5 Minute Improv - Exclamation Point from Quilters' Playcation

Take a Quilters' Playcation. No demands, no requirements, just sewing. Improv quilting at its most fun! part of a series of 5 minute improv - make one block ...

Well, what can I say? These are strange, surreal times. Has anyone really processed it all yet? Can we even?

At least we can make! I’m sure we’ve all seen a meme or a joke about how quilters have always been prepared for self isolation and staying home. Of course, for those of us with kids at home or having to figure out work in all of this that presents a challenge for sure. Thinking about all the words we want to say, all the emotions we are feeling, and knowing that making helps our mental health SO MUCH I designed a simple improv block. And I filmed a tutorial to share.

Exclamation Point is the first in a series of videos I am calling 5 Minute Improv. Grab some scraps and you can make a block in 5 minutes. Sneak in the sewing when you can or make a mountain of blocks to help you process all the feelings. They are part of a bigger venture called Quilters’ Playcation. More on that soon! For now, enjoy your making. At least we still have that.

Morning Make - February 2020

As the granddaughter of the quintessential Ukrainian Baba it might have been inevitable that I would embroider something at some point. I won’t lie, I’ve avoided, even resisted, embroidery over the years. That was Baba’s thing, not mine. When the girls played around with it I could support them, but stayed out of the way. Mostly, it just never appealed to me.

For February I decided to face it. A new stitch or motif every day for all 29 days. No commitment to finish a designed piece or fill a space. Just pure experimentation and play.

I did not account for really enjoying this.

To start, I fused a stabilizer (some random one in my drawer) to a piece of linen. I dug out my Baba’s stash of embroidery floss, colour sorted thanks to one of my daughters plus my stash of Valdani threads. I found a few videos on You Tube and a couple of books on my shelf to begin. Using basic stitches like back stitch, stem stitch, lazy daisy, and a running stitch I got the first few days in. Then I looked for more things to do. The more I looked, the more I wanted to try! There are a heck of a lot of embroidery stitches out there!!!

My one stipulation was that I only use one thread per day. A couple of times it was a variegated thread so it looks like more than that though. This limitation kept me from making intricate designs, both a good and a bad thing. Good because this was about learning stitches and experimenting. Also good because I only had my 20-30 minutes in the morning and more detailed work takes time. Bad because I would get really excited and start thinking about things I could do with the stitch and patterning if I could just add another colour or alternate stitches.

This is ultimately the point of these Morning Make exercises - to see what you can do with your limitations and open up your mind to creative possibilities!

I will confess, that part of the reason I wanted to do this was to see if I could find some potential quilting stitches. You see a lot more hand work beyond the perfect quilting stitches and cliche big stitch out there. Those are great, but could I do more than plus signs/Xs? Here is the back of the piece - what do you think?

Here are some of my favourite resources for technique or inspiration:

S is for Stitch by Kristyne Czepuryk
Handiworks You Tube Channel

@kim_broidery on Instagram

Now on to March! I’ve started the month with the flu so have chosen some relaxing Colour Meditations by Lisa Solomon via CreativeBug. They’ve been a lot of fun to share with my son, who is also sick.

Euroa Quilt Update - Passed the Halfway Mark

When I passed the halfway mark a few weeks ago I must admit that I had conflicting emotions. On the one hand, I was thrilled that I’d made it this far. On the other, I’d only made it this far?

My trip to Australia was nearly 4 years ago, and that is where the original inspiration for this quilt came from. The threshold to a cafe in a little town called Euroa. Turns out that tile was pretty common in Australia as I’ve heard from many people since that they or their grandparents had it in their house. I made the first block… let me check now… in April of 2017.

It took me almost 3 years to get halfway.

I do recall not touching the blocks when I had a bout of tennis elbow. That was months and months of no hand stitching (completely solved by getting a new pillow, by the way). Some weeks and months the work is constant in any down the or pool deck or outside the dance studio time. Then I may not touch a block for a few weeks.

So yeah, I may be a bit bummed that it’s taken almost 3 years to get this far, I can fully acknowledge and appreciate that life is life. Also, I am doing this entirely by hand. That’s a lot of work adding up to something glorious. Well, I think it’s glorious.

In the end, I have no doubt that this will be a special quilt. For the memories of the inspiration, gratefulness for the moments of making, gratitude for my hands and body being able to bring this together, and pure love for the beauty. If it takes me another 3 years to finish, then so be it.

All I know is that I wold love to go back to Euroa when it is done to take a picture in its inspirational namesake.

For those curious…

• Each block contains 16 pieces. I can print the templates on a piece of card stock. Indeed, I designed the templates so that they could be printed easily, that’s why each block is 8’’ square.

• I pick the fabric for each block in a way I would refer to as controlled random. I have a stack of fabric and try not to have the same fabric too close to itself. Otherwise, I am not too fussy about it.

• Each block gets prepped by cutting apart the template, picking the fabric, glueing the template to the fabric with a dab from a glue stick, then trimming excess fabric.

• Thread basting works best for me. It is the most portable, a must have option for me. Also, it’s a great way to use the bit of thread left on a bobbin or spool that would otherwise be wasted.

• Once I have all 16 pieces basted I stitch them together with a flat back stitch.

• 4 blocks together become a mega block. 5 mega blocks become a column. There will be 5 columns in the finished quilt.

Quilt Bravely - Say Hello to Prints as Background

This is the second in a series of posts encouraging you to be different, quilt different, quilt bravely. To bend or even break some rules while pumping up your creative voice. You have the creative confidence, I’m just here to remind you of it.

Most of the first few quilts I ever made - some 2 decades ago - were pretty colours with a white background. For those first few years I couldn’t imagine how I would make a quilt any other way because it just looked so perfect to me. Well, I’m not sure what changed, but it’s been at least a decade since I made a quilt with a plain white background!

To be clear, I was almost never using plain white, a solid. No, I was using that lovely stuff called White on White, or what we used to refer to as WOW prints. A pretty shiny white ink on white fabric. Now, of course, the whites were never all the same and this row of fabrics in any quilt store will read from bright white to eggshell to cream.

Side note: if you ever find that white ink to be too bright, use the wrong side of the fabric. You get the idea of the print without the glaring brightness of the ink.

Then I discovered low volume prints. There weren’t as many then as there are now, but they definitely existed. More often than not that can still be located in the black and white section of the fabric store. Only now you can get a lot more choices of coloured ink.

I do find that people are afraid to use prints in a background, worried that they will overwhelm the design. Or, they are used and the design disappears. Here are two fundamental lessons to making sure neither thing happen.

Antonio’s Quilt

Mod Tree Quilt, pattern in Modern Patchwork

Value Matters

Value is the relative light and dark of a fabric. The key word being relative. It is about what the fabrics look like next to each other. If you want your design to stand out, then you need good contrast between the main design components and the background. This matters especially so when all the fabrics are prints. It isn’t enough to just have colour contrast, or maybe you want a monochromatic look. Either way, making sure the value of the background prints contrast with the design elements is important.

You also want to make sure that your background prints are all of similar values. They don’t have to be match match perfect, but aim for similar. This leads to the next key lesson.

Sewing Machine Quilt, check out Pattern Drop

There is Peace in Pattern

Texture Matters

Texture is the look or density of the print. Is it a sparse, large scale print with negative space between design elements? Is is a dense text print with little space. Side by side, the dense print will look darker.

It isn’t that you have to pick prints where they are all the same density, but knowing that some will pop while others will recede allows you to balance their use across a quilt. And if you have one print that really seems to be taking over the background you can do two things: remove it, or add more similar prints, so nothing stands out on its own.

Compose Yourself from The Essential Guide to Modern Quiltmaking

Smooch

Colour can make a difference in backgrounds. Be willing to experiment with pale colours instead of white. Pick multi coloured low-volume prints instead of black and white. Mix grey with black and white. Or heck, make your main design elements a light colour and your background a delicious, dark print.

Have fun playing with prints. They are a pure delight. And we have such amazing fabric designers in the world providing us with endless inspiration.

Check out the first in the Quilt Bravely Series: Creatively Contrasting Binding.

For more details on using low volume prints as background make sure to check out my book, A Month of Sundays. It gives you all the lessons!