Tree of Life Vintage Quilt Inspiration

What better way is there to spend a late winter day than immersed in a vintage quilt collection? Back in March I had the opportunity to explore part of Heritage Park’s collection of donated and gathered quilts. It was all in anticipation of the Festival of Quilts, taking place in August. Delayed twice because of Covid it was a special experience. My goal was to identify a quilt to inspire a modern interpretation for a special class at the Festival of Quilts. Let me tell you, it was hard to narrow it down!

In the end I chose this pastel version of the Tree of Life pattern. I took a million pictures then came home to sketch. My goal to was make a straightforward version of the block, one easily made with a rotary cutter and one that lent itself to play. I wanted students to be able to play with colour, fabric, and scale, creating their own modern version of the block.

The first version I made tested the pattern. It was also an opportunity to play with fabric and scale. This particular block finishes at 36” square! I dug into the stash of both purples and the low volume black and whites. I love the combination of warm purples and cool purples. Together they make the block very dynamic.

This size proved popular in the class itself. It’s a great way to get far with a project.

The block itself can be set with a straight set like this or on point. It’s hard to decide what you want until you make the block. For example, I debated making 3 more blocks this size to make a four patch in this straight set, maybe all pointing to the four corners. However, I think I will add another round of black and white patchwork squares to make it a bit bigger and turn it into a baby quilt.

Here’s what it looks like on point, like in the original.

You can see I am having fun playing with fabric. Exploring variations in the colour green and playing with value placement keeps this from being boring. The entire block is made from half square triangles and squares. Super easy to make! But also a bit tedious. So having some excitment with the fabric sure helps. So does a good show in the background (I am currently watching Sex Education on Netflix.)

In the class itself students worked in all sizes and with a wide range of colours. It is always so exciting to see people play!

A huge thank you to Heritage Park, curators and staff there, as well as the Festival of Quilts volunteers for making this happen.

PS Don’t follow those pattern instructions, it contains errors that I fixed later.

Great Grandmother's Geese - Modern Quilt from Vintage Fabrics

Great Grandmother's Geese

40'' x 48''

Days away from delivering her second baby a friend popped by my house. Part of her nesting was clearing out things from home. I was the lucky recipient of a stack of vintage fabrics once belonging to her grandmother. Now vintage fabrics aren't generally my thing. No doubt, they are pretty, but that doesn't mean I want to sew with them. Something changed a week later. I got the right idea and the fabrics began to talk to me.

As is my style, however, I started the quilt without a plan. I cut all these squares to make HSTs. I was going to just sew them together randomly. But this wasn't about making a Values quilt, I wanted some order and repetition. Without thinking it through I screwed up. Soon I realized that what I envisioned was not going to happen with the process I started. I very nearly lost the time and maybe the fabric to impulsive cutting. So I regrouped, cut my squares into triangles, and got very deliberate with placement. Of course it would have been better to cut the geese shape from the beginning, but so be it. The overall effect is the same.

The vintage fabrics were a bit of a challenge to work with. First off, I should have washed them. They were all clean, but one had that distinct old smell (mothballs) every time the iron hit it. The weight and stiffness of each fabric varied too. So I took my time, made sure not to pull or stretch any of them, and gave the quilt a lovely soak once I finished it all.

The yellow fabrics are all modern, with one classic Denyse Schmidt pink floral also making an appearance in the blocks (Just when I needed a few more blocks cut I temporarily misplaced the vintage fabrics in a studio tidy-up). 

Putting the top together required some patience and attentiveness. One row at a time. But I did it without messing up. Phew.

This is a baby quilt I hope will get used and loved, so I didn't stress about anything too fancy for the quilting. Texture and ease won out. Simple straight lines so the graphic design stands out. In case you were wondering, I used the magical Aurifil 2600, the dove grey. The quilt is pieced with it too, actually. 

On the binding I uncovered another old Denyse Schmidt print, this one from a Joann's release years ago. It was the perfect sweet touch. Because Denyse is so inspired by vintage textiles it works so well.

Now I get to hand the quilt back to my friend. It is a thrill to give these old fabrics new life, especially when there is a family connection like this. A handmade legacy.