Morning Make 2023 - Stitched Mosaic Portrait

For the third quilt portrait I turned to Timna Tarr. I first encountered Timna’s map quilts back when I judged QuiltCon. Her work is creative and unique. When she starting making her mosaic quilts I, along with many others, was transfixed. She started with barnyard animals but has progressed to some very unique portraits. Without a doubt, I had to try this technique in my year of portraits.

There is a book out, Stitched Photo Mosaic Quilting. I signed up for her on demand class via Creative Spark instead. The class was great. Timna broke down the technique into simple steps with clear instructions. It was easy to watch it once then head straight to the fabric.

Once you’ve picked your starting image you go right ahead and draw a grid over it. The diagonal grid is a suggestions of Timna’s technique, but not a requirement. Each square of the grid is one 2.5” block. Some will only be one fabric, others are made up of sometimes five! I don’t want to teach the technique myself that Timna gets paid to do, but she breaks it down into a layered machine appliqué to construct each block. I will admit, this was new to me, as was using invisible thread to sew.

I can’t lie it really was not a technique I enjoyed. Sure, I love the end results and overall look, but I didn’t really enjoy making it. So, so fiddly on some of those pieces! And I can honestly say I do not like the look of invisible thread. Yes, it is not that invisible. Partway through the project I kept thinking how much more I would enjoy this if I took the grid effect and then improvised instead. Stay tuned…

The picture I used was from a ski trip this past winter. We were skiing in clouds that day and everything was covered in a layer of frost, including me. It is such a happy memory and translating it into a quilt is a great way to capture it.

For Sarah Golden

Sarah Gold Mini

16” x 20”

It was a few years ago, in the middle of another lockdown, that I became truly entranced with the work of Sarah Golden. Something about her shapes and colour use, not to mention that we are birthday twins, just got to me. One day she posted some paper collages she was making. It was instant inspiration and I wanted to turn it into a quilt. With her permission I explored the handmade and the shapes of her work but in fabric and thread.

Here is the inspiration image:

To make the mini I dug through my stash for the right colours to reference her original piece. Some of my finds meant that I did not have to piece all the sections, but let the fabric talk. In the end, the components of my quilt collage were a combination of improv piecing, appliqué, and single fabrics. Then I used embroidery and hand quilting for additional details. I even matted my details like she did, with a ground of white.

Not entirely sure why it took me so long to finish this quilt. It’s just a mini! Yes, there is a lot of work in this small space, but that isn’t it. I just went in fits and starts on it. But it is finished now. Bound in a fabric to look like a wood frame. Sent to Sarah as a thank you for the inspiration.

Faye

Faye

72” x 72”

Years in the making. Like her namesake. A fearless woman, tenacious, and patient. She knew her time would come. Moved to New York with a dream. Moved through New York with relentless energy. Meeting people, making herself just that much more, ignoring the naysayers. She persevered and found her beauty and her success.

Faye, the quilt, began life in the follow-up to making the Alturas quilt. Carolyn Friedlander’s book, Savor Each Stitch came out and I fell in love with the graphic pattern. She’d already got me hooked on needle turn appliqué so this seemed like a logical step. I started the first block back in the fall of 2014. This finish is indeed a long time coming.

One block led to two and then I might as well do four, right? The initial pattern in the book calls for one block and a great use of negative space. I never follow a pattern anyway. So over the course of a few years I worked on the blocks. Looking back, it took me about 6 hours to baste each block, then who knows how many to stitch. Appliqué is not for a quick finish. Then again, nothing is a quick finish for me.

The finish for Faye come very recently though. Our family wanted to gift a quilt to celebrate a wedding. The gift was long overdue and we decided that this quilt top matched the couple’s personality. I will admit, I had a moment of selfishness for her. Then I realized that my love for her came in the making more than anything. It was time to set her free and share that love.

I always have a hard time with quilting an appliqué project. It’s a battle between accentuating the appliqué and ease. At least, it feels like a battle. In the end I went for a straight line quilting pattern. For one, Carolyn has done this a lot in the past and it works. It provides texture and security without taking away from the graphic design. Secondly, I am hoping this will be a loved couch quilt so I wanted dense quilting to help keep her strong.

The whole quilt is divided into quarters with an X through the middle. Then I echoed that line between each triangle. I chose a pale yellow/cream Aurifil thread in 50W (2311). It isn’t harsh on the backing but disappears for the most part on the front. It might seem odd to use a creamy colour when there is so much bright white, but the reduction in contrast on the coloured fabrics makes it worthwhile and you don’t even notice it on the white.

You know me and my love for a contrast binding. This bright yellow might seem like a funny choice, but almost all of the blocks have a bit of yellow in them. Black, my other thought, seemed too harsh. I had just purchased this yellow Spectrastic by Giucy Giuce from Keystone too. It was meant to be! Such a fun pop to finish this off.

The whole quilt really is a collection of some favourite and treasured fabrics. I started the whole thing with Samarra Khaja’s amazing New York illustrated fabric. Combined with a much loved Charlie Harper print that first block set the tone for the rest of the combinations. I stuck with the New York fabric when I realized I had enough of it, then paired it with some hoarded Heather Ross unicorns, the Stendig calendar print, and a gorgeous purple from Carrie Bloomston. On the back I shared another Charley Harper treasure.

Hopefully I will get to visit Faye in her new home.

July Morning Make 2021 (Meet Dot)

Remind me never to hand quilt in the summer again.

Not sure what possessed me to think it was a good idea for July Morning Make, other than a desire for the act. We started the month with record heat so it wasn’t my smartest move. But when it comes to the quilt, it was brilliant!

When you only commit to a little each day hand quilting is far from overwhelming. Hand quilting an entire quilt, no matter the size, is definitely a big deal. Just thinking about it gave me the sweats (or is that the menopause transition?). Quilting a little each day, however seemed manageable. One stitch at a time. In the end, I finished this in the middle of the month! Every step is a step in the right direction.

On this particular quilt the stitching followed one single line. Each day I started where I left off so that now that it is done, it is a trail across the quilt. Twisting and turning here and there. Sometimes following the appliqué, most of the time ignoring it. Just taking whatever path felt right at the time.

The quilt top was another Morning Make adventure from last year. One appliqué shape stitched down per day. No preplanning, just improvising the composition and shapes as I went. Great fun!

Dot

49” x 54”

Meet Dot. Dorothy, if you must, but she prefers Dot. Just like she prefers her coffee with a wee bit of whiskey in it, her steak pretty rare, and her men on the younger side. She might look like your Gran, but do mistake Dot for her. Her heart aches for the baby girl who left this Earth when only a toddler. For years she barely moved, barely breathed. Life wasn't worth it until she found a way to find her spot in the world. A spot that can only be occupied by her alone. Dot moves with double the energy of most, playing with expectations and attitudes. You won't find her marching on a path, rather, she finds a winding road and moves where her whims desire. No worries, she'll get where she needs to in the end, but she has to do it her way.

Not being your typical gal, Dot was finished with a lovely contrasting binding. Unexpected but perfect. Her backside is a woven from Anna Maria Horner’s Luminous collection, with a scrap of yellow because sometimes you make mistakes when doing math.

We should all be like Dot a little more - take a few unpredictable paths and see what happens. Whether it is with your quilt making or in life.