Calla - Another Version of the Lilla Quilt

Calla

81” x 81”

Calla is Lilla’s younger sister. Not quite so driven as the first born, but way more fun. She is the free spirited second child, moving to her own rhythm and enjoying life as it comes. She dreams of sandy beaches, big parties, and a good glass of wine. Not content to stay home or stay quiet, Calla loves to live and lives to love.

True confession, I finished this quilt at some point last fall, maybe even in the summer. That was after the top sat for a few years. She is another version of the Lilla quilt pattern, designed in collaboration with Lotta Jansdotter. This version was actually made as part of a blog hop for Scott Hansen’s Tie One On Fabric, in 2018. That’s just how quiltmaking goes for me and I will not apologize for it.

I will, however, apologize for the massive delay in getting this quilt to its recipients. I just gifted this as a long overdue wedding present to some extended family. They had a Covid wedding that we watched on Zoom. Does that mean they should wait 4 years for a wedding present? Of course not. But they have it now, that’s what counts!

I quilted her on a rented longarm with a unique all over design. Mostly, just me doodling. Much like the quilt itself, it is a mish mash of shapes. In all honesty, I wasn’t too fussed about it. One, this is a functional quilt, not a show quilt. That means the quilting is there to hold the quilt together and give it texture. And two, with the 100% cotton batting I use, the crinkle factor kind of negates most detail in a quilting pattern. Best to enjoy the quilting process and do it well, rather than stress about the quilting design itself.

To bind her I used an orange Grunge fabric. It was a great frame for the quilt, with so much warmth in her colours. The original inspiration of the fabrics and my background selections was Sedona, Arizona and this Grunge was a pretty close approximation of the rocks in the dessert.

She sat then, for months and months as I waited to finish a few other quilts. Actually, just one. Her recipients now have two kiddos. The first babe got his quilt before he was even born! The second, well, hers was just finished. Then it took me another month or so to get labels on everything. And we won’t even talk about my inability to get to the post office to mail everything! Then we got a text this week that the family would be in town. I almost went to the post office on Monday and they came on Tuesday.

Needless to say, the quilt is finally delivered!

Bjork - Scandi Village Quilt Complete

Bjork

82” x 86”

She’s a Scandinavian snow princess. Okay, princess is a strong description for her soft, yet strong personality. She is just at home in the forest or on the mountain as she is in a coffee shop with friends. Loyal, but not a fault. Adventurous, but always safe. Bjork is from a small town, up North but makes her home in the city. Longing for open spaces and comfort, she dreams of her little village in the snow.

This quilt is an epic journey into making cute. I don’t normally do cute, but that’s truly what she is. From the little houses and trees to the finishing details, it was a near constant squeal of delight as I made her.

She started as an experiment for a the little tree. That grew to the houses, of two shapes, and even a gnome. I’ve taught the class as a Quilters’ Playcation Playdate a handful of times, always added to the pile of adorable blocks. Eventually, I put them together into a quilt top. Then, a year later, I finished her.

Finishing her was also a delight. I quilted her with a pale pink thread on a rented long arm. It was all free motion waves, with the goal to make it look like snowdrifts. I love choosing a coloured thread versus white, when quilting a predominately white quilt. It adds an extra dimension to the quilt. It’s a little bit unexpected.

The backing is mostly a holiday version of Rashida Coleman-Hale’s famous washi tape design. It is mostly green, so it coordinates nicely with the front. It did need to be pieced so I added in a strip of reds and pinks left over from the houses on the front.

No doubt, I went a little extra in finishing her.

First, instead of standard handstitching on the binding or instead of big stitch with a heavy thread, I made these little green Xes. Using the stripe itself as a guide I did the diagonal lines in one direction first - all the way around the quilt. Then I went around again, adding the other side of the quilt. I used an 8W from Wonderfil for these stitches.

Second, I decided to add little white snowflakes/stars randomly all over the quilt. I chose a bright white 8W thread, also from Wonderfil. The background of the quilt is Kona Snow, which is ever so slightly off-white. It makes these little elements glow. To be clear, the stitches of these only go through the top and batting, they can’t be seen on the back.

Finally, I used a whipped backstitch in two shades of pink, also 8W from Wonderfil, as a type of piping. It’s so very extra, but a beautiful finish.

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NOTE: I am offering two more Scandi Village quilt workshops in March 2025

March 1 (In Person) 2-5 PM

March 4 (Virtual) 5-8 PM

Register here.

Ariel - A Cut Sew Repeat Playdate Finish

Ariel

56” x 56”

Ariel is a wild child. She comes from a solid suburban background but never felt like she fit. Not that she wants to turn her back on her childhood and her family, but she is itching to move beyond. She wants to taste pomegranates in the Middle East, swim over the Great Barrier Reef before it disappears, hear the crunch of snow underfoot in the Arctic. Her parents long ago gave up/gave in to her wanderlust and can only watch from a distance as she travels the world, trying new things. That’s because she always comes home.

This particular quilt started life as a bit of play. Then again, that’s really how most of my quilts start! I was teaching the Cut Sew Repeat technique in a Quilters’ Playcation Playdate and these were samples. Full disclosure, I went through a few iterations of blocks before settling on this particular Cut Sew Repeat Process. I loved the fabric together, but the earlier trials weren’t that exciting or were messy. As soon as this one was done I knew we had the winner.

Two of the fabrics were from deep in the stash - an original Architextures from Carolyn Friedlander and this lovely ‘dot’ from Angela Hooey. I think the the gold and pink were more recent fabrics from Ruby Star Society, but don’t quote me on that. Maybe Allison Glass? Regardless, I remember having to buy more of the gold to finish off the blocks before I ran out of the other fabrics too.

For quilting I attempted some point to point work on the long arm. I had the appointment and wanted to finish the quilt. I knew, however, that an all over design wouldn’t help the quilt any so I decided to play. It’s clear that I am beginner at this point to point stuff, but you have to start somewhere, right? I used a pale pink thread that didn’t stand out too much on any of the fabrics.

The backing came together with an older piece from Carrie Bloomston that was sitting in my stash. The swatch/paint chip fabric had all the colours, and then some. And, in usual fashion for me, I went with a contrasting binding. The teal speckles were just perfect for finishing off this bold piece.

I’m teaching this technique again in a Quilters’ Playcation Playdate in April. I can show you how to make this specific style of block, but we will explore a lot of options. For example, you could go a lot more random like this one, or really showcase your fabric like I did here. You can join online or in person at my new studio.

Cut Sew Repeat Playdate

Online - April 8

In Person - April 12

Register here.

Blobs of Improv Applique

At some point in the last few years I made one of these blobs. I was using it as a sample for an Improv Applique class I was teaching online. I probably made another one in another class. These were only ever intended to be samples.

Intentions and reality rarely meet in my quilting play.

Now that I have the studio and no machines at home my Morning Make is always handwork, when it comes to stitching. As I uncovered these blocks during the move they came to mind as one thing to play with as the morning grew cold and dark. It turns out they are a fun spot of joy! Now I keep making them.

This was my initial plan for layout: random. Just the four colours and laid out in no particular order. As soon as I decided to turn these blocks into a quilt this was my plan. I also wasn’t expecting to make a large quilt, only 5 x 5 blocks. As the background pieces are 10'“ squares, this would make a simple little baby quilt.

But then… but then I laid out the blocks by colour. It was actually only so I could ensure I wasn’t repeating the background fabrics in each colour way. Seeing them together was easier than thinking through that. And oh! Did that change everything!

This layout is amazing. It is so much stronger in showing off the blobs, giving them colour order. I still get randomness in the various fabrics, but the structure of columns is a much stronger design. There is no going back now.

What I do need to do, however, is add more columns. I’ve currently got 7 of each colour. If I add one more colour I now get a small lap quilt (47.5” x 66.5”). If I add 2 then I get a bigger lap quilt, especially if I make 8 blocks of each colour (57” x 76”). I could add 3 colours, stick with 7 blocks, and get a classic square (66.5” x 66.5”). I’m torn, to be honest. So, I will add 1 colour and see how I feel about it.

Who knows? I may change my mind completely again.