Quilters Stand for Ukraine - Resources

Like always, I and many other quilters are using their fabric to process emotions. We are in scary, depressing times right now with the Russian attack on Ukraine. Like many others I can only watch in fear and dismay. Like many other Ukrainian Canadians I can only help from the sidelines.

Whether it is donations from the sales of patterns, exclusive and free patterns, shopping on Etsy for downloads from Ukrainian creators, or making ourselves, there are many projects and initiatives within the craft community for showing and sharing support for our Ukrainian brothers and sisters. Here is a list of what I know of so far. (Feel free to email me at cheryl@cherylarkison.com if you know of others and I will update the list.)

Peace paper pieced block by Happy Sew Lucky (free download)

Dove Mini Quilt Pattern by Tamara Kate Designs (all sale proceeds to Ukraine relief orgs via Canadian Red Cross)

Quilters Stand for Ukrainian quilt block by Pat Sloan (donate and free download)

Sunflower block by Quiet Play (free download with donation request)

Rise of Freedom by Sashas Quilt (Paper pieced pattern download from a Ukrainian quilter)

My own sunflowers above are a version of the simple improv tutorial provided by Anne Larsen. My plan is to make a field of sunflowers. One of our employees is from Kharkiv herself and only today we learned that her mother and in-laws are finally safe in Germany. They will be coming to Canada as soon as they can and it might be nice to cover them with a small taste of home when they arrive. Sometimes you can’t help every person so you pick someone you can directly impact and do the work. We are doing what we can to support our employee and her family because we can see this direct impact. Being a quilter, you know there will be a quilt or two.

February Morning Make 2022

No, you have not gone back in time. It’s February and I made crumb blocks for Morning Make. Again. That’s because the scraps never disappear and there was a whole year of quilting between now and then. Besides, you can never go wrong with crumb blocks.

The technique is the same, the collection of fabric is 95% my own scraps, but there is one difference between this year’s blocks and last year’s: the size of the crumb. When I went to sort the scraps into size - always the first step in these crumb blocks - I realized that my scraps were just that little bit bigger. What counted as a small in this collection was a large in last year’s. I debated cutting things down for a brief moment, so that the blocks were similar. Then I, wisely, decided that that would be ridiculous. Extra work and it would then barely make a dent in the scraps.

Design wise, I was sure I could make a combination of the blocks work. You can see above a hint of what might happen when they come together, as the first few blocks made with smaller crumbs are in the center. With small bits in all the blocks regardless you can make transitions come together.

Of course there is still fabric left. Of course.

One of these days I will get last year’s blocks up on the design wall with this year’s. Then I will use the scraps I have left to fill in any gaps. After that? Well, I make no promises on the scraps’ fate.

Faye

Faye

72” x 72”

Years in the making. Like her namesake. A fearless woman, tenacious, and patient. She knew her time would come. Moved to New York with a dream. Moved through New York with relentless energy. Meeting people, making herself just that much more, ignoring the naysayers. She persevered and found her beauty and her success.

Faye, the quilt, began life in the follow-up to making the Alturas quilt. Carolyn Friedlander’s book, Savor Each Stitch came out and I fell in love with the graphic pattern. She’d already got me hooked on needle turn appliqué so this seemed like a logical step. I started the first block back in the fall of 2014. This finish is indeed a long time coming.

One block led to two and then I might as well do four, right? The initial pattern in the book calls for one block and a great use of negative space. I never follow a pattern anyway. So over the course of a few years I worked on the blocks. Looking back, it took me about 6 hours to baste each block, then who knows how many to stitch. Appliqué is not for a quick finish. Then again, nothing is a quick finish for me.

The finish for Faye come very recently though. Our family wanted to gift a quilt to celebrate a wedding. The gift was long overdue and we decided that this quilt top matched the couple’s personality. I will admit, I had a moment of selfishness for her. Then I realized that my love for her came in the making more than anything. It was time to set her free and share that love.

I always have a hard time with quilting an appliqué project. It’s a battle between accentuating the appliqué and ease. At least, it feels like a battle. In the end I went for a straight line quilting pattern. For one, Carolyn has done this a lot in the past and it works. It provides texture and security without taking away from the graphic design. Secondly, I am hoping this will be a loved couch quilt so I wanted dense quilting to help keep her strong.

The whole quilt is divided into quarters with an X through the middle. Then I echoed that line between each triangle. I chose a pale yellow/cream Aurifil thread in 50W (2311). It isn’t harsh on the backing but disappears for the most part on the front. It might seem odd to use a creamy colour when there is so much bright white, but the reduction in contrast on the coloured fabrics makes it worthwhile and you don’t even notice it on the white.

You know me and my love for a contrast binding. This bright yellow might seem like a funny choice, but almost all of the blocks have a bit of yellow in them. Black, my other thought, seemed too harsh. I had just purchased this yellow Spectrastic by Giucy Giuce from Keystone too. It was meant to be! Such a fun pop to finish this off.

The whole quilt really is a collection of some favourite and treasured fabrics. I started the whole thing with Samarra Khaja’s amazing New York illustrated fabric. Combined with a much loved Charlie Harper print that first block set the tone for the rest of the combinations. I stuck with the New York fabric when I realized I had enough of it, then paired it with some hoarded Heather Ross unicorns, the Stendig calendar print, and a gorgeous purple from Carrie Bloomston. On the back I shared another Charley Harper treasure.

Hopefully I will get to visit Faye in her new home.

Heritage Park Festival of Quilts - Quilter of Distinction

Whoa boy!

This is a big honour here in Calgary. The Festival of Quilts is THE quilt show in town. Quilts take over the historical village, with displays on buildings, fence, in the trees, in the homes and buildings of the park. There are workshops (I taught last year) and dinners and a vendor mall. There is also a special Quilter of Distinction exhibit profiling a local quilter. Guess who gets her own show in the Opera Hall this year?

Seeing as I’ve been quilting for exactly half my life this doesn’t make me feel old at all…

Now I have the hard task of determining what quilts to share. What quilts represent me? What quilts tell my story?

For years I’ve said that I don’t really have a style. At least, I don’t think so. My willingness to experiment and play means that I am open to trying a lot of things. Clearly, improv plays a huge role, but I’m not a one trick pony. I like handwork too. While my first love is prints I do embrace solids more now. And I’ve never met a half square triangle I didn’t like. Just how many quilts will they let me cram into the Opera House?

This is a huge honour for me. I’ve been going to this quilt show for 18 years myself and long admired many of the quilters I’ve seen get this distinction. Yes, it makes me feel old. And does it mean I don’t have more work to share? There has to be a joke about getting a lifetime achievement award while you are still living and working.

Meh, at the end of the day I’m just going to keep making quilts. It’s what makes me happy. Thanks for noticing.