Firefly Quilt Top in Solids

All 15 fireflies taking flight!

After finishing up my epic scrap quilt last week I needed a break. Not from sewing, mind you. Only a break from little pieces and all those scraps. Like a sorbet course in a very fancy meal I thus turned to my palate cleanser - precision piecing.

Thanks to my handy dandy list of Quilts Under Construction it was easy to pick and locate a project to play with. And when I took out the blocks I had already made I realized I only needed 3 more to finish my top. A few Morning Make sessions and the blocks were all done. A quiet Sunday and the top was assembled!

There is a reason I only made 15 fireflies and left a block blank, I will share that later. If, and when, I get this quilted.

Each firefly is unique. I played around with my small stash of solids, going with colour combinations that felt right. There was no regard for colour theory or even a colour story, to be perfectly honest. I would pick three fabrics for the body, sometimes a gradient, sometimes not. Then I would pick a dark for the head and back and a light for the wings. The only really conscious decision was trying not to repeat combinations or colours in each part. For example, in the photo above the two top fireflies have a pale pink and a pale peach for their wings, they aren’t the same colour.

Do you want to hear something else? I’ve never actually seen a firefly before. They aren’t native to around here and I’ve never been somewhere else during firefly season.

That didn’t stop me from trying to have a little glow in each precious bug. The highlight around their bodies is actually Metallic Essex by Robert Kaufman. It almost blends into the regular Essex background, almost. Just enough of a sparkle to me. And I liked the idea of the metallic being woven in as I find most metallic prints fade quite a bit with regular washing.

A few things to note:

- The combination of solids and the Essex linens mean there are A LOT of loose threads on the back of the quilt. It will require a thorough going over but I will do this right before I baste it so no more appear in the night.

- It is extraordinarily hard to get a full shot of this quilt when you are taking selfies in the back alley. But hey, at least the lilacs smelled nice.

For those of you wondering, the pattern itself is by Pen and Paper Patterns. It is one of the most detailed patterns I’ve read, I don’t think she forgot a thing! As I am not generally a pattern follower I truly appreciate it when it is so clear, no questions for my improv brain! You can buy it from Pattern Drop, Lindsey Neill designed it exclusively for them. (I was a Pattern Drop designer myself last year.) Here I thought I would make one or two blocks to help promote the pattern and now I have a whole top!

Focus

“Focus means eliminating distractions, not just from other people, but the things we do to distract ourselves”

— Catherine Pulsifer

My life moves in short shifts. If I was a lawyer I would book my time in 15 minute increments. It is no secret that I, like any other working mother, am being pulled in multiple directions. Kids and their activities, kids and their emotions, family business, voluntold commitments, my own writing, a teaching career, Morning Make, dog walks, attempts at a clean house, all the food, and that being a good wife thing. Not to mention extended family, some snippet of self care, and simply trying to read a book.

Maybe writing it all out wasn’t a good idea. I might make more changes.

For now, I want to let you all know that I am stepping back from selling patterns. No PDFs, no printed copies. Not until January 1, 2019 though!

I’ve come to this decision for three reasons, and they are outside of the business reality of it all.

1. Exactly what I wrote about above. I am like Elastigirl in The Incredibles and at point, something is going to snap. Taking one thing off the list is vital to survival.

2. Patterns require a certain hustle. I just don’t have it in me to do that particular hustle anymore.

3. Teaching is a real passion of mine. That means teaching technique, skill, and embracing the process of improv. Written patterns rather contradict that.

To be clear, I am not leaving the industry. For all its warts and aging joints, I rather like working in the quilt industry. This is simply about focus. I have plans, big plans, and now I can truly focus on them.

Pattern Sale - now until January 1, 2019

Euroa Quilt Update - October 2018

So, it’s been what? 17 months?

I started the Euroa Quilt in May 2017. One baby block at a time. 400 of those. Four together to make 1 block. 100 of those. Four of those then together to make a mega block. 25 of those. That’s the plan.

For anyone new here and to remind you all, this is the quintessential “Quilter Inspired by a Tile Floor” quilt. I snapped a pic in a doorway in a small town in Australia. That town was Euroa. It turns out this is not an uncommon tile pattern in Australia in the Mid Century. This quilt is an homage to that trip in so many ways,

Here’s where I’m at.

7 Mega Blocks.

30 Blocks Done (and 1 in final assembly)

3 more blocks prepped for hand stitching.

That might seem slow to you, but it seems about perfect to me. I do this project in quiet moments at the summer campsite, while hanging out at the pool/ballet studio/fencing gym, sometimes while watching TV, and on the rare quiet Sunday when I feel like handstitching instead of being interrupted reading. I didn’t stitch for 3 months last year as I struggled with tennis elbow. Things are a bit slow going right now as I don’t do a lot of sitting (newsletter readers know what I am talking about - subscribe below!) and you can only stitch so much standing up.

The truth is, I am in no rush. You’ve heard me say before that quilt making is about the process for me - the making more than the quilt itself. I absolutely love having such a portable hand work project. I really don’t care how long it takes me to finish. If I did then I would have made this smaller! As it stands, the baby blocks are 4’’. Which means the quilt as I have it planned will be 80’’ x 80’’ of hand stitched goodness.

To assemble the quilt I sew the mega blocks together then sew those together in columns. Not sure why, but in my brain I made the far right column first so I am working right to left. I usually prep one or two blocks at a time, laying out what I have so far so that my random scrappiness is somewhat controlled - no two fabrics right next to each other. It does require vacuuming the studio floor and keeping the dog out. I can do the basting and stitching of each block while in any number of places, but save the mega block assembly for home, on a large table.

Oh, and I wholeheartedly recommend the flat back stitch when it comes to English Paper Piecing.

I’ve been asked if I am bored yet. Nope. Not at all. It is highly repetitive. I think if I were working on very controlled fabric/colour placement I might be. Or maybe I would switch to foundation paper piecing for that project? But the scrappy nature of my fabric selection and my infinite patience to pick it up, put it down, and pick it up again is keeping me from getting bored. Quite the opposite, I get super excited each time I finish a block!

The printable templates are still for sale on my Etsy site, if you are interested.

Tie One On Fabrics Blog Hop with Lilla Quilt Variation

A new version of Lilla. I just don’t get tired of this pattern. That’s because it is a guide more than a pattern. Plus, it includes 25 different block ideas! Use one or use them all! Or, in my case, use 21 plus 1 made up block.

Scott Hansen over at Blue Nickel Studios asked me a few months back if I would play with his upcoming fabric collection. Feeling motivated by the lush colours of his collection, Tie One On, and having some time in my schedule I said yes. The timing also seemed ripe to make another Lilla quilt.

My original plan was a straight remake of the pattern. Same layout, same queen size, but in different fabrics. The second version I made was random, put together from my test blocks. But I wanted a new version of the original. Best laid plans…

I was sent the Sedona colourway of the Tie One On fabric. Gorgeous! These are all batiks from Banyon Batiks, a division of Northcott Fabrics. Really, they are gorgeous fabrics and wonderful to work with. I don’t shy away from batiks as many modern quilters seem to. Beautiful fabric is beautiful fabric! I will use any fabric if it is the right colour, truthfully. Getting the Sedona colourway seemed serendipitous, I always think of our trip to Arizona and the dessert three years ago. With no vacation for us this past summer I planned to live vicariously through this quilt.

Fabric in hand I made a plan. And 20 blocks in (the queen size quilt in the pattern makes 100 blocks) I realized I would run short of the Tie One On Fabric. Banyan Batiks were wonderfully generous and sent me more fabric when I asked nicely. Unfortunately, it was the wrong colourway. Well, wrong for my plan. By now I was 40 blocks in.

This is the part where some quilters would panic. I figured I had 2 choices:

• Throw in the towel. Finish the quilt with the blocks I had at this large baby size and move on. It would still be a good quilt, so no loss.

• Figure out a solution that reflected, at least, my original plan.

I went with the second option. You see, when you embrace improv piecing the spirit of saying yes, of making things work permeates all your quiltmaking. It gives you creativity to figure out a new design solution to a problem. So I took the yellows and oranges and the green from the second bundle, putting the pinks and purples aside for something else, and figured it would just brighten up my dessert sunset thing I had going on.

My plan for the background of the blocks was rather formal. I sketched a colour draft to keep on track. I thought I was brilliant. Then two things happened. One, even with the new fabric I wasn’t going to have enough of the Tie One On Fabric to make 100 blocks. Okay, so it will be a 9 x 9 quilt, not 10 x 10. Easy fix. But two, it looked like utter crap when I laid it out like my sketch. Really, not good - busy and not in a good, fun, scrappy way. The block designs were completely lost.

When in doubt, sleep on it.

Or, try to sleep. The idea hit me around 1 am when back pain was keeping me awake. I should have got out of bed and laid it out right then and there. I waited until 7 am and in the light of day I realized my new idea was brilliant. It gave order, but was still interesting. It respected what I’d done so far and my colour inspiration of Sedona. It shows off the fabric and the block designs. Success!

Scott Hanson and Banyan Batiks have done a wonderful job with these fabrics. Gorgeous colours and were easy to work with for both improv work and precision piecing, as the Lilla pattern has both.

If you want a little bit of the fabric yourself leave a comment below. On October 1, around 1 pm MST, I will pick one random commenter to win a bundle of Tie One On Fabric! Please leave your email address in the comment itself so I can get a hold of you. Then the fabric will be mailed to you direct.

Visit the rest of the blogs on the tour for your chance to win more. Not to mention some great ideas with this lovely fabric.

9/22 - Teri Lucas                 https://terificreations.com/

9/23 - Robin Long               http://robinruthdesign.com/blog/

9/24 - Sue O'Very               https://sueoverydesigns.com/blog/

9/25 - Cheryl Arkison          http://www.cherylarkison.com/diningroomempire/

9/26 - Linda Sullivan           https://colourwerx.wordpress.com/

9/27 - Sheri Cifaldi-Morrill   http://blog.wholecirclestudio.com/  

9/28 - Debby Brown            http://higheredhands.blogspot.com/

9/29 - Blair Stocker             https://wisecrafthandmade.com/blog/

9/30 - Kim Niedzwiecki       http://www.gogokim.com/

Pattern available wholesale and retail through C&T Publishing.