Quilters' Playcation Adventure Sewalong 2022

The joys of insomnia. Seriously. When the brain won’t shut off at night I find it better to just get out of bed and let the thoughts out before I try to tuck myself back in. So there I was, one night over the holiday break with visions of quilt blocks swirling in my head. (Who even knows what sugarplums are anyway?) I got up, sketched them out, and developed the idea that was keeping me awake. Add a mug of warm, honeyed milk and I was able to return to bed with my creative burst satiated.

That’s how the Quilters’ Playcation Adventure Sewalong for 2022 began.

Each week in 2022 I am going to offer you a free block tutorial via a live event on Instagram. That's right. Me, live on Instagram, demoing a unique improv block, 52 times this year. Tune in each Tuesday at 10 am Mountain, or watch the replay when it works for you. Sew right along with me or just watch and hang out.

This qualifies as an improv adventure in my books because I have no clue what it is all going to end up like! Sure, I've sketched out a couple of dozen blocks, but there is no specific plan for a quilt here. We're just going to sew and sew and sew and see what we come up with. You can make all the blocks, some, none, or even your favourite one over and over again. Then, in January 2023 we will get together and put them all together. Each quilt will be unique. Each quilt will be awesome. Each quilt will be full of fun.

I am actually making each block twice. Once in a group of solids, once in prints. I wanted to be able to share the possibilities of fabric changing and supporting the design. Not to mention, encourage everyone to play with their fabric choices too. This way I can make one block to build the tutorial then make another live to show how it comes together.

This middle of the night idea is taking off. Using the hashtags #qpadventuresewalong and #quiltersplaycation people are sharing their blocks. So much fabric play and twists on the designs. The excitement is there and it thrills me that is getting people to play. Think of me as the guide on this adventure, but you are going to make it work for you in the way that gets you going.

Mame - The Exclamation Point Quilt

Mame

77” x 72”

Like her namesake, Mame is known for speaking her mind and living wildly. She brings her best energy to everything, even when things are awful. She speaks what she wants, even if the consequences are great. People love her, even when it is hard. People love her, but don’t always want to admit it. At home with Princes and Sailors, Mame is fierce with love and other emotions Loving Mama doesn’t always mean less pain in your life, but definitely a lot more fun.

Confusion, solidarity, mourning, exhaustion, confinement, noise, and togetherness.

When the Covid Pandemic first started we all ran through the gamut of emotions. With or without children, whether you could work from home or not, whether you stayed employed or housed, whether you lost loved ones to illness or friendships to principles, no one is getting through the pandemic unscathed. Then there are all the emotions attached to it. At the beginning I admit to relishing the home time with my family; mostly, the break from rushing from one thing to the next. Soon, it wasn’t easy at all and I became annoyed with grocery shopping, a lack of entertainment, and home schooling. I slept more and still felt tired. More than once I held my head in my hands and cried.

Anger, frustration, laughter, annoyance, stress, despondency, grief, and fear.

I screamed a lot too. Mostly into the ether, but not always. The entire household all had our moments. To channel it all I started making blocks. I wanted to say all the words of anger, call our politicians and Covidiots all the names, give space for my kids to do the same. They say that swearing reduces the impact of pain, but I wonder what they would say about sewing swears? Because I didn’t want to sew all the words into blocks I sewed what would come at the end of each word - the Exclamation Point!

(And yes, I screamed for real when I took the above picture.)

Then I gave myself the freedom to quilt all those words right into the quilt. Using cursive to quilt such strong words felt amazing! It was really, really therapeutic. The overall quilting pattern reflects the first three waves of the pandemic as felt here in Alberta. In between those lines I added the best words, insults, and expressions to make a sailor blush. By the time I finished quilting it we were cresting the 4th wave so the final stitches have some very, very powerful things to say.

While I was making the quilt a lot of people suggested I make some red exclamation points. A strong colour for strong emotions. I wanted to stick to the story I was telling - ink on paper - but knew red would make an appearance one way or another. So I added a big exclamation point on the back, set in an alphabet print of my own. Oh yeah, and a bonus exclamation point in fabric sent to me by Brenda Suderman, a writer who published a story about this project.

Red also found its home in the binding. You know I love a contrast binding! This came from fabric I dyed with kids. You know how it was, sourdough and tie dye as pandemic activities.

There isn’t a quilter out there who doesn’t know the therapeutic power of quilting. Sometimes it is just about spending the time playing or slowing down or even going through the motions to calm our nerves. And sometimes it is about processing our emotions through what we are making, quite literally. This expressive form of quilting is powerful. For me, this very personal project certainly helped me get through these past 20 months. It gave me a focus for my feelings, an outlet for the pent up energy, and. calming for being able to create something cool out of such stress.

Remember, if you want to make your own Exclamation Point blocks there is a free tutorial available.

Elodie - A Bold Quilt of Half Square Triangles and Circles

Elodie

84” x 84”

Elodie is a lady of optimism. Sure, she’s a realist, knowing that work is always required in life and love, but she chooses to seek the sunshine in every moment. It isn’t easy and, frankly, it doesn’t always work. Elodie wasn’t always this way. Not so long ago she stayed under the covers, under the quilts, as much as possible. The world felt like a lot too much. It all changed the day the sunbeam hit her. It had been gloomy outside and in. Like most gloomy people Elodie lay napping fitfully. Then the sun broke through the clouds and hit her square in the face. Without thinking about it she breathed, nestled, and relaxed like a cat curling up in the sunbeam. Her nap became restful and when she woke the clouds had broken. Elodie could see the sun again. She vowed then and there to seek it out. Tropical vacations or moving to the South of France not being an option, she looked for ways to bring the sunshine to where she was as much of the time. Being optimistic doesn’t automatically make the sadness go away, but stepping into the light is the right step for Elodie.

This particular quilt nearly did not make it. It started from a random block, a sample made for a class. That block ended up in the donate pile that never got donated. A random rediscovery and the right timing turned that one block into a quilt top.

To make the blocks I shopped first in my scraps, using any piece in the colour story that was big enough. After that I went shopping in my stash. That makes this quilt both scraps and scrappy. (Ask me the difference in my trunk show Scraps Vs. Scrappy.)

It took me quite a bit to take the blocks - some plain half square triangles and some of those turned into circles - and find a layout that felt cohesive. I made the blocks in a colour story or orange, yellow, green and blue in 3 different sizes": 6” 12: and 18”. Some have high contrast, some have low contrast. When it came time to get them all on the design wall the challenge was evident. I tried laying it out my value, by colour, by size, and many options in between. In the end I played with colour more than value (against my usual advice) and keeping a strong diagonal component in the design. I’m pretty happy with how it ended up. And the original block found a home in it.

The quilted was completed by Phillipa Gelinas. I chose this great circle panto to compliment the design of the quilt top. Elodie deserved a fast finish. Rather, she deserved to be welcomed and used quickly. Deserved/needed.

My original plan was hot pink binding and that was before I picked out the backing fabric! When it came down to it though it didn’t look right. We know I like a contrasting binding but it just wasn’t the right thing to do here. I found this fun strip in my stash that ended up being just perfect. Like it was meant to be. Perhaps like that sunbeam?

Gremlins

80” x 80”

Named because scraps, like gremlins, multiple at night.

If I’d started this project thinking I was going to make 400 4 1/2” log cabin blocks I never would have started. Thankfully, I started with a bit of play; just seeing if I could use a pile of skinny scraps in an easy and useful way. One block, then another, and another. Indeed, the pile came from the trimmings from yet another scrap quilt. The scraps truly never end!

As I was binding the quilt I kept examining the blocks, looking for memories. You know what I mean - oh, this fabric is from that quilt, and this from that one! The truth is, though, so many of the fabrics I use find their way into multiple quilts. That is that whole scrappy look I seem to be known for. Needless to say, I couldn’t find a single block where I could identify each previous use of all the fabrics. Even the binding was leftover from a previous project. (Only it that case it was the background material, not the binding.)

My plan was to get my friend Phil to baste the quilt for me. I wasn’t keen on wrangling the pins through all those little pieces. I changed my mind on her front steps though. She does lovely panto work and I really just wanted this quilt done. A dense panto called Time Warp done in pink thread provided amazing texture and stability to all these pieces without overwhelming the value work of the block placement.

Months ago I grabbed yardage of this amazing Allison Glass print for the back. I didn’t have quite enough to match the print when piecing the back but it is so busy that only I (and now you) will know. Such a perfect compliment to the scrap goodness of the front.

To end, I want to share a little unknown fact about scrap quilts: they are heavy. Because you are using smaller bits of fabric than most of us sew with and you are using a lot of it to make a functional quilt, the extra weight of the fabric in the seam allowances adds up. That added weight to the quilt is glorious. You don’t need a weighted blanket if you have a great scrap quilt!