Mighty Lucky One Fabric Challenge Take Two

Take one bold stripe and play. That's it. See what happens with no plan in mind.

The center of this piece started as I was prepping for the Mighty Lucky Quilt Challenge in July. I wanted to see what would happen with the stripe and the quarter square triangle. Then I added one border for fun. Now I am adding more borders. I want to see what I can do with the stripe. How many ways can I manipulate the directionality? How can I fussy cut? Can I make it confuse you that it is only a single fabric?

After the first round I went out and bought a couple of metres of the fabric. I'm going to play until I run out, or I get bored. Welcome to the current Morning Make.

Fabric is the Tick Tock Stripe in Mint from Chipper by Tula Pink.

Antonio's Quilt - Modern Improv Quilt for Blogger's Quilt Festival

Sneaking in under the wire for an entry for the Blogger's Quilt Festival. I remember when Amy started the festival, in part a way for those of us at home to share, be busy, and get excited while a large part of the industry was at Quilt Market/Festival. This was before Instagram even. Now, it really comes down to all the delicious eye candy in one spot. With prizes!

I'd hoped to have a new finish to share, but I am only just getting the binding on. So I am reposting one of my favourite finishes of the year.

Antonio's Quilt started with an image shared by Katrina Hertzer of her son and his painting in progress. I was so drawn to Antonio's shape that I immediately went into the sewing room. It took me a few years to actually get to a finished quilt, but it was worth the wait!

Completely improvised. Some clear intention in shape making, some slabs for the background, and rather dense quilting with Aurifil to make the design really pop.

To read more about the quilt check out the original post.

To see all the quilts in the festival, and they run the gamut of style and technique, make sure you check out all of the Blogger's Quilt Festival.

And did you know I teach these improv techniques? Check out my Classes Offered for all the details and options.

Improvisational Quilting, Australian Inspired

My #arkisoninaustralia quilt top is done. To be honest, I felt like I could keep going forever. That's what happens when I get going on improv!

This whole quilt started as technique demos while teaching at The Creative Retreat a few months ago. Some random fat quarters grabbed started the colour scheme and the shapes. It is entirely done from improvisational piecing. From those first demos I ran with shape as my guide:

• quarter circles
• triangles, both spiky and as flying geese
• inserted strips
• curves and wavy lines
• diamonds
• a few arrows, for good measure when I needed to fill space

The colour scheme was led by the mustard and pale blue, the ones I started with, as well as black and white prints. I used solids, linens, even a canvas. Some of the prints are those of Emma Jean Jansen, an Australian designer who attended the retreat in Point Lonsdale. Some others are gorgeous treats from Leslie Keating at Maze and Vale, plus the ones we printed together. 

As much as I was excited to get this quilt top finished I had a tremendous amount of fun putting it together. I made the components without any regard to specific size. I thought about scale - in terms of making the piecing large or small - but not a specific size. Depending on the technique you need a measured size to start, but that number was chosen out of the air or determined by the size of the fabric I had.

Components found a home on the design wall as I finished them. Eventually, I needed to find a bit of order. In stolen moments of time I would move, remove, and rearrange pieces on the design wall. With more and more mornings more and more components made their way up. Getting on the design wall allowed me to see where I had holes in technique as well as design. It also let me pick fabric to lend to the composition, as opposed to the composition being dictated by colour.

Putting together a quilt top with so many disparate sizes can be a necessary evil of improvisational quiltmaking. Personally, I don't see it as an evil, I absolutely love that part. One can always go the Magic Numbers route and square things off to relatable sizes. It makes assembly much easier, and for beginners that makes total sense. It might make sense for the design as well. I chose the path less travelled. It was a lot of fitting, adding, cutting off, making more, and y-seam construction. I stared at the layout a lot to figure out the easiest way to assemble. That challenge, for me, is a great boost. It gets me excited, the joy of accomplishing something difficult.

For tips and a demos and an understanding on improv quilting, check out my class on Creative Live: Improv Quilting Basics.

The next challenge will come with quilting. I have absolutely no idea what to do there. Open to suggestions... It is a busy quilt so an all over design, chosen well, wouldn't hurt. I'm not sure it would enhance things though. That being said, tackling each component individually has a lot of potential. Including the potential to take a really long time. I can't believe I am saying this, but i am considering hand quilting. I love what Jess, a student at the Kangaroo Valley retreat is doing with the the piece she made in our time together. Jess also designed and had printed one of the amazing black and white text prints used in the quilt. It could be a good winter project, defining my seasons.

This project defined my summer, for the most part. It started at the beginning and I put the last pieces together on Labour Day. My early mornings on this got me through the onslaught of parenting all day. Morning Make, Australia style saved my sanity this summer.

Morning Make 1 - Improvisational Curves Make a Quilt

Morning Make 1

48'' x 48''

What started as demo pieces in my Improv Curves class moved their way into the Morning Make pile. Morning Make is my practice of sewing for 10-30 minutes immediately upon waking. No phone, no shower, not even tea. Taking the time for this practice gets me set up for the day, much as a daily meditation practice would. And creating before consuming does wonders for my productivity and mood!

So these blocks were moved into rotation and I think I had the blocks and top done in less than a week of mornings. Deciding on a layout probably took longer!

It also took me a bit to decide on a quilting motif. I tested a few ideas, then as a deadline loomed and my procrastination got the better of me I decided to wing it! Roughly following the line of motion made by the one print in the quilt top I used my walking foot to stitch. My thread of choice was a variegated pink from Aurifil. I used it in the bobbin and on top. Next time I would probably go for invisible or a middle ground pink in the bobbin because it kept me on my toes tension wise! It wasn't off, but it would look like it depending on how the threads met up colour wise.

On the back of the quilt I used the same print. It seemed a shame not to, even though I really wanted to keep it for making a shirt. But matching your quilts that much seems awfully cheesy.

For binding I did a quick machine binding. I'm a bit out of practice on that front, but I call it good enough. This is a teaching sample, not a show quilt. Amanda Jean's Good Neighbors fabric from Connecting Threads was absolutely perfect for this. It matched the colours of the solids and the print. For bonus points, the print is already on the bias!

My trusty helper during the photo shoot decided he wanted to do more than help tape. He took photos himself!

On to the next Morning Make project...