Euroa Quilt Update - October 2018

So, it’s been what? 17 months?

I started the Euroa Quilt in May 2017. One baby block at a time. 400 of those. Four together to make 1 block. 100 of those. Four of those then together to make a mega block. 25 of those. That’s the plan.

For anyone new here and to remind you all, this is the quintessential “Quilter Inspired by a Tile Floor” quilt. I snapped a pic in a doorway in a small town in Australia. That town was Euroa. It turns out this is not an uncommon tile pattern in Australia in the Mid Century. This quilt is an homage to that trip in so many ways,

Here’s where I’m at.

7 Mega Blocks.

30 Blocks Done (and 1 in final assembly)

3 more blocks prepped for hand stitching.

That might seem slow to you, but it seems about perfect to me. I do this project in quiet moments at the summer campsite, while hanging out at the pool/ballet studio/fencing gym, sometimes while watching TV, and on the rare quiet Sunday when I feel like handstitching instead of being interrupted reading. I didn’t stitch for 3 months last year as I struggled with tennis elbow. Things are a bit slow going right now as I don’t do a lot of sitting (newsletter readers know what I am talking about - subscribe below!) and you can only stitch so much standing up.

The truth is, I am in no rush. You’ve heard me say before that quilt making is about the process for me - the making more than the quilt itself. I absolutely love having such a portable hand work project. I really don’t care how long it takes me to finish. If I did then I would have made this smaller! As it stands, the baby blocks are 4’’. Which means the quilt as I have it planned will be 80’’ x 80’’ of hand stitched goodness.

To assemble the quilt I sew the mega blocks together then sew those together in columns. Not sure why, but in my brain I made the far right column first so I am working right to left. I usually prep one or two blocks at a time, laying out what I have so far so that my random scrappiness is somewhat controlled - no two fabrics right next to each other. It does require vacuuming the studio floor and keeping the dog out. I can do the basting and stitching of each block while in any number of places, but save the mega block assembly for home, on a large table.

Oh, and I wholeheartedly recommend the flat back stitch when it comes to English Paper Piecing.

I’ve been asked if I am bored yet. Nope. Not at all. It is highly repetitive. I think if I were working on very controlled fabric/colour placement I might be. Or maybe I would switch to foundation paper piecing for that project? But the scrappy nature of my fabric selection and my infinite patience to pick it up, put it down, and pick it up again is keeping me from getting bored. Quite the opposite, I get super excited each time I finish a block!

The printable templates are still for sale on my Etsy site, if you are interested.

Tie One On Fabrics Blog Hop with Lilla Quilt Variation

A new version of Lilla. I just don’t get tired of this pattern. That’s because it is a guide more than a pattern. Plus, it includes 25 different block ideas! Use one or use them all! Or, in my case, use 21 plus 1 made up block.

Scott Hansen over at Blue Nickel Studios asked me a few months back if I would play with his upcoming fabric collection. Feeling motivated by the lush colours of his collection, Tie One On, and having some time in my schedule I said yes. The timing also seemed ripe to make another Lilla quilt.

My original plan was a straight remake of the pattern. Same layout, same queen size, but in different fabrics. The second version I made was random, put together from my test blocks. But I wanted a new version of the original. Best laid plans…

I was sent the Sedona colourway of the Tie One On fabric. Gorgeous! These are all batiks from Banyon Batiks, a division of Northcott Fabrics. Really, they are gorgeous fabrics and wonderful to work with. I don’t shy away from batiks as many modern quilters seem to. Beautiful fabric is beautiful fabric! I will use any fabric if it is the right colour, truthfully. Getting the Sedona colourway seemed serendipitous, I always think of our trip to Arizona and the dessert three years ago. With no vacation for us this past summer I planned to live vicariously through this quilt.

Fabric in hand I made a plan. And 20 blocks in (the queen size quilt in the pattern makes 100 blocks) I realized I would run short of the Tie One On Fabric. Banyan Batiks were wonderfully generous and sent me more fabric when I asked nicely. Unfortunately, it was the wrong colourway. Well, wrong for my plan. By now I was 40 blocks in.

This is the part where some quilters would panic. I figured I had 2 choices:

• Throw in the towel. Finish the quilt with the blocks I had at this large baby size and move on. It would still be a good quilt, so no loss.

• Figure out a solution that reflected, at least, my original plan.

I went with the second option. You see, when you embrace improv piecing the spirit of saying yes, of making things work permeates all your quiltmaking. It gives you creativity to figure out a new design solution to a problem. So I took the yellows and oranges and the green from the second bundle, putting the pinks and purples aside for something else, and figured it would just brighten up my dessert sunset thing I had going on.

My plan for the background of the blocks was rather formal. I sketched a colour draft to keep on track. I thought I was brilliant. Then two things happened. One, even with the new fabric I wasn’t going to have enough of the Tie One On Fabric to make 100 blocks. Okay, so it will be a 9 x 9 quilt, not 10 x 10. Easy fix. But two, it looked like utter crap when I laid it out like my sketch. Really, not good - busy and not in a good, fun, scrappy way. The block designs were completely lost.

When in doubt, sleep on it.

Or, try to sleep. The idea hit me around 1 am when back pain was keeping me awake. I should have got out of bed and laid it out right then and there. I waited until 7 am and in the light of day I realized my new idea was brilliant. It gave order, but was still interesting. It respected what I’d done so far and my colour inspiration of Sedona. It shows off the fabric and the block designs. Success!

Scott Hanson and Banyan Batiks have done a wonderful job with these fabrics. Gorgeous colours and were easy to work with for both improv work and precision piecing, as the Lilla pattern has both.

If you want a little bit of the fabric yourself leave a comment below. On October 1, around 1 pm MST, I will pick one random commenter to win a bundle of Tie One On Fabric! Please leave your email address in the comment itself so I can get a hold of you. Then the fabric will be mailed to you direct.

Visit the rest of the blogs on the tour for your chance to win more. Not to mention some great ideas with this lovely fabric.

9/22 - Teri Lucas                 https://terificreations.com/

9/23 - Robin Long               http://robinruthdesign.com/blog/

9/24 - Sue O'Very               https://sueoverydesigns.com/blog/

9/25 - Cheryl Arkison          http://www.cherylarkison.com/diningroomempire/

9/26 - Linda Sullivan           https://colourwerx.wordpress.com/

9/27 - Sheri Cifaldi-Morrill   http://blog.wholecirclestudio.com/  

9/28 - Debby Brown            http://higheredhands.blogspot.com/

9/29 - Blair Stocker             https://wisecrafthandmade.com/blog/

9/30 - Kim Niedzwiecki       http://www.gogokim.com/

Pattern available wholesale and retail through C&T Publishing.

Firefly Quilt With a Fluttering Start (Via Pattern Drop)

Even though improv is my mother tongue, sometimes I crave a little precision piecing. It gets my brain working in a slightly different way. Yay for firing the neurons! (Does this mean I won't get dementia in later life?)

I made a single Firefly block to help my friend Katie launch a Quilt Along through her company, Pattern Drop. It was a pleasant way to spend an hour in the afternoon, digging through the scrap bin of solids. But hmm, that was a really nice way to spend the afternoon. Of course I started another block. Then I ran out of the backing fabric (before the block was finished).

Darn it, I wanted to finish that block and make more! And usually I would just dig through the stash and keep going but I really, really liked the look with the Essex Linen (in the sparkle variety and regular) and didn't want to change that. That meant convincing myself to order some because no local stores had the regular Essex in Indigo like I needed. Then waiting for the order. And now I just need the time!

The original pattern calls for 16 Firefly blocks. Lindsey Neill from Pen and Paper Patterns did a great job of drafting this block. There are some piecing options plus a bee version (I think mine lands somewhere in between bee and firefly). The pattern reads for the whole quilt, with options. I won't lie, read that way it scared me with the cutting instructions. That's because I never cut all at once. I can cut one block at a time and feel good. Less efficient, but suits my time allowed and available brain space. Plus, I have a think a bit more so more neurons fired!

CMYK - Another New Start

Another new quilt start. Smitten from the beginning.

The Mighty Lucky Quilting Club is running again this year. I am signed up for a turn hosting in a couple of months. This year, however, the Club will work together to make an entire quilt. That is, each month plays well with each other and the whole thing is designed to give you a quilt top at the end. Still regular challenges, but with a different end goal in site.

The other difference this year is that the entire thing is about colour. So by the end of it you will have a quilt top and a deeper understanding of colour for all your other work. All without making a colour wheel.

Carolyn Friedlander kicked things off in January with a discussion about creating a palette and translating colour inspiration to picking fabric. I love her piece. I will admit, however, to be to being stuck on what I wanted to do. I've never been stuck for picking a palette before! New territory for me. But I didn't stress. Instead I pet some fabric and lived my life, confident that something would tickle my fancy eventually.

Enter the latest issue of Uppercase Mag. Devoted to CMYK - Cyan, magenta, and yellow. The base colours for printing. As with all issues of the magazines I had to wipe up my drool as I read it. Then I knew exactly what I was going to do for this Mighty Lucky Quilting Club challenge.

So I picked a stack of fabric in these intense, pure colours. Not stressing too much about whether this pink perfectly matched that one. If I went that detailed then there would be no point to piecing! You need a bit of contrast in value, texture, and hue to have some depth to your piecing.

Then I printed off the templates for Carolyn's rows. She is a paper piecing master and it was good to work with her pattern. Pretty straightforward as paper piecing goes. Do not be intimidated at all! It takes me about 45 minutes to make 1 block. A beginner would probably take about an hour or more. Don't stress, just do it one seam, one block at a time.

While I usually like to use freezer paper when I paper piece, this time I used Carol Doak's Foundation Paper for my templates. They print right on my home printer, are thin, and are easy to remove. The print at home factor was big as I didn't want to draw out the templates for 12 blocks. (No affiliation, I just like it.) 

In a week I have 6 blocks done. I will plug away on these then start the next round - it's improv!

To sign up to receive the bimonthly challenges, and the templates for this particular block, check out Mighty Lucky Quilting Club. It is $50 for the annual subscription.