"patterns"

Snowflake Quilt

Snowflake Quilt Cheryl Arkison

Snowflake Quilt

60“ x 72”

Pattern by Nicole Daksiewicz, Modern Handcraft

Anyone who follows me knows that I am not much of a pattern (or rule) follower. Once in a while, though, something just grabs my attention and won’t let go. From the first moment I saw the Snowflake pattern I knew I would make one. I tried to resist, honestly. But the design was too good to let it slip by. Then, shockingly, I went start to finish on this quilt quite quickly. The top did not sit for months or even years. I finished the top a little over a month ago and the last stitches went in the binding last week, making it the first finish of 2020.

The pattern itself provides instructions for making it a bold two colour quilt, one with four background stripes, or this scrappy option. And if you follow Nicole or the hashtag then you can see many, many more creative options people did. Things like plaid, diagonal stripes, fussy cutting. #snowflakequiltalong

I may have been following someone else’s pattern here, but I did stick true to my style, even if it wasn’t a deliberate decision to do so. Low volume and scrappy, please, you know I like it! While I did debate a four colour linen version I ditched it because of seam lines. Like panty lines, I didn’t want them visible.

Snowflake Quilt Cheryl Arkison

My girls helped me baste the quilt - some crappy Christmas movie their entertainment - which made me very happy. Time together and voluntary help! It went so well I asked them to help me baste a second quilt but that is a different story.

While quilting I did attempt to do something a bit fancier but not really. To emphasize the snowflake I did point to point straight lines, a mimic crystal. The hardest part was making sure I repeated correctly on other points of the snowflake. My plans for the background were more intricate, then I reminded myself that you don’t see the quilting much on a scrappy mix of fabrics, so why go through the effort? Wavy lines for texture and to remind me of snowdrifts. It does add a nice contrast to the snowflake itself. All quilted with Aurifil 2600, that beautiful pale gray.

Snowflake Quilt Cheryl Arkison

Because I love a contrast binding I was going to choose a pale pink to finish it off. However, I used the only pale pink in my stash on the back of the quilt! Binding went on just before Christmas when hibernation mode was strong and the budget was gone. Into the stash for this lovely gray instead! I’m pretty sure the pink and the grey (plus some of the blues) are Uppercase fabrics. All the fabrics came from my stash.

Uppercase fabric

A number of family members are trying to lay claim on the quilt. My husband would be glad to see another quilt out the door, but this one is going to keep me snuggled for this winter at least. It’s only January so there is a lot more winter to come. That means a lot more snuggling.

Snowflake Quilt Cheryl Arkison









Snowflake Quilt Top

Winter in Calgary

Unequivocally, I am a winter girl. When it looked like this last week I texted my two best friends and said we had to get out in that fresh snow for a walk. It ended up being a slippery walk. I neglected to wear snow pants and that was a mistake as I kept wiping out on the ice under the foot of powder. I was wet through to my skin yet I couldn’t help but smile. It was just so beautiful. And I had good company. It was all too good to resist.

That’s how I felt when I saw Nicole’s Snowflake quilt. Modern, bold, and the kind of thing - if I’m being honest - I wish I had designed. I tried to resist, but it is too good. So I slid into my stash and picked fabrics to carry this love of winter year round in a quilt. Her pattern is fantastic.

The pattern provides options for a scrappy look like I did, a four colour version like the cover, and even a really bold two colour one. If you’ve seen anything I’ve ever done you know I went for scrappy. Oh, and low volume. Shocker.

We had fresh snow again this week. I can’t wait to go out for a walk and to come home and quilt this so it is ready for snuggles all winter. It is Calgary, after all, I have many more months of winter left to enjoy both.

Modern Handcraft Snowflake Quilt
Winter in Calgary

Thank you to Nicole Daksiewicz of Modern Handcraft for generously providing me with her pattern.

Patterns versus Improv Piecing

Are patterns and improvisational quilting diametrically opposed? After last’s project update I had a few notes and questions from people questioning my assertion that precision piecing can be improv. I’ve heard the same thing in my classes over the years.

The perception is that you either sew improvisationally or you follow patterns. And never the two shall meet. This is far from the case. Both are creative acts and nearly all quilters, at different times, sew with varying degrees of improvisation and pattern following. It is not dissimilar to acting. 

Random, scrappy hand pieced diamonds, cut from templates.

Random, scrappy hand pieced diamonds, cut from templates.

When we think of acting and improv we think of rapid fire ad libbing and comedy. It’s like the audience is experiencing the actor’s brain, as it happens. With scripted work the actor is playing out someone else’s imagination. Both are awesome, valid, and creative.

 But if an actor just stood there and recited the lines of the script there would be nothing but words. It is in their interpretation, their own emotions, and their ability to translate the intent of the scriptwriter that the words come to life.

Following a pattern to make a quilt is quite similar. The designer, like the scriptwriter, is laying out the words for the actor to bring to life. Only you, the quilter, are in charge of bringing the design to life with your fabric selection, your seams, and your ways of finishing the quilt. Copy the quilt directly and you are still doing more than simply reciting the script.

Some very precise piecing in a block designed by Cristy Fincher of Purple Daisies Quilting, using her paperless paper piecing technique.

Some very precise piecing in a block designed by Cristy Fincher of Purple Daisies Quilting, using her paperless paper piecing technique.

This notion that you are still creating when you sew from a pattern seems to be missing in the quilting world today. With so much of the decision making being offered up for the quilter in the form of patterns, precuts, bundles, and kits it can feel like creativity is given to us in a can. This isn’t necessarily the case.

For one, you are still making something. You are taking the time to sew together something with your own two hands (and likely a machine). This is a helluva lot more creative than going to a store to buy a blanket.

And for another, it is impossible to create exactly THAT quilt on the cover of the pattern. Even if you had all the same fabric and followed the pattern to the letter, your quilt has your hand, your sewing signature embedded in it. The stitches would be different, the quilting likely unique, and the final stitches in the binding present only in your quilt. 

While pattern following may get dissed for an apparent lack of creativity, improv gets all the credit. Is that really fair?

My Lilla quilt pattern - a mix of precision piecing and improv techniques - with an improvised layout limited by the fabric on hand.

My Lilla quilt pattern - a mix of precision piecing and improv techniques - with an improvised layout limited by the fabric on hand.

 One of the most common forms of improvisational piecing is about sewing together random bits of fabric. The quilter may even remove all decision making from the process by placing their fabric in a brown paper bag or a basket. It becomes about the act of sewing, when control of fabric selection is taken away. In this sewing is still a creative act, but is there a lot of creativity involved? Absolutely there is, just like the quilter who agonizes over fabric selection for the Swoon quilt they are making. Just like the quilter who sketches out a new template for a flower they want to sew. Just like the quilter who picks a block pattern and starts making blocks with no end in site.

 I often tell my Improv students that part of improvisation is the ability to accept that you are starting without knowing where you will end up. You are starting with the intent, in most cases, of making a quilt. That never changes. And that is the same regardless of how you get there in the end.

Sometimes the pattern follower decides they want to add a few blocks, or change the layout compared to the pattern cover. They might run out of fabric and need to figure out a new solution. Sometimes the improv piecer is trying to recreate a certain shape or idea through their piecing. The level of interpretation and control vary, but they are essentially doing the same thing. The pattern follower is improvising, ad libbing as they go. They’ve taken the script and gone off in their own direction, improvising. The improvisational piecer is creating a template, a pattern for the direction they want to go.

It is even unfair to say that it is a continuum. You can’t put yourself on one end or another and sometimes in between. This still sets it up as an either/or thing. It can be both, at the same time.

Creativity is there because you are creating. As soon as you make, you are being creative. Any time you make a decision along the way, you are being creative. It isn’t about who is more creative, which way of sewing is more creative, it is about the act of creating. Creativity is still there, only manifested differently each time.

You may not be the script writer or the manic actor making us laugh, but you are a quilter, no matter what.

Started with vintage fabric and HSTs. It didn’t work so I had to improvise a layout that did.

Started with vintage fabric and HSTs. It didn’t work so I had to improvise a layout that did.

A slightly different version of this post appeared as an article in Quilty. Continued thanks to Sean Hogan, an improv actor/teacher based in LA and Leanne Chahey of She Can Quilt for their insights.

Euroa Quilt Update

Euroa Quilt English Paper Piecing

And done.

Not the quilt, just the second row. It seems I am on track for one row a year as I started this quilt a little over two years ago. I haven’t quite worked up the energy to assemble the two rows together. More accurately, I haven’t found the time to clear the dining room table to do so because that is the only place I can do it.

This whole thing is sewn together via the flat back stitch. I love it! Unlike a whip stitch, which most of us seem to use for EPP, the stitches totally disappear with the flat back stitch. On the small scale it is no less portable than the whip stitch. I always have my sketch book with me so I tape my pieces together on then get right to stitching. On the large scale though, like when I have a mega block together or am assembling a row like this, I need to go back to my old stand by - the dining room table.

In time for summer I should have the two rows together and the next batch of blocks ready for work. Slow and steady on this project. I will say that finishing this row is motivation. Yes it is only row two out of five, but seeing it all together is exciting! It reminds me that my work is indeed getting me somewhere. One block at a time it seems interminably slow, but I am drinking in the process. Camping, road trips, and the odd lazy afternoon are coming up, perfect for a little more assembly. Probably by the time I get the third row done it will be dandelion season again!