Queenie - Quilters' Playcation Adventure Sewalong 3 Solids Version

Queenie

Not going to lie, this might be one of the best quilts I’ve ever made. That is, from a quality perspective. It might be one of my favourites, from a fun factor perspective.

This is the 3 Solid Version of the 2022 Quilters’ Playcation Adventure Sewalong. Each week I made two blocks: a print version and these 3 solids version. To be fair, the quilt ended up being 5 solids because I grabbed the wrong white a few times and then had to improvise with a non matching grey when I ran out as I was piecing the top. C’est La Vie! That’s what improv is partially about - just moving forward when faced with a challenge instead of letting it bog you down.

From week one of the Adventure Sewalong I knew I would use the colours of the block to help guide the lay-out, wanting blocks to disappear and have shapes emerge. It works well on the abstract blocks, but the representational ones change it a bit. I played with many, many layout options over a few weeks. Quite a few of them worked well, but didn’t grab me. With all my blocks a different size the possibilities were truly endless. It all clicked when I put that block in top centre. It was the top of my mountain. This was the jolt I wanted.

(It also reminded me of what I said about my hiking challenge last year and the link to improv.)

Once she was all pieced I decided to take her to the long arm. Mostly, I was impatient to finish her and my machine was not acting very powerful anyway. I chose a yellow thread and doodled all over the quilt. As usual, I like a dense pattern. Through out the quilting I added a shape of a person cheering. Pure joy! The yellow thread (from Superior, but I can’t remember the colour) added a highlight that I loved on all the colours of the fabric. This was not a time for the quilting to blend into the background, it’s part of the story. And knowing that I’d always planned a contrasting binding I just had to choose between a few colours. My first two choices were pink and mint green, but at the end of the day, neither felt right.

So much of quilt making is trusting your gut.

The yellow colour was also chosen not because of my bad photography, but because of the backing fabric choice. One of the girls suggested a hot pink backing and I whole heartedly agreed with them. Unfortunately, I did not have enough of anything to piece together a backing from my stash so I went hunting for a wide back. While a good pink was elusive, I did find this great Anna Maria Horner print that included the exact blue I had on the front. Kismet! This is what ended up dictating the yellow thread choice and the yellow binding.

Now when I say this is the best quilt I’ve ever made, technically, here is why I say it. The piecing of the blocks together was far from straightforward. There were partial seams a plenty and I got them to all lay flat. With fillers and creativity I got everything to fit and still look good. I’m very proud of the quilting as my tension was perfect and the doodle came out better than when I was practising at home. Finally, by binding finished very nicely. Good, even stitches by hand. Bonus, the whole thing lays flat and square! Taking your time does wonders for quality. And for your joy in making.

Thank you to everyone who participated, watched, sewed along, and asked questions. Our weekly playtime was such a wonderful experience and I am so glad to have these quilts as reminders of our time together.

Quilt Block Diary of Cheryl Arkison in Egypt and Turkey

It would be a cliche to say ‘there are no words’ to describe our epic trip to Egypt and Turkey this summer. But this is a blog and that makes no sense. I could also say something about a’ picture says a thousand words’ but again, you probably want more info than that.

My daughter, long time readers will know her as The Evil Genius, qualified for world championships at both the U17 and U19 level in her chosen sport: modern pentathlon. This is a five sport event that includes fencing, swimming, obstacle course, shooting, and running. Not wanting her to have all the fun, and because we were nervous about sending our 15yo halfway around the world alone, we planned to go with her and make it a big family affair. Egypt has long been a bucket list trip for me, so I was extra excited.

It was a packed month between the competitions and exploring. We started at the first event in Alexandria. Staying in an apartment and not the venue with the rest of the teams was certainly an experience! We were not in an area with any other Western tourists. A little bit exciting in the Ubers each day. But we were comfortable and felt safe, even if the city is very loud, active, and dirty. The competition went better than expected, especially considering she fell on the first day of training there and badly sprained her ankle. We gave her the choice of competing or not and she decided to persevere. As a mother I was both proud and horrified. Mostly proud.

After Alexandria and a few days in Cairo to recoup, train, and slightly be touristy we met up with the rest of the family in Turkey. I had travelled with my daughter to Alex, the rest of the family was at a wedding. There we road tripped through the beautiful countryside to the Aegean Coast. We swam in turquoise waters, ate all the food, visited mind boggling ruins, and laughed our butts off. We had an extra kid (one of the other athletes) and my MIL. And yes, we all got along.

The next competition was in Istanbul. My daughter stayed with the rest of the team there and we had fun exploring this massive and cool city when not watching the Canadian athletes. We were there a week and I feel like we barely scratched the surface of what there is to experience.

When the competitions were over and the rest of the team went home or on to other events our family travelled back to Egypt. This was our time to see all of the ancient sites. We got to go IN some pyramids, felt humbled by the craftsmanship, engineering, and detail of the ancient Egyptians, and then finished our trip on a houseboat on the Nile. Not a cruise, but a houseboat moored in Luxor where we even got to swim in the famous river (don’t worry, there are no crocodiles since they build the Aswan Dam).

Prior to leaving I decided to bring along a stack of fabric squares. My plan was for a block a day. I wasn’t entirely sure how this would play out, but I wanted to try. Surprisingly, I was very motivated and did indeed make a block for every day. I even finished the last one as we were boarding the flight home. The blocks serve as a bit of a trip diary. They are all appliqued in one way or another with freehand cut shapes. Oh, except one, you’ll be able to figure that out. Each block is inspired by our experiences, our sites, or events of the day. Most interpretations are abstract, some a bit more literal. The gallery above shares the block and just one inspiration photo.

Day 1 - Arrive in Alexandria via Cairo.

Day 2 - Training Day in Alexandria, where we discover the importance of shade and KT Tape.

Day 3 - First day of competition and opening ceremonies.

Day 4 - Competition for my girl and her sprained ankle.

Day 5 - Canada is killing it on the obstacle course!

Day 6 - Less events today so we explored Alexandria a bit into the evening.

Day 7 - Finals competition. All three Canadian athletes made finals.

Day 8 - Mixed relay and one last ride in an Uber in Alexandria’s crazy, potholed and crowded streets.

Day 9 - A bit touristy in Alex, the famous Library and the Kim el Shoqafa Catacombs

Day 10 - The new Grand Egyptian Museum is a cool building, but not really open yet.

Day 11 - Stressful travel day that ended with a gorgeous drive through Turkey and an amazing meal, plus all the family is back together!

Day 12 - Sidetrack to see the ruins at Troy.

Day 13 - Road tripping to Fethiye through mountains of olive groves.

Day 14 - Ah, that Turquoise Coast.

Day 15 - Pammukale, swimming in Cleopatra’s temple and the most beautiful coliseum.

Day 16 - From the coast up the mountains and arriving in Istanbul on the great Turkish highways.

Day 17 - Up the Galata Tower and exploring the streets of Istanbul.

Day 18 - The Blue Mosque and Hagia Sophia plus Sultanahmet Square and more delicious food.

Day 19 - Cheering on our girl at her second competition!

Day 20 - Wandering the Grand Bazaar and it’s surrounding streets.

Day 21 - Food tour of Istanbul means more delicious food. Oh, these little cups of tea.

Day 22 - Another competition day, with a side trip to explore a bit more of Istanbul in-between events.

Day 23 - Relaxing on the marble of a Turkish Hammer is glorious.

Day 24 - In Cairo again, exploring the old museum and the city

Day 25 - The pyramids!!!!!

Day 26 - Exploring the Black Desert, the White Desert, the Baharyia Oasis and camping under the stars.

Day 27 - Sunrise in the White Desert then a travel day to Luxor

Day 28 - So many tombs in the Valley of the Kings, and the Queens, but I was really there for the Temple of Queen Hatshepsut

Day 29 - The temples at Karnak and Luxor exceeded my imagination, the Mummification Museum? Not so much.

Day 30 - Saw the sunrise hot air balloons then swam in the Nile and began the long journey home.

As I worked through the jet lag on our return home I pieced the quilt top together. Stay tuned for that. If you want more details and photos you can always check out my daily posts on Instagram.

Polly - Quilters' Playcation Adventure Sewalong 2022 in Prints

Polly

78” x 89”

Polly lived most of her life following the rules. Getting married when she was supposed to. Having kids when she was supposed to. Baking all the things, keeping a clean house, volunteering at church. Her life was as it should be. It was also painfully boring and Polly had no idea who SHE was in the midst of everyone else’s expectations. Finally, with the kids gone and her husband on the golf course Polly had a chance to explore herself. That meant figuring out what she actually liked in bed to what food she wanted to eat for herself. She took herself out almost daily and explored the world around her one little trip at a time. It’s not that she hated her life, but she didn’t know if she actually liked it. Little by little she explored, experimented, and learned to enjoy what she, herself, could give and get out of the world. She finally knew who she was, who she wants to be.

This quilt is a culmination of the Quilters’ Playcation Adventure Sewalong 2022. Each week for the year I shared how to make a unique improv quilt block. One version shared was a three colour solid and this version was love affair with prints. When I started the year and I stressed leaving open the finished block size so layout possibilities were endless. By the end of the year I knew this version would have blocks all the same size. After measuring my blocks I picked a 10.5” square as my default size and got down to the business of cleaning everything up. 52 blocks, however, does not make for even sides on a quilt, so I used scraps to make a handful more blocks to get to 56 blocks. This gave me a 7 x 8 block layout. Sashing in this collection of red-orange prints framed out each block. I’m not generally a sashing girl, but I think it absolutely works here!

She’s a big quilt so I knew that quilting her would not be easy. I had a friend baste her on the long-arm to save me some time. Turns out that this layout and the use of sashing actually simplified the quilting a lot. I used the curvy stitch that comes on the Bernini in the sashing. That was easy. Then I just quilted each block on its own. Free motion quilting is very manageable when you only work one block at a time. Each block got quilted uniquely. Sometimes it was an all over design, sometimes that outlined or directly highlighted the piecing. The decision was most dictated by my mood when I got to that block. I switched out threads between peach, pale grey, light blue, and an olive green. I filled a bobbin and when that or the spool ran out I switched to another colour. All the threads blended very well on the wide back Kaffe Fassett I used on the back.

The original plan was for a dark binding, with a bit of green piping. I did not have in my stash nor could I find anything in the store that was a good blue that worked for this. Grey washed things out too much. Also, I had deadlines for a local show. So I used more of one of the sashing prints and extended that orange line. The green did make an appearance in my stitching though. I chose to use a Perle thread (from Valdani) to stitch down the binding in a visible manner. I love this way of finishing a quilt. It’s fast and has a great effect.

Polly is ready to explore the world now.

View all the free tutorials here.

Check out the layout discussion for all the quilt blocks.

Sew along with the 2023 Quilters’ Playcation Adventure Sewalong.

Morning Make 2023 - Raw Edge Appliqué Portrait

This portrait feels a little more me. I don’t mean the likeness, although I think that is there. Rather, as a quilt it feels more me. To complete the portrait I made up the process. Enough years of play and exploration gave the confidence to just go for it. Well, that and a willingness to try a few things in the hopes of success. Also, very me.

Since my drawing skills are lacking, albeit improving, I took a different tact to create my actual portrait. I printed out a photo of myself and traced it. I reduced the lines to those necessary to get a likeness and some interest, with a hope that it wasn’t too much of a cartoon. I just printed the photo off at the office, on the regular inkjet printer. After tracing my lines I scanned the new drawing to create a digital image. This I sent to my local print shop to have printed at a much larger scale. I think we used their 18” x 24” printer.

Once I had the drawing I reversed it and traced it on to some double sided fusible. In this case, Wonder Under. I’ve had good luck with it in the past so was confident using it here. More on that shortly. I debated a glittery purple for the appliqué but ended up with a tone on tone black from my own fabric collection.

With the lines traced I pressed the fusible and fabric together. I cut out the appliqué from the fabric. In hindsight I would have made less cuts, like where the jaw line and hair meet, but I was a bit unsure of how it would come together at the beginning.

For the background I decided I wanted something that felt more me. The previous portraits were great, but I wanted a bit more of my kind of quilting in there. Instead of making something new, I dug out all the crumb blocks I’ve made over the years and put together a handful to create the background. Knowing I was using black for the appliqué I tried to use pieces with as few black or dark pieces in it, so that there was always contrast with the appliqué. Without a purpose built selection of crumb blocks this is mostly, but not all the way successful. I’m still happy with it. And one dark scrap ends up mimicking the scar on my neck from last year’s thyroid surgery.

After playing with the positioning I removed the backing from the fusible and pressed the appliqué into place. And pressed it into place, and pressed it into place. It would stick for a while then come undone. Rather frustrating. I’ve never had trouble with Wonder Under before. I even bought new stuff in case what I had was too old. If I do this again I will be choosing a different fusible.

The drama with the fusing led to my quilting plan. I didn’t want to zig zag stitch around every piece. I just don’t like that look. But with the appliqué misbehaving I needed a dense quilting plan to keep everything in place. Matchstick quilting was the obvious choice, but I don’t like to be too predictable. I marked a few lines and decided to do rays from one corner. A lot of rays.

WIth a strong multicolour background I knew that thread colour wasn’t super important. With dense enough quilting it would also hold the appliqué down and provide varying contrast on the black fabric. Embracing my inner and outer scrap quilter I pulled out all the partially filled bobbins that I had. Finding their coordinating spools I went nuts with multicolour rays. And I cleaned out 6 bobbins to open them up for new thread choices without wasting any thread!

All of my self portrait quilts are bound with the same tone on tone black fabric using the single fold technique. It creates a sharp edge on these smaller quilts.

Since finishing these quilts I’ve been practicing my drawing and painting some more. I recently started an embroidered portrait too. Perfect for on the go. I’ve got my next quilted portrait planned out too. I want to continue to explore how I can make these more me.