some orphan blocks from the front, a good reminder to play, and a collection of fabrics from the stash all pieced together work just as fine.

In the end, it was a fantastic exercise for me to bring some real play back into my quilting practice. Truly, this was making for the sake of making. And an excellent reminder to look for that lust for life.