Flying Geese Exploration

I was just doodling, I promise.

After doing some computer work that required notes my mind was wandering. I had the computer open and a pad of graph paper next to me. Ignoring technology I picked up a pencil and started doodling on the paper. That night I started sewing some quilt blocks.

There isn’t anything fancy or revolutionary about what I doodled or the play I started, but it was relaxing. Knowing my solids scrap bin was overflowing I started there with my fabric. My doodle required contrast so I chose to explore warm/cool contrasts rather than any specific colour. And it’s just play, not a quilt, so I could try different combos and see what happens, right?

The only really shocking thing about this is that I chose to play with precision piecing. Definitely shocking with me. I’m making 2.5” x 4.5” flying geese blocks. Accurate cutting and piecing required. Still mindless, but definitely not improvisational piecing. I’ve got improv in the colour play, so I am still left satisfied.

As is usually the case with play rooted in experimentation it may not always go how you thought. When pairing fabrics to make the flying geese blocks I paid more attention to warm/cool contrasts than value contrasts. It totally works. But then the overall effect isn’t the same as what I initially sketched. My original idea was to effectively have one giant medallion. Without value contrast, however, it was looking like a mess of triangles only, no design visible. So I started sorting the blocks by the cool values. This has potential.

Like most of my quilts this one started with a “let’s see what this does” kind of attitude. If you are a little kid with a stick and a light socket, that means danger. But an adult with some fabric, it only means fun.

Scrap Sparkler Party and All Those Rainbow Blocks

Pardon me, but I’ve developed an obsession with itty bitty scrappy blocks. Now I am sewing rainbows upon rainbows in various little blocks.

Knowing that folks are always looking for ways to not be overwhelmed by their scraps and actually enjoy them I am hosting a Scrap Sparkler Party through the Quilters’ Playcation. You too can make your own itty bitty rainbows, or starry night, or treasured bits showcase.

October 28 10 AM - 2 PM Mountain

Register here.

In the meantime, enjoy my rainbows...

Maple Leaf Quilt Top from Ugly Fabric

Proof that if you start with some ugly fabric you can still make something beautiful.

Back in the spring I was hosting a Quilters’ Playcation Playdate. The focus that day was on finding an ugly fabric in your stash and seeing how we could make it work for something. When you let the fabric be your guide, as opposed to forcing the fabric to be something else, it usually works.

These were some of my initial pulls. It isn’t that each fabric is really ugly. You may love them, in fact. Ugly is in the eye of the beholder. But I’d had that leaf fabric forever, I have no idea where it came from as it isn’t something I would generally pick, and it had never been used. So that became my challenge fabric.

The fabric is so very cliche fall fabric. I leaned in to that. If it’s going to scream fall, I will let it be what it wants to be and turn it into a maple leaf block. I paired it with another bold fabric that had a lot of the same colours, save brown, and got to sewing. And what happened? It made a very cool quilt block! In fact, I loved it so much that I kept going and made more blocks to coordinate. I picked all the fabrics from my stash to coordinate in the colour scheme started with that first block.

In the end I made 25 blocks. They are 12.5” square so the quilt ends up as a small lap size. I’m not sure it will be finished for this fall, but that’s okay. I finished the top back in June anyway!

Morning Make 2023 - Collage Portraits

Up first in my portrait making, aside from learning how to draw, was something I was just a bit familiar with. Back in 2017 I took a class with Melissa Averinos on making faces in fabric. I made one face, loved the process, developed some grand ideas, then promptly did nothing about them. Needless to say, that’s why I chose to start with this technique. Also, I was using her book to learn the drawing basics so it was a natural extension.

In the book Melissa walks us through the basics of anatomy and shape. She outlines many ways your can interpret this with fabric, then encourages you to go for it. It’s all so very approachable. She also has tonnes of examples. You can see the myriad ways people, her students, took to the portraits. You also get to see a big selection of her own work. It is all inspiring.

The first photo I took to interpret in fabric was my headshot, the main photo on the homepage here. I found it an interesting challenge because it is hard for me to convey depth in the collage. It’s obvious in the photo but in the collage the shoulders look a little off. But can we take a moment to celebrate my hair?! She is quilted with a million thread colours and stops and starts, providing texture and depth.

The second collage portrait I did was in black and white. I took a colour photo from when I was visiting Lucy Maud Montgomery’s house in PEI. I was just to happy on that entire trip and it shows in the original photo. I think the collage does not quite show that. In fact, it feels a bit skeletal to me. That being said, I still really like it. I played with being a bit more abstract in shapes and with value. To soften the whole thing I used a pale pink thread for quilting.

To finish both quilts I did give them a quick soak and blocked them. They are small (less that 20” on any side) but had got a bit misshapen in handling. This roughed up the fabric and I discovered places I hadn’t quilted as well. A few repairs with both glue and the sewing machine were needed. Then the mini quilts are bound with a single fold binding in a black on black print. I decided to be consistent among all my self portraits with binding and treated it like a picture frame.

These quilts were an excellent first start to this Morning Make adventure. Fundamentally, I am a quilter so fabric portraits are the way to go for me. Will I make more fabric collages? I’m not sure. the technique is freeing and effective, yes, but I don’t love the roughness of the raw edges. You do get ultimate freedom in cutting your collage though. I think this is a great technique for play and it may instead stay in the repertoire for that reason, even if I don’t make another full portrait quilt with it.