Sunshine for Days - A Bold Star Quilt

Bold, full of sunshine and memories.

This quilt top began its life as a leftover stack of fabric squares. On our big trip to Egypt and Turkey last year I travelled with a stack of 6.5” squares. I made a block each day to reflect our travels - a trip diary of sorts. That turned into this quilt. The scraps from making all those blocks then turned into this quilt. Of course, I cut far more fabric than I needed and carried it around with for the entire month. When I got home and finished those other quilts I was left with a stack of pre-cut squares.

You know me, nothing it going to waste! I pulled them out and played until I landed on making HSTs with the non-yellows plus yellows. That gave me nearly enough to make 4 stars. I did have to augment with a bit of stash for all colours, but not much. My goal was to use the leftovers and that’s it.

I made the HSTs and sorted out a layout early in the winter. Then the blocks got put aside (all numbered and ready for assembly). A few weeks ago I needed some no-brainer sewing. After consulting my big list of quilts under construction I decided to turn these into a quilt top. I did, then I realized it was too small for me. It came in, with only the leftover squares, at 44” square. A good little baby quilt. The problem, however, is that I have no need of another little baby quilt. So I debated my options.

1. Accept it’s size.

2. Make a border of some sort.

3. Make more blocks.

Truth be told, I am incapable of making small quilts with no reason. It is very, very difficult for me to stay small. When pressed or shockingly motivated I can stop at a small size, but it is not my norm. Option 1 was out.

Borders… oh borders. Any fabric I used on a conventional border was only going to take away from the stars. I did debate a yellow patchwork border, two rounds of squares all around. The yellow and feature fabrics, however, are pretty close in value. I felt that the stars would too get lost this way. Besides, when do you ever see me use a border? Option 2 is out.

That leaves me making more blocks. This is almost always the best option. You can see that it worked well too. With HSTs finishing at 6” this was easy and relatively quick sewing. I did have a lot of the fabrics from last year still so it was easy shopping. My yellow supply, however, was very slim so I did spend some cash to fill in the gaps (and fill up my yellow bin again). Luckily I was able to get some of the same fabrics so it really doesn’t look like I have two separate sections.

She is done for now. I am debating adding that patchwork border too. Maybe just one round of yellow squares all the way around? Yes, I am suggesting that despite what I said just two paragraphs above. We’ll see. For now, I have some sunshiny memories sewn into this quilt and that makes me happy.

Much Needed Play with Ravel by e bond

Before there was such a thing as an influencer we had celebrity endorsements. When real people started to become more popular through blogs we simply called them bloggers. As a quilt blogger it was quite common to receive or at least be offered fabric. The catch being, of course, that you would make something to promote the fabric. Ideally, you would do that to coincide with either fabric purchasing for stores or the launch itself in stores.

Many times I was offered fabric. The first few times you get super excited and jump at the chance. Free fabric and exposure?! Sign me up. Then we realized that we were giving away free labour and not really getting paid by the fabric companies to use us as promotion. Not really a fair deal for the time invested. On top of that I was positively AWFUL at actually making something with all the shared fabric in a reasonable time frame. I was, frankly, a crappy promotional partner. So working with me to promote a fabric line was a bad deal for both parties.

On top of all that, I always found it very difficult to work with a single fabric collection. It felt stifling, creatively, and was always a challenge because of one common issue with fabric collections: the majority of the fabrics are the same value. This means it is hard to get contrast in your designs. As a result, many designs made with a single fabric collection, without the addition of other fabrics or neutrals, can fall flat.

So, no matter how much I’ve loved a collection, I rarely buy a single line of fabric. Instead, I pick favourites or the most interesting or simply what I need at the time.

I could not resist, however, when I saw e bond’s Ravel collection. I love everything about it! The colour, the text, the graphic nature, the graffiti... and while I've never met e, her online presence is inspiring and real. I've had it for a couple of months and just started playing with it. Not only did I buy the whole collection, I'm using it all together. Who am I?

Yes, a good chunk of the fabric falls in the same value family, but there are enough contrasts with the lights and the darks as well as the texture of the prints that things seem to be working so far. I couldn’t resist though, I did add in a few solids for fun and respite.

I have no real plan for the quilt. I’m just playing. Life has been quite heavy of late and none of my current projects were giving me the joy I needed from my quilting. I’d sat with the fabrics and obsessed over coming up with something just right. That was taking all fun out of it so I decided to just grab some fabric and cut. I defaulted to my comfort of improv curves, primarily, but other things come up here and there and I let them happen.

Normally, when I make an improv quilt that is block based, I make all the blocks and then figure out a layout. This time around I am enjoying adding and subtracting and playing with composition as I go. Not so much planning each block as an individual unit, but seeing how a few blocks might talk to each other. A conversation. As it grows I am really embracing the chaos it brings. It’s a wild thing. In a way, it reminds me of a spot under a bridge with layers of graffiti marking the lives of people who’ve been there.

Tula - Using a Single Fabric to Make a Quilt

Tula

78” x 78”

Years back I worked with Lucky Spool, the quilt book publisher, on some challenges. Called Mighty Lucky, a group of designers came together for some fun challenges for participants. This particular year my challenge was to play with a single fabric. (The year was 2016!)

I finished this quilt top in 2018 and then it sat. It sat for no great reason, just hung out in the quilt top pile until motivation hit. Motivation came in the form of wanting to complete a long overdue wedding present and this top seemed right for the couple.

In the end, I quilted it with a unique response to each round of the quilt top. Using a deep rose pink from Aurifil to match the tiny pink strip in the Tula Pink fabric. Honestly, you don’t really see the quilting much. It doesn’t add much to the overall design, but it does help define each round a little. And, of course, it makes the quilt cozy!

While making the quilt I returned to the store on 4 separate occasions to buy more fabric. I would have been better off buying a bolt! Somehow, I had the foresight to buy an extra meter for binding. Considering how long ago I made the quilt that is some serious foresight! I’d always had it in my mind to make a bias binding for this. As I was stitching it down, however, I realized that a plain stripe would have complemented the last round of the quilt a bit better. The bias doesn’t look bad, not at all, just that the plain stripe might have been a better choice. Oh well!

If I had bought the bolt I might have had enough fabric to use it on the back too. Alas, I had to make do with another Tula Pink fabric, this time in pink. It’s quite a nice contrast to the stripe, but still coordinates in colour. Geez, have I ever been this matchy matchy?

Turns out you can still access the 2016 Mighty Lucky Challenges as a PDF. Check it out!

Flying Geese Exploration

I was just doodling, I promise.

After doing some computer work that required notes my mind was wandering. I had the computer open and a pad of graph paper next to me. Ignoring technology I picked up a pencil and started doodling on the paper. That night I started sewing some quilt blocks.

There isn’t anything fancy or revolutionary about what I doodled or the play I started, but it was relaxing. Knowing my solids scrap bin was overflowing I started there with my fabric. My doodle required contrast so I chose to explore warm/cool contrasts rather than any specific colour. And it’s just play, not a quilt, so I could try different combos and see what happens, right?

The only really shocking thing about this is that I chose to play with precision piecing. Definitely shocking with me. I’m making 2.5” x 4.5” flying geese blocks. Accurate cutting and piecing required. Still mindless, but definitely not improvisational piecing. I’ve got improv in the colour play, so I am still left satisfied.

As is usually the case with play rooted in experimentation it may not always go how you thought. When pairing fabrics to make the flying geese blocks I paid more attention to warm/cool contrasts than value contrasts. It totally works. But then the overall effect isn’t the same as what I initially sketched. My original idea was to effectively have one giant medallion. Without value contrast, however, it was looking like a mess of triangles only, no design visible. So I started sorting the blocks by the cool values. This has potential.

Like most of my quilts this one started with a “let’s see what this does” kind of attitude. If you are a little kid with a stick and a light socket, that means danger. But an adult with some fabric, it only means fun.