"improvisation"

Hermia

Large black dog sitting in front of a finished quilt made up of thousands of small pieces of blue, pink, and yellow fabric.

Hermia

72: x 65”

Not known for her stature, Hermia is known for her passion. Her Shakespearian namesake was an apt inspiration. She is always willing to engage in a debate and will fight fearlessly for the rights of all. She’s marched, written letters, educated quietly, and interrupted when necessary. Perhaps her size makes her less intimidating? Or is it that she is ignored, assumed to be worth ignoring. Never make that mistake.

Blue, pink, and yellow finished quilt made from small blocks of a single, improvised curve.

These particular curves started in a Small Piecing workshop with Chawne Kimber. I wanted to see how small I could go. It turns out that ¾” curves are the answer to that question. Chawne encouraged her students to try for smaller and smaller, as well as gave tips for managing the size. Once I started I couldn’t stop! The quilt is the size it is more because I ran out of a number of the fabrics but I was tempted to make it bigger. Small pieces + big quilts = heaven!

Improv curves are a comfort block for me, something to feel good sewing when I am not sure what to sew or need the joy in the act of sewing. Curves are always the answer. Truth be told, I was sad to finish this quilt. It gave me such joy to work on it. The quilt is great! But this is one of those times when process wins over product.

Close up of pink, blue, and yellow quilt to show the grid quilting stitches. One direction in blue, one in yellow.

I had a few ways to go with quilting. No matter what, I knew it would be easiest choosing an all over design. I also chose to do straight line quilting with my walking foot to manage any potential headaches with all those seam bumps! Essentially, I quilted her twice. In one direction in various blue threads. Why various? well, I had a whole bunch of more than half empty spools so decided to use them up. Then I did the same thing in the opposite direction with yellow.

My original plan for binding was to use the black and white print I used in bits on the front. This is one of the prints from my one and only fabric collection. In the end, though, it felt too busy as binding here so I swapped it for the Famous Last Words print. Perfect!

It took the motivation of my first solo quilt show at Heritage Park to finish this one. Otherwise, I might have kept making curves. Once I found my fabric, of course.

Fall Inspired

Quilt Top made from 100 blocks which are designed as a square in a square in a square, all in colours of blue, orange, coral, and yellow.

So technically, this is a fall inspired quilt. Well, it was when I started it last fall. The colours and energy reminded me of a oh so brief yet spectacular fall season here in Alberta: blue skies and all the colours of the changing Prairie. I’m not sure what motivated me to pull out the blocks, add some more, and finish the top this past week. It certainly wasn’t the snow covering the sprouting crocus and green grass growing. Or maybe that is precisely what did it?

Blue, orange, green, and coral quilt top laying across a log

The blocks began in my Improv Square in a Square Playdate hosted through Quilters’ Playcation. I was enamoured with the technique and the colours that I committed to a quilt top. Just five blocks put together in a free hour here and there. No pressure making, just the way I like it! Play for the sake of sewing. I think that is what I needed over the Easter/Passover long weekend - sewing for the sake of sewing. Then, when I counted the blocks, I realized that I was pretty close to finishing up the total needed. Some quiet evenings, a snow storm, and a sick kid home from school meant that I was not only able to finish the blocks, but get the quilt top pieced!

Close up of 6 Improv Square in a Square quilt blocks behind pressed with an iron

These blocks are all improvised. That means points are sometimes cut off and they don’t always match between blocks. On a moving, used quilt though that will never be noticed. This construction technique is so much more relaxed than a paper pieced or precision pieced version, at least for me.

This entire quilt top was also an excellent way to play with fabric and colour. I chose my colour story - blue, coral, orange, and yellow - and explored value, hue, and tint in each block. Some blocks have bold contrast, some are subtle. Some move from light to dark, some are less prescriptive. The constants were the construction method, overall size, and the transition from warm to cool with each square in a block. Then I made half the blocks starting with warm, half starting with cool. That meant for a great overall pattern when assembling the quilt.

Improv Square in a Square quilt top in a forest emerging from winter

The weather is doing it’s normal, indecisive thing these days. Not yet spring but not really winter. When my son - who helped me with the photos because he is out of school with a bad cold - lamented that now we would have to baste the quilt I told him not to worry because it is definitely not fall. This quilt, well, it makes me think of fall. Don’t worry, son, we’ll probably be basting it next September! Or the one after that.

Gemma

The Game of Life boardgames in front of a quilt inspired by it's colours and game board

Gemma

60” X 60”

This was the first iteration of the Quilters’ Playcation Adventure Sewalong. Every decision, from inspiration to binding stitches was voted on my Instagram followers. I needed to play and taking the decisions out of my hands was a unique way to do so.

She is a free spirit. Sure, she knows the rules, but she also knows that life is more fun when you veer off track a little. Or, a lot. Unsure where she will actually end up most days, Gemma is a risk taker. She might go too far sometimes, but she has good friends who will always help her pick up the pieces. No matter how many times she screws up. No matter what, she is always willing to go an an adventure.

Pink, yellow, green, and turquoise quilt blocks with curved sections all on a white background. Small squares little the white background.

Week by week I asked my Instagram followers to guide my decision making on this project. From the inspiration to fabric to block choices, from layout to thread to binding choices. It was a bit like designing by committee, but I found that most people leaned the way I did. Or maybe I led them to the same decision? No one will ever know.

It was an excellent exercise in letting go. Definitely a moment for the process to shine.

Close up of a turquoise strip of binding on a white edge of a quilt. The rest of the binding is a black and white stripe

One area where my idea was not the winner in voting was the quilting. I’m not complaining about the 80s school photo laser background, but it is not the curves I was initially thinking of doing. You know what, though? It looks fantastic!

When it came time to bind the quilt a classic black and white stripe won the popular vote. Not a bad choice at all. When someone, however, suggested pops of the quilt colours in the binding I couldn’t resist that idea. To finish I wrapped the binding around to the front and used an 8W Valdani to finish with nice, prominent stitches. A perfect finish.

Pieced back of a quilt containing a mix of white fabrics with some green, pink, yellow, and turquoise quilt blocks randomly set in

My idea for the back was thwarted by an odd alphabet print. Seriously, who makes an alphabet print and doesn’t include all the letters? Oh well. Some orphan blocks from the front, a good reminder to play, and a collection of fabrics from the stash all pieced together work just as fine.

In the end, it was a fantastic exercise for me to bring some real play back into my quilting practice. Truly, this was making for the sake of making. And an excellent reminder to look for that lust for life.

Fleur - Paint by Numbers Inspired Quilt

Left side is a paint by numbers of a hummingbird over flowers. One the right is an improvised quilt based on the hummingbird picture.

Fluer

16” x 20”

A sweet mini inspired by that hummingbird paint by numbers. It is clear I am much better at quilts than paint by numbers!


In June of 2021 my kids bought me the paint by numbers for a new Morning Make activity. Each day I patiently worked my way through the numbers. It was the right kind of meditative play for me for Morning Make, but when I finished halfway through the month I declined the offer to start a new one. Just not my thing. Then a friend suggested I make a quilt inspired by the painting.

Once finished, it, like many other quilt tops of mine, sat. And sat. A few weeks ago I was in the mood to play with some free motion quilting. Having a mini on hand was fortuitous. It’s an easy baste and in 20 minutes I was stitching. Once I completed the leaves to the flowers (in a perfect olive green from Aurifil) I decided the hand stitch in the centers of the flowers and leave the rest unquilted. Simple, yet graphic.

Details of the quilting. Free motion leaves around improv pieced flowers with seed stitch yellow centers

So now they are both done. Will they hang together? Probably not. For one, I did a pretty crap job on the painting. And two, we have a no quilts on the wall rule. That’s okay, I’ll just bring her out every now and then when I need a little pick me up.