Desktop Inspired Quilt Top

From this…

To this…

Back in 2018 I had the opportunity to go to Montreal to teach at Courtepointe Quebec, a lovely quilt show held in the suburbs of Montreal. I had to lean on my very shallow memory of high school French as my driver and many students didn’t speak English at all. We were in an old school with no air conditioning in a heat wave. Despite all that, we had a fabulous time! One day, on a break with some students, we discovered the art installation made from old desks. We were talking about being inspired by the world around us, including these desks. I remember coming home and experimenting just to see if I could make a block that referenced those desks. A little improv curve action made it happen. I made a few then folded them up and put them in the closet.

Now, as I am in the process of cleaning, sorting, and getting ready to move my sewing room, these old projects are seeing some light of day. That, and I updated my list of Quilts Under Construction after these recent finishes. I wanted to work on something “new” but not really start something new. A dive into the vaults served that purpose.

I didn’t like the blocks just plain. Right idea, ineffective design. Going back to the original inspiration I decided to try setting them so they popped off the background. Honestly, I have no idea why I chose the pinks/reds, but I think they work. I did not have enough of any one colour, so used 3 different ones. Their placement is random, but all being so close in value they read well together.

For me, this is a small quilt. It finishes a bit over 40” x 50”. So, really, just a baby quilt. But I didn’t have any more of that dominant alphabet print to make more blocks. Plus, this size keeps it as a quick finish. I have no idea when I will touch this quilt again, but for now the memories can live more strongly than my French skills!

Ulani - A Quilt Full of Sunshine

Ulani

66” x 66”

Ulani is full of sunshine. She’s a shining light in a stressful time. A reminder to look for light. She is a bright girl who brings joy to everyone she meets.

This sunny quilt comes from the leftovers of our family travels. I brought a stack of 6.5” squares with me to Egypt and Turkey. I made many into some improv blocks as a travel diary. When I got home and there were leftovers I made a quilty plan to use them. The scraps became this quilt, the rest are here (with a few extras to get to this size.)

After my long arming tension disaster I spent the entire 3rd season of Ted Lasso and then some ripping out all my quilting stitches. When I went back to the long arm I was prepared with extra fabric to test the tension. With the test done and all clear I proceeded with the exact same free motion quilting. There is absolutely no point to trying to follow the previous stitches. Really, that would just be a recipe for too much stress. Besides, any needle holes will disappear with the first wash. The whole quilting pattern is just a loopy stipple with stars interspersed here and there. Nothing fancy, but just the right texture for this quilt.

You can really see the quilting on the dark fabric on the back of the quilt. This blue print was purchased on our Egypt trip. The sightseeing guides (which is the best way to navigate the many sites in Egypt) conveniently build in shopping opportunities. Needless to say, I was looking forward to the trip to the Cotton Store! Buried in the basement were a few rolls of fabric on the bolt. There was my spot!!! (Did I get a pic? No.) I only bought 2 pieces of fabric. One, we would later see as a windbreak used by our Beduin guides on an overnight in the dessert. The other was just pretty. I did not have enough of either, however, to make a full back for this quilt without messing up the gorgeous pattern of the fabric. So I decided to simply frame out the one and use it here.

I absolutely love having this extra memory on the back.

If you know me, you know I love a contrast binding. Here I decided to use a blended binding, however, so that the stars stood out more. I almost went with a white print, but in the end, went with yellow because I had a lot of it.

Now this serves as another, cozy reminder of our trip. Not that we need cozy when we think of that trip because we will never forget that heat and that sun!

Braided Rug Quilt Coming Along

There are a lot of different reasons folks make scrap quilts. And many for why they don’t! I go over a lot of them in my presentations and classes. I can say that one of the key reasons to make a scrap quilt is to clean up/use up scraps. There comes a point where the pile/bin/basket is too much and to avoid throwing them out you have to find a way to use them up while making yourself happy with the process.

That’s exactly what happened with these blocks. I have 3 more to make to get the quilt to where I want it to be. Have I used all the fabric yet? Nope. Am I sick of making these blocks? Yup.

Now I could just stop, set everything aside, and come back in a year or so. I do that a lot and have no problem doing so. But that itch to clean up/use up those scraps was strong. Very strong. So I did the math on what was required to get where I want to go. That is, after changing my mind. I’m so close now that I am excited by the finish.

Besides, my new studio is so very nearly ready and it will be great to go in there just a little bit lighter on the scraps.

Theodora - A Modern Tree of Life Quilt

Theodora

50” x 50”

It wasn’t her greatest desire, moving West. She had a comfortable life in a respectable home. Growing up in town, in a house her father purchased, not built, meant that Theordora had no notion of what it might really be like to move to the Wild West. But she was in love and her husband wanted to go. At least she wouldn’t have to be a farmer. That’s what she told herself, at least. Her husband was a gentleman and would be working for the government. In the city, not the farm. That notion was small comfort when she arrived in Calgary. It was still rather wild for her tastes. They found a small house, she joined the church, and soon made friends with the other women brought by their husbands. It was one of these friends that introduced her to quilting. Needlework, she knew, but quilting was a new skill and a handy one when the long winter nights settled in. She could piece her little triangles while her husband read and it almost made it worthwhile, the homesickness.

Theodora is a modern interpretation of a Tree of Life quilt I found in the Heritage Park quilt collection. I’m making up the story here, but the original quilt inspired both it and the quilt here. A few years ago I was asked to teach at Heritage Park’s Festival of Quilts. My idea was to look at quilts in their own collection and create a modern version of it for student’s to play with.

I took the original quilt, wrote a modern pattern that uses only half square triangles and squares for simple patchwork construction, then had some fun playing. This is one version I made, drawing from the original colours but scaling up the size of the block.

Theodora takes blocks I made as samples for that class 3 years ago - made into a finished quilt top earlier this year - and finishes it up. My daughter’s pentathlon coach and his wife are expecting their first baby. With a woodland themed nursery and a love of Heritage Park this seemed like the perfect gift for them.

To tone down the greens of the front I added a contrasting backing with fabrics hiding in my stash. They provide a bright contrast in colour, making this truly a double sided quilt. I love doing that, especially for baby quilts, so there are more options for use. Continuing the woodland theme I quilted it with a woodgrain free motion pattern on a rented long arm machine. While I often recommend olive green as a magical blending colour for quilting, this time it was perfectly on the nose.

To make the binding I hunted through my stash for the perfect green. Normally I like a contrasting binding but that didn’t seem like the right move here. With so many greens - shades, tints, low volumes, perfect hues, limes, emeralds - in the quilt itself, any green can indeed be perfect. The perfect green ended up being the only green I had enough of in my stash. So I am calling it perfect. I did a common 2.5” inch double fold binding, hand stitched on the back.

And I can’t let you go without a bonus treat from the photo shoot. To capture this quilt I stole away to the area just outside Heritage Park. There is a little wooded area next to a wetland. It’s at a confluence of a parking lot and a couple of busy roads, next to the main reservoir for the city. It may look like I am in the middle of the forest, but I am actually in the middle of the city. And just as I was hanging up the quilt on a line strung between two trees a friendly visitor joined me. She was calm with me being in her space so I thanked her, took my pictures quickly and left in the opposite direction to avoid bothering her further.