"creativity"

Improv Curves Within A Daily Practice

Improv Curves in Quilting, Top

My morning practice, is paying off in spades. It helps me focus and manage my emotions for the day. It acts in a very similar way to a meditation practice by centering me and filtering the noise. And on top of that - I finish quilt tops!

These blocks started as samples for teaching a class. One day I grabbed a stack of solids and just used them. Well then I really liked the accidental combination so I did some editing and adding. Over the course of a few classes more blocks were made. When I was pulling blocks for my daily practice I came across these. Perfect! It was quick to get the blocks done, it took much longer to figure out the best layout.

Quarter circles, like half square triangles, give you many, many, many layout options. Because I'd gone with an only somewhat controlled colour scheme I was trying layouts to give me order more than anything. Random is awesome, but sometimes it doesn't give you a good design. Because I'd included many colours, in both lights and darks, there was no clear cut way to get a successful design. For me, however, that's the fun. I LOVE the challenge of finding a good design.

If you follow me on Instagram you probably saw the many iterations for this quilt top. I wavered, I played, I experimented, I wavered some more. Finally I found my order by focusing on colour and the interconnecting of the one print in the quilt. This design may not be everyone's favourite, but I am in love.  

It's definitely going to be a fun one to quilt!

If you would like to know more about Improv Curves look for a class of mine near you (or book one) or check out my Inset and Applique Circles by Machine class on Craftsy, we cover it in one of the lessons.

Samsquanch - A Bigfoot Quilt

Bigfoot Quilt in the Wild

Samsquanch

90'' x 90''

Take one Legendary pattern, multiply it by five, add in a family of five sewing, and you get one crazy quilt.

Our family winter project is finally finished. We took a jaunt to the mountains yesterday to capture the quilt in the wild, in some truly squatchy country. It's already made a debut at a local quilt show and is in good use on the odd chilly night in the basement. 

I quilted it with a combination of thread and techniques. The white background is done with a walking foot and using a white Aurifil 50wt. The trees are straight line with the magical olive green from Aurifil. The Bigfoot herself (we decided she was female while making her) is done with a brown variagated in 40wt from Signature. She needed fur and a face so my free motion skills got a lot of practice - once my BSR was replaced!

To make the face my husband and I spent far too much time researching Bigfoot art and representations. Then we compared them to primates and sketched and resized. Total nerds. I gave myself a chalk outline and went at it contour drawing style. Thank you Melissa Averinos for teaching me that!

Bigfoot Face in Quilt
Bigfoot in the Mountains

The backing is a mishmash of greens and leftover browns from my stash. The only fabric we bought for this quilt was the binding. I simply had nothing at home that worked so the girls picked this ombre and it's perfect. 

It really was an incredible project to work on together. From picking fabric to sewing together I had fun. It's easy to get annoyed or stressed when the kids are sewing, but we learned to go with the flow - and their enthusiasm. I gave in to all the requests when my little guy wanted to help, including having him on my lap while doing some FMQ! We had fun stomping through the trees for photos, complete with photo bombs and blurry pictures from laughing. 

Bigfoot Quilt Ombre Binding

It's summer now so there isn't much couch snuggling going on. And Hubby rightly pointed out that the white background is more wintery. I had hoped to shoot this in the snow, hence that white background. But believers know, Sasquatch is always out there...

And one word on the name. My husband is a wildly sarcastic man with a unique sense of humour. He likes to make up words and stories to mess with people, the kids especially. So in our house it isn't Sasquatch or Bigfoot, it is Samsquanch. 

Bigfoot in the Wild - Quilt

Create Before You Consume

Scrappy Cabin Blocks

Last week I changed a habit. It's totally changed my life.

What is the first thing you do in the morning, after your victuals? Don't lie. How many of you said check your phone or get online? My hand is up, that's for sure. Yet how many times have we been told that is the worst thing we could do for ourselves? That it kills the soul a little and reduces our effectiveness. Like a smoker who won't quit or a certain person, ahem, who can't stop eating cookies even though she needs to lose weight. We are bound to our social media.

I've been watching the 30 Days of Genius series here and there from Creative Live. One interview really struck me, especially one part of it. Marie Forleo is a life coach and as life coaches can be is pretty cheery and full of clever commentary. She and the host, Chase Jarvis, got to talking about the consumption of social media. She started comparing it to the consumption of a certain disgusting alcohol (to be clear, I like booze, but Goldschlager is nasty stuff). Then she said the words that stopped me straight in my tracks.

"You need to create before you consume."

Number 1, I've never really thought of my time on social media or the internet as consumption. That framing makes so much sense to me though. It might be because I am trying to lose weight so consumption as an act is front of mind. It might just be the thing I needed to hear to make me see that it needs to be managed better.

Number 2, while I often do my best creative work in the morning it generally takes me about 15 minutes to get to it after waking up. I make tea, catch up with the things that came on my phone - email, instagram, twitter, facebook, even texts - overnight. Only then, with a cuppa and the finally feeling that it is time to buckle down and be creative do I get to work. That time is all wasted time for me.

Now, I've been getting up at the same time but skipping tea. And this is the most important part:

I do not look at my phone. Nor do I even unplug it from the charger on the nightstand. 

That's right, I keep it there, plugged in and alarm off. Then I shuffle straight into my sewing room and the first thing I turn on is the sewing machine. For the first 15 minutes of my day now I am sewing. No music on, no radio, no podcast. Just me and my machine and a stack of fabric. 

This is, effectively, a morning meditation for me. I am not going to start actually meditating, I don't feel I need to because the act of sewing first thing like this has me quiet and centered as it is. Then I can tackle a short workout, work on an article or bigger project, and attend to the kids and their morning needs until they are out the door. And bonus! Quilt blocks get made. In just one week of 15-30 minutes first thing in the morning I finished the last 6 of these scrappy improv cabin variations. 

I can't say that watching this interview will change your life as well, but I would definitely encourage you to take the Create Before You Consume message to heart. See what it does for you.

Note: The tea and social media are still there when I get to them a few hours later. 

 

The Joy of Swimming (Weekend Reads)

"How do you just stare at the bottom of the pool for hours on end?"

It was the most common question I got in twelve years of competitive swimming. And only asked by people who could never really understand whatever answer I gave. But the truth is that it was hard to give an answer. Swimming, for me, wasn't about staring at the bottom of the pool. Heck, you really only noticed the bottom of the pool when it marked that you were close to the wall. Swimming was about so much more.

The majority of the time you compete as an individual but you train as a team. Everyone in the pool is pushing each other and not so secretly competing even on practice days. My swimming friends were my closest friends because I saw them the most, I suffered with them, I laughed with them, I travelled with them, we saw each other in next to nothing for hours on end. They were my people.

Swimming is also sport for the internally driven. No matter the cheering or the direction from the coach, no one is going to propel you down the pool but yourself. No one is going to kick harder or reach further but yourself. And yes, when you are starting at the bottom of the pool for hours on end the only person you have to talk to is yourself. It comes down to discipline and drive.

In Lisa Congdon's new book, The Joy of Swimming, she makes a connection between art and swimming that makes total sense to me.

"There has always been a fixed and steady connection for me between art making and swimming. Both of these passions require similar things of me: enormous discipline and a unique form of endurance... Like art making, swimming is at the same time rigorous exercise and also a form of play."

It explains so much to me, of me.

The Joy of Swimming is a delightfully creative survey of the sport of swimming. It is full of historical facts, fascinating tidbits about the sport, equipment, and pools. But mostly it is the story of swimmers. Lisa's drawing and letterwork, combined with the brief profiles all try to answer the question of why anyone stares at the bottom of a pool (or never sees the bottom of open water) for hours on end. The profiles range from kids in the beginning of their careers in the pool to seniors who've been in the pool hundreds of times more than the average person.  It includes famous swimmers of the past and present and water babies of today.

My daughter read this book. The Monster is nine and spends a good chunk of her free time in the pool as a competitive synchro swimmer. If she has a break from swimming for more than a few days she gets antsy and asks if we can go swimming. She needs the water to feel sane. I totally get that. The book gave her a way to be connected to the pool even at bedtime.

I don't know that this book will get anyone new in the water. It might - the profiles, while brief, are inspiring. It is making me want to get back in the water, that's for sure! The book will definitely enchant anyone who has ever spent time in the pool for more than what we always called public swimming, the fun stuff. I have a list of family and friends to buy the book for.

As a quilter and writer now it feels like I stare at the bottom of the pool for hours on end again. It might be the blank page of my notebook, at sentences on a screen, or piles of fabric in various forms. The work can be repetitive and lonely at times. Chain piecing like going back and forth and back and forth down a pool. The drudgery doesn't stop me - even when I'm trimming hundreds of half square triangles - because I am internally driven. I know the hard work will pay off. 

Everyone comes to the sport for different reasons, and we stay for different ones too. After twelve years of it I quit suddenly when it just wasn't fun anymore. I've never looked back and now watch the kids I see swimming while I'm at the pool with my own children with nostalgia. Lisa and I spoke about swimming during our time together in January. I was in awe of her commitment to the sport as an adult. She started her true commitment at the same age where I was ending mine. But I know that swimming provided a foundation for my entire life. I would not be the person I am today without swimming, not at all. And now I see that that includes my creative journey as well.

Lisa Congdon will be on a book tour for the book. If you are anywhere near Portland, Seattle, NYC, San Francisco, Minneapolis, or Brooklyn I recommend seeking out the event. And if you or anyone you know is a swimmer, then definitely grab this. If you aren't a swimmer or don't even like the water, The Joy of Swimming is worth the read. It does indeed provide some answers as to why we can spend all the time staring at the bottom of pools. Not to mention, Lisa's creativity shines.

Disclosure: I was provided a copy of the book by the publisher, Chronicle Press. That was the second time I read it because Lisa loaned me an advance copy to read back in January and I stayed up too late to read with the lights of LA for company.