From 0 to 125 - A Survey of Unfinished Quilts

Where do you fall when it comes to unfinished quilts? Earlier this year I conducted a survey of readers on the topic. Everything from true confessions on the number of quilts under construction to attitudes towards these projects.  Over 400 people answered the survey and I am finally able to share the results. My own current number sits at 47. It certainly creeped up this year!

What counts as a quilt under construction? I left the definition of unfinished open, by design. For some people a stack of fabric counts as an unfinished quilt, for others it is a quilt top. I let everyone define that personally. 

Just how many quilts under construction do you have? A few of you have 0, zero! unfinished quilts. A a few of you have over 100 quilts sitting unfinished. Most of you, however, are in the 10-15 unfinished quilts range. 

What I think is more telling is how people feel about their number. I asked people does this number stress you out?

Unfortunately, it didn't occur to me to have these questions link so I could figure out the statistical correlation (I am not a survey designer by trade). Same goes for the next question, where I asked people how many is too many?

In looking informally through all the responses though, it appears (but is not proven) that those that have a higher number don't seem all that stressed by the number. Nor do they think there is such a thing as too many. I have a theory about that. 

It comes down to perspective. If people view quiltmaking as a means to an end - a process by which we make a product - they get hung up on numbers and checking things off lists. Must finish becomes a mantra because their goal is a finished quilt. But if people view quilting making as an end in and of itself - a process that may or may not result in a product - then the number doesn't really matter.

Of course it should be said that at some point the majority of us do want to finish quilts. We are, ultimately, trying to make quilts here. If the emphasis, however, is on the finished product over the process we might as well go to the mall and buy a factory made piece. 

Back to the survery results.

Let's get practical. I asked where in the process do you generally stop working on a quilt? The question about process was left open ended, so the numbers don't add up to 100%. But the results are still telling. 

I know, for me, making a backing and basting are my blockades. Quilts pile up there. It seems I am not alone. Those are tedious tasks, no doubt. 

One question and the most popular answer probably tell the story here. The question was asked, what makes you stop working on a quilt?

Overwhelmingly, the answer was what one respondent referred to as Shiny Object Disorder. Something else becomes more inspiring in that moment. Or we get bored. It's pretty simple. Other answers included uncertainty about quilting plans or skill level. And that ever present need to wash the floors to baste a quilt!

I was able to present these results and my take on them in a lecture at QuiltCon in February. For the rest of you who weren't there I am happy to both share the results here and my full take on them in the latest issue of Modern Quilts Unlimited. In the article I defend all these unfinished quilts as markers of creativity. If we take on the Five Ps of quilt creativity we can all see it this way.

• Perception - how you view your quiltmaking in general makes a huge difference in how you view unfinished quilts, your skill level, and creativity
• Planning - approaching quiltmaking willy nilly is fine for some, but most of us require a more thoughtful approach to a project and practical considerations of space, time, and money
• Process - there should be as much joy for you in the process as the product
• Practicality - how we manage the unfinished quilts in our space and minds
• Play - bringing that spirit of playful joy to our quiltmaking

Long time readers will recognize these themes from posts. After nearly 20 years a quilter I've learned a few things, and I don't just mean hand applique. When we start our quiltmaking we almost always all start with products in mind. Some of us stay there and some embrace process more. Neither is more right than the other. When it comes to quilts under construction, however, I do need to defend every single one you have as a mark of creative action. Even if it's been years since you touched that project it does not represent a failure, it celebrates creativity! Own it.

The Truth Behind Morning Make

My alarm went off this morning precisely 7 hours and 1 minute after I got in to bed. I did not jump out of bed. I lingered, staring into the mostly dark, listening to my husband breathe. For at least two minutes I debated rolling over and going back to sleep. For another two minutes I wondered if I should go to the gym instead of sewing. And for two minutes more I stretched out my arm with the tennis elbow. Then I got out of bed.

In my PJs I shuffled to the sewing room. My dog is sick so I hugged the wall in case he'd pooped in the basement again overnight. (He didn't, but if he did I needed some sewing before I dealt with that.) I clicked on the machine and turned on both the design wall lights and the overhead lights. Normally I don't make it so bright because, damn, it's first thing in the morning, but I am machine quilting so it helps. I settled on my pillows and set to finishing the stitches on this particular quilt. 

I've been thinking about my Morning Make practice lately and how much it is saving lives. Mine and those of the people around me. Okay, so that's melodramatic. Morning Make is definitely changing lives though. I first wrote about it in May of last year. I'm amazed at what it has done for me since then.

Life came at us hard once September hit. Like any other family it is the daily barrage of school lunches, playdates, sports, homework, drama, driving here and there, work, and moments of glory, beauty, and snuggles. It's exhausting and most days I feel like the only time I sit down is in the car and then the kids are all talking and nothing is silent or calming about traffic. Add to that family drama,  a bountiful harvest, and financial stress and life is like the peach tree done for the year - all the promise and the lingering sweetness, but ready for a good long rest. 

Despite all that, or maybe to spite it, I am committed to my Morning Make. Some days it is 10 minutes of random piecing of scraps, others it is machine quilting. Some times I take an hour to write. If the kids get up early I sketch and colour with them. The phone, as always, stays on the nightstand. The computer does not get opened. I use my hands, my feet, my heart, my brain to do, to be. I create before I consume.

The reason Morning Make is saving lives is two fold. One, most days that is the only time I get to actually be consciously creative. The whole day is a juggle and even making your bed or dinner can be considered creative acts. Yes, even those. You have choices to make and hopefully the end result is somewhere between passable and beautiful. That counts as creativity. If I've started the day with a creative act, a dedicated moment where I did the thing that gives me so much joy and peace, then I've set up my mood for the whole day. And when Mama is calmer we all have a better day. Not to mention I won't be cranky or frustrated quite so much when I elect to watch the Daily Show when my day is finally done instead of heading in to the sewing room.

Two, Morning Make has turned in to a daily practice. From what I understand what I do is very similar in practice and impacts as a meditation practice. It is about being present, with no outside influences. I focus on the task in front of me and that is all. Just rather than that focus being on breathing, a mantra, or a particular thought, it is on the creative act I am doing right then. It is focused concentration. The more you do that, the more the benefits extend to the rest of your life. That's why meditation is so strongly recommended for anxiety and even problem behavours in children.

Beyond these two amazing benefits, Morning Make has made me far more productive. In terms of sewing I am getting things done. A little each day goes a long way! That ability to be more present in what I am doing also means I waste less time when I am doing things. I can stay off social media, avoid click bait, and process the news in smaller chunks. So the little time I have for all the things means it is getting used well.

In no particular order, these are quilts or quilt tops I've finished via Morning Make:

• Forgiveness
• Arkison in Australia
• Shiver
• Morning Make II
• Morning Make I
• Y2K (Well, the finishing, not the starting)
• Scraps Go Round

The icing on the cake is quite literally, the creative energy. Not just the making of things, but the fuelling up I get from this daily practice. This is my time to play, explore, improvise. Zero expectation for what I do, only some time to try. Creativity begets creativity. I get a million more ideas, I see things differently, I want to try more, do more. 

So today I finished quilting that quilt. Then I went about my day of momming, part time work, cake baking, driving, and all the rest. And not once did I have a temper tantrum or even say something snarky. I totally give credit to Morning Make for that!

Tonight I will put out some fabric. I will set my alarm for 7 hours and 1 minute after I get into bed. When I wake up in the morning I will breathe and stretch and make. 

For practical tips and more about Morning Make check out this piece on the Craft Industry Alliance blog. 

Improvisational Piecing For Those Afraid of Improv

Yes, this still counts as Improv. It has precisely pieced curves, all made and squared up to the same size. It has a controlled grouping of fabric. It isn't at all what I thought I would make.

I define Improvisational Piecing as this:

Starting a quilt without knowing what it will look like when you finish.

This puts the emphasis on the process, on the path, on the exploration. It makes it about the act of sewing more than the fun of figuring out how to make something beautiful from that act. 

So when I started this quilt it was just to play with the fabric and the curves. Years later, when I returned to the fabric I kept the initial play and ran with it. I simply made the blocks. There was no finished quilt in mind. Obviously, my intent was to actually make a quilt at some point and not just a pile of blocks. But I had no idea what size that quilt would end up or what the actual design was going to be. I just made blocks until I ran out of the grey fabric. (To be perfectly honest, I'd wanted it bigger, but the fabric is years old and I was too lazy to try and hunt it down. So 54'' square is the size of the quilt.)

Then I had to figure out a layout. With quarter circles you have practically infinite design possibilities. I spent a morning sketching and colouring some options. I played on the design wall. I looked at the quilts of Jen Carlton Bailly, in particular. All cool and pretty, but not what felt right with these fabrics. In the end, I remembered the movement of a quilt I made with a stack of half square triangles. The design wall play worked!

No plan, no sketch, no pattern. Just a bunch of blocks turned into a quilt top. Complete improvisation.

If the thought of wonky or irregular cut fabric freaks you out - and I know it does for some people - but you are willing to embrace the challenge of an adventure then I suggest an exercise like this. Take precisely pieced building blocks, like a quarter circle, half square triangle, equilateral triangles, or even pieced coin strips and embrace some playtime. Make them without planning out a design, then try out a million and one different options for lay outs. This is indeed improvisational piecing. Don't let anyone tell you otherwise. 

Galaxy

Galaxy

60'' x 60''

Improv isn't just for wonky cuts and pulling fabric out of a bag. You can start with a shape, precise cuts, and a playful spirit. That's exactly what I did when I started this quilt, oh... almost 3 years ago.

I did have a plan, but when that didn't work I had to figure out something else that would still make a beautiful quilt. There was no way this beautiful fabric was going to waste. It is made from the Cloud 9 Cirrus Solids, their first colour release. It is extremely soft and oh so delicious. Bonus, it is certified organic cotton. So when my initial intention did not work out, I came up with an alternative quilt top.

This is what playing with improv teaches you to do - figure out a solution no matter what. Whether it is running out of background fabric or making a mistake in piecing, whether you simply don't like the way it turned out or you suddenly want to make the quilt bigger, having the spirit of improv means you can come up with a low stress solution. It is about tapping into that ability to embrace the unknown and find a path forward. 

So back to the quilt.

When I took my mostly random half square triangles and settled on a layout - after a lot of design wall play - the top got pieced and added to the pile of tops in the closet. Periodically I would pet it (that fabric is seriously soft) but that's about it. Fast forward to last month when friends of ours asked if just maybe I had a quilt to donate to a charity event they were hosting. I think my husband answered for me, with the strongest yes ever. Rather than take a finished, and therefore used, quilt from the racks I decided to finish one fresh for them.

I've also learned that for charity donations like this people seem to like quite traditional or quite bold quilts. This one is definitely bold! The other thing I've learned is that while I am generous, I can't be ridiculous with my time. I do have that family/work thing to do. So I went with straight line quilting that actually added some movement plus a cool secondary pattern of an Ohio Star where the lines intersected. I picked a turquoise Aurifil because when any colour will work that is always an excellent choice! It also looked great on the back, one of the first Prints from Rashida Coleman-Hale with Cotton and Steel, Moonlit.

Binding choice was probably the most difficult. Again, any solid colour would likely do. I was leaning towards hot pink or carrying the turquoise out. Then I spied the perfect fabric peeking out of my stash - a ruled sheet of paper inspired print from Paper Obsessed by Heather Givans (of Crimson Tate fame). It's already on the bias, and the touch of blue and pink is just enough to make it so much more than a solid binding. And thankfully it looked great on the back.

The quilt has already been auctioned off. I'm always a little bit sad that they don't fetch more, but happy that the quilt is going to a loving home. And I met the winning bidder so I know it will be well taken care of. I may however, need to restash some of those Cirrus Solids now.