November Morning Make 2022

Well this was a different month!

I have a Creative Bug membership. In fact, it is like a gym membership for me. I pay for it each month and almost never use it. Oops! But the daily practice I did in November made it all worthwhile. Every day I worked on a book structure, as led in a class by Faith Hale: 30 Structures in 30 Days - A Daily Practice in Bookmaking.

There was an investment in supplies to start - book board, an awl, an Xacto knife fancy paper, glue, waxed thread. I shopped at two local art stores and the big A to get it all. In all honestly, the paper cost the most and I have a lot left. I was nervous about the knife, having sliced off part of my thumb as a kid with a similar blade. This time I followed instructions and I am 47, not 7.

Faith did a great job of moving through a number of techniques for folding, cutting, and assembling the book structures. Some were super simple and only took a few minutes. Others were a multi day process. We stitched sometimes, others we just folded. Some books have hard covers some are just paper. I even got to add fabric from my stash to a few because there was no official book cloth to be found.

The simplest ones are my favourites. Or the ones with interesting folds. Or the ones with hard covers. I picked out some of my favourites and filmed them for more detail.

I can definitely see making some of these again as gifts or for special notes for special people. All of these are currently blank. Now that I know how to make them I would like to try again with the pages already filled or at least planned out prior to assembly.

All in all, this was a fantastic month! I absolutely enjoyed this creative challenge. It still had me playing with colour but was a new to me experience. Totally perfect for Morning Make.

April Morning Make 2022

April was an exploration of light, more than anything. Indeed, I’ve never paid this much attention to light, shadow, and sunshine before. It was an excellent practice in paying attention, in noticing.

Cyanotype is a form of light exposure, like photo developing. You use chemicals on paper, fabric, or anything that can be coated (I saw someone do rocks and I want to try that!) It requires the interaction of the two chemicals: potassium ferricyanide and ferric ammonium citrate. You only really need to know that you need equal parts of each and to mix them together right before using. I picked up the set from my local art supply store.

For the first half of the month I mixed the chemicals at night, painted the paper, and let them dry in a dark bathroom. Light exposure starts the process of creating the print, hence the windowless bathroom. For the second half of the month I played with wet exposure, meaning you paint the paper with the just mixed chemicals and go straight to the creation of the print. In the end, I couldn’t really tell the difference from the results.

To create the print you place an object on the treated paper and let light do its thing. Where the object is placed and in its shadow the outline remains while the rest of the paper gets exposed. Essentially, you are creating a negative image.

Where things get both exciting and frustrating is with the shadows. Not that sunny? An object with diffuse edges? You get a ‘blurrier’ print. Very sunny? You get shadows. Depending on the time of day and the level of sunniness, you can get very sharp images or long shadows. I found the exploration of these differences fascinating and learned to exploit them to create different things. Seeing as this is morning make and it was April in a northern location, I had a lot of shadows to play with and sometimes not a lot of light. It means I will probably play a bit more in the peak of a summer’s day.

The other act of noticing this month was in looking for things to use to create the print. You see a lot of cyanotype prints exploring shape through living objects like plants and flowers. It was April in Calgary, not a lot of greenery! But weeds, grasses, and last year’s living plants provided fascinating textures to use. Going for walks I found myself nothing plants and sticks in new ways, or even discovering new to me plants. I never picked anything living and cut dead things, leaving roots in tact in case it was a perennial. I also explored the house for objects, using kitchen tools, jewelry, games, even garbage. If it can create a shadow it can create an exposure.

Each day I made 2 prints, so ended up the month with a lot of prints, some definitely better than others. Here are four of my favourites. From top left, in clockwise order. A necklace from Elinor Stenroos on dry. Shadows from slurpee cup and jar lids on dry. Cheerios on wet. Thistle on wet.

Some days I got the real dark, indigo blue colour typically associated with cyanotype, others it was quite pale. To be honest, I never really figured out what created the difference. it always felt like I was putting the same amount of the chemicals on the sheet. I suspect my proportions of the two agents varied, but I don’t really know. Length of exposure varied too, depending on the light conditions that day. I don’t think that effects the colour though, as I exposed almost all to the same colour before washing. (The chemicals look pale green when they go on then change colour as the exposure happens, usually showing done when a bronze or dark green.)

Yes, you can do this on fabric and that probably made a lot of sense for me, a quilter. However, I wanted to try the paper and besides, it’s not like I needed more fabric! That being said, I also don’t need 60, mostly mediocre, cyanotype prints. So I got a notion for a secondary art project.

I need to test my assembly idea for these but if it works, I think it could be pretty cool. And it just might get by the ‘no quilts on the wall’ rule in the house!

At the end of the month I have to say this was a lovely exploration. I admit to being intimidated by the chemicals and the idea of it at the beginning. What foolishness! It is actually really easy, I felt totally safe mixing the agents together, and it was an adventure to see what could happen. Sure, things didn’t always work and I’m still on the low end of the learning curve but it was a low stress experiment. The anticipation each morning of what could happen was a great way to start the day. Pure creative optimism.

PS. I saved a highlight of the process - start to finish - on Instagram.

October Morning Make 2021

Went back to my childhood here. There were many an evening I spent in my room with a stack of Seventeen magazines and a glue stick making collages. Generally, I was cutting out things I liked and filling the page. Maybe it was a mood board before I knew what a mood board was? In October I made a collage each day for Morning Make.

I still like my magazines and the stack from this year was falling over. Rather than ripping out the recipes or rooms I liked and recycling the rest I decided to bring the glue stick out of retirement. Each morning I did a colour wash with some watercolours then while it dried I found my images.

Some days I had a clear idea and set out to find images that worked. Other days I waited for an image to strike me. Everything was made up each day, no preplanning. Frankly, some days worked better than others. I don’t define success as a beautiful image, rather, it is about the time spent. That being said, I wasn’t always happy with what I produced.

I was game for trying new things within the month, playing with text and images, just text, just images, and always with composition. Indeed, this was an excellent month for exploring composition. As a quilter that is always a useful exercise. It also forced me to reckon with negative space. So while I didn’t love all the literal results, it was a good skill building month.

You’ve heard me say it before: Creativity Begets Creativity. Playing in a different medium with translatable skills can only ever be a good thing. At the end of this month I have a few new ideas I want to explore in fabric, my comfortable medium. I’m not sure they would have emerged without this exploration into collage.

September Morning Make 2021

September is always the new year in my books. And this year it felt particularly monumental. Kids in high school, junior high, and elementary; a return to in person sports and activities; and trying to get back in a routine when, mentally, I’m still needing lazy afternoons with a good book. I knew that choosing a slow, meditative Morning Make would help me with the transition.

This month I chose to doodle mandalas. Well, these are officially mandalas. Let’s call them mandala inspired. I committed to the circle shape but obviously played around.

These, perhaps, could have been a bit more challenging. I will admit to getting a bit bored by the end of the month. It might be better for me to pick a theme rather than a specific technique to get through the month. Although, it is good to push through that boredom, to force creative action, in a way. The struggles are as important as the successes. Just because something is easy doesn’t mean it is without struggle. That struggle could be about the pursuit of greatness/perfection, it might be about forcing yourself out of a comfort zone, and it could be about accepting that not everything has to be hard. Either way, it is a win to sit and make on a daily basis.