Friday Favourites - Poppy Barley Flats


Of all the things that could happen with pregnancy the one I feared the most was my feet growing. Shallow and vain, I know. Before I actually became a mother and realized how shallow and vain that was I obsessed over this.

My first pregnancy was a gong show and high risk by the last trimester. My feet were indeed giant puffballs thanks to high blood pressure. But with an unseasonably warm spring and bed rest, I was good in bare feet and flip flips. And when it was all over, my feet went back to their standard size 10. I had better pregnancies the next times around, but no luck with my feet. They did not return to their normal size.

You see, before this shoe shopping was such a treat. It was my reward, my shopping salvation. I knew that no matter how difficult it was to find flattering pants or a shirt with long enough arms, I knew that at the end of the day I could walk into any shoe store, grab a size 10, and leave happy. Shoes were my emotional pick me up. (And yes, I had/have a lot.)

Since babies my shoe collection has been seriously edited. Of my pre-pregnancy shoes I've really only kept my open toed options, and only really purchased a few pairs of boots and a couple of pairs of sandals. Granted, I don't need the wardrobe I used to have when I worked corporately. But I've more or less given up on shoe shopping. No one generally carries shoes larger than a 10, and now they almost never fit. So it isn't worth trying things on or hoping that they'll have another option.

Then my SIL told me about Poppy Barley. Shoes made one at a time, for the customer. You pick the style, the leather, and can even submit custom measurements. Boots too. I waited a few years before taking the plunge - custom isn't cheap! Now? Now I think I will buy every nice shoe I need from Poppy Barley.

I attended a measurement pop-up here in Calgary. You can take your own measurements too, their site has clear directions on that. In doing this I learned that one foot is a full half size larger and the widths are radically different. So I paid an extra $50 for a custom sizing option. Totally worth it. My shoes fit perfectly right out of the box. And if you order boots, you measure around your calf as well, so all of us can finally have tall boots that actually fit a normal woman's calf.

Poppy Barley is based out of Edmonton. I love that I am supporting a Canadian business with my purchase. (Although, their shoes are made in Mexico.) Started by two inspiring young women, they've built their inventory of styles for a wide selection of flats and boots. Their work is gorgeous. On top of this, they are committed to supporting creative entrepreneurs with events, advice, and support.

I will be wearing these limited edition Sunrise Confetti Modern Mary Janes until the snow is sticking to the ground because oh, they are perfect. And saving my pennies for another pair of Poppy Barley shoes. I may never go to the mall again.

Sunday Morning Quilt in Solids


Hello New Quilt! Despite my best intention to forge ahead and finish the stack of quilts awaiting binding, quilting, and more, I HAD to start a new quilt. And I'm totally justifying it because I wanted a new sample for a class.

Do the blocks there look familiar? It may be hard to pick out, but these are the same blocks that are in the Sunday Morning pattern from Sunday Morning Quilts. The original quilt is full of low volume goodness, whispering of Sunday morning delights. I think it might be the most made quilt from Sunday Morning Quilts (after slabs). At least, it is the one I see the most online.

I'm teaching Sunday Morning in a upcoming class at My Sewing Room. While I knew I wanted to make a new sample for the class - to show that you can indeed make it without using low volume fabrics - I wasn't entirely sure what fabrics I was going to use. Then I saw Amanda Jean playing with her solid scraps. Now, if you've been here for any length of time you know that I am not naturally drawn to solids. But her play with scraps got me jazzed. I NEEDED to make something with solids.

So I pulled out my leftovers from the preschool teacher's quilt and 'made scraps'. After making 5 blocks I realized I wasn't going to get very far with just my selection of solids. So I put the call out to my Calgary Modern Quilt Guild friends. When I got to the meeting last week I was handed bags and bags of strips and scraps. I don't even know who all shared with me, but I know that I am extremely grateful!


Now I have practically every colour under the rainbow and all in between. I can tell by feel that there are many different manufacturers in this pile. And it all works so well together.

My initial plan was to just make a small quilt, something easily transportable for classes. It goes against my every nature to work small, but I was determined to make it this time. Portability, portability, portability. But plans change.

While I was making a few blocks the girls sidled into the sewing room. Curiosity and a need for a little snuggle led to a full blown sewing lesson. The week before I'd taught them both how to use the machine all by themselves - with supervision. So when they asked to sew I decided that they could help me make blocks as opposed to starting a new project with them. What began as a selfish desire on my part to not clean up turned into a family project. They are so into making the blocks. They carefully select their next strips, they chain piece and press all by themselves, and yes, they unsew when necessary. There are still some lessons to learn about seam allowance and leaving the iron in the correct position, but we're getting there. 

So now, I don't want to make this just a small quilt. This is well and truly a family quilt and so it must grow to accommodate all five of us. Besides, I think it is getting pretty gorgeous and don't want to stop making.


If you are local and interested in taking the class, call My Sewing Room to register. It runs in the evenings on October 16 and 23. 403-252-3711

This and That For Your Weekend

It's a quiet, sunny Sunday here in Calgary. Hubby and I both have a weekend off from work and volunteer obligations. It's been fantastic! I do hope you are also having a great weekend.

Just a few things I wanted to share with you. Maybe they will brighten your weekend with a little treat, or keep you entertained during some precious sewing time.

Craftsy Sale

This weekend is a big Craftsy sale! I know I've posted about these before, but if you've never checked it out I suggest you browse the classes. I have a collection of quilting and cooking classes myself. If you've been inspired by my appliqué work I strongly recommend Big Techniques from Little Scraps with Sarah Fielke and Hand Applique Made Easy with Mimi Dietrich. I've learned a lot through these classes that I think will really take my appliqué enjoyment and skills to a new level.

To access the sale click on this link and check out all the options. You don't have to be a quilter either. Personally, I'm intrigued by the drawing classes. In all my free time, right? But, you can get them this weekend and have lifetime access... Good deal, no?

C&T Publications Sale

If, like me, you have an addiction to books then this is the sale for you. So many good deals here. The new C&T Publishing site is easier to navigate and you can find all sorts of deals in this warehouse sale. I may have picked up a few titles myself, even though I don't really need more books - I'm too busy sewing to read much these days! But, oh, the cuteness...

And if you are a fan of my work specifically, I would be remiss in not pointing out that a few books I'm in are for sale. Like Datekeeper - Modern Quilts, 99 Modern Blocks, and an amazing deal on A Month of Sundays! And so many other great titles and products.

Modern Sewciety



This is a fun podcast hosted weekly by Stephanie Kendron. I had the pleasure of joining her and Carolyn Friedlander for a chat about QuiltCon. It brought back memories and got me very excited for February. Even if you aren't going to QuiltCon it is full of tips for anyone attended classes, workshops, festivals, and retreats. Plus, Jo Packham is also on this episode and I really enjoyed her conversation with Stephanie.

Have a great weekend everyone!

Friday Favourites - Alturas Portability

So, making the Alturas blocks was a lot of fun. I completely fell in love with both the portability of the project and the uniqueness of each block. Here and there I would take photos as I was sewing. It was a good reflection of the places Alturas and I went together. And the daily bits of my life. Often, I would Instagram the photos, some I did not.

Follow me, see where we've been.



Sitting on our balcony in Ixtapa, Mexico. One of the first blocks. Little did I know what I was getting into when I started.
(I also took Alturas with me to Turks and Caicos the following month, but due to that camera going swimming in the pool thing I have no proof.)


Snowy afternoons sometimes call for drop-in gymnastics on Fridays. I think I got approximately two stitches and this picture in before I was called to watch yet another bounce on the trampoline.


Sewing while watching The Great British Sewing Bee. Very meta. Very awesome.



Our Telus Spark Science Centre is a pretty great place to spend a day. In the Creative Kids Museum the kidlets are so wholly entertained by all the games, gizmos, water stations, stages, climbing structures, and more that I am completely forgotten. That means Alturas and I play together.



You wouldn't know it from this photo, but during the spring the girls took rhythmic gymnastics. But the old Russian ladies who ran the club wouldn't let parents watch, so I would sit watching the swimmers, remembering my competitive days. That is, on the rare days there was no toddler to entertain too.


I clearly remember that this was a bright, clear, spring day. The girls were at the park and I sewed. Until I was called to monkey bar duty. Seeing the trend? I think I'm going to get to sew, then I have to be a Mama again. That's okay, Alturas always knew I would come back. 


Road trip! The best drive in the world - The Icefield's Parkway. It was actually rather difficult to sew while on this road. First, there is the view. Then there are all the twists and turns and ups and downs. Don't be fooled by this picture.


Sometimes, we parked, and then I could sew more. While moving all of this had to stay contained in my handy pouch.


A truly loverly weekend in Jasper with all of my immediate family. All of us in one luxurious cabin. It did have this deck, with a view of marmots, elk, pika, chipmunks, and golfers.



My birthday weekend. A quiet affair and was treated to a quiet morning with leftover birthday cake for breakfast and time to sew one whole block from start to finish.


On our way to a wedding here. We were in Ontario and I sewed up quite a few blocks during the endless Toronto area driving. Alturas got dressed up too. I made that belt AND a block from that yellow fabric.



Had said goodbye to my family and The Workroom after a day of teaching. Then I was headed down to the Niagara region for what turned out to be a transformative teaching experience for me at Quilt Canada. This was on the shuttle. Then I stopped sewing to watch the sunset.



So we went to Jasper again for the Canada Day long weekend. Part of my packing included another handful of prepped Alturas blocks. We got there and the kids started to explore and play and make new friends. We saw a mama bear and her cub walk through the campsite. As we adults settled into conversation and an early campfire I got frantic. I couldn't find my little sewing pouch. NO!!!! I forgot Alturas. I was totally distraught. I felt like a part of me was missing. You mean I would have to just sit, and do nothing with my hands? Felt so strange. Then I found the pouch, buried in the car and I started to breathe again.


It was Jasper in the mountains at the end of June. So when the rest of our group went on a hike and a boat ride, we and another family stayed at the campsite to veg, paint rocks, and chill out. As it was rather chilly the men obsessed with a fire in the wood stove of the cook shelter. And I snuck in a little sewing between bear lookouts.


Le Tour!!! I think I made at least a dozen blocks during the 2014 Le Tour. Every night we sat together, chatting, watching, and me sewing. And life was good. 


A weekend in Revelstoke to hit the Skytrek Adventure Park. I spent the first few hours in the car with a little guy napping. More Alturas for me!



On the way home with Alturas and my bruises. Worth every second and every bruise


Ah, summer. Kids in bathing suits on the front lawn. Alturas put aside for water fights and lemonade refills. (And I would be remiss in pointing out the primary colours here, The Monster would totally catch that.)


The day I tried to sew at the beach. Bad idea. At least the little guy wouldn't go in the water, but the girls did and so Alturas had to take a backseat to safety.


My brother is a doctor, so here Alturas waited with me while he took The Monster on a little behind the scenes tour at his hospital. I drank tea and chatted with this lady a little bit.



 Another glorious weekend morning with all the things I love. Okay, not all of them. How about the inanimate objects that I love? Alturas and Peaches and Magazines!


 That time I sewed my finger to Alturas.


True story: I finished this block while recording a podcast with Carolyn Friedlander. Pretty cool. And you can check out the podcast on Modern Sewciety. It's all about the QuiltCon experience. 



The very last Alturas being done, in the wild. If you count a meeting of our community playground committee the wild. I think I was distracted because I signed up for the sponsorship sub-committee. Oh, the power of Alturas.

Alturas Quilt Top Done!


My Alturas quilt top is done! That means I am also done with hand appliqué for 72 of these blocks. I won't lie, I'm a bit sad about that. Don't get me wrong, I LOVE this quilt top and am thrilled with the way it turned out. The thing is, I really enjoyed making these blocks and I'm not sure what to do with myself now that is done. (More on that aspect tomorrow.)



You will notice that there is something you could call a border on this quilt. For long time followers and fans this must be tremendously shocking. I understand, I'm pretty shocked myself. These blocks absolutely needed something to set them apart though. Once sewn together the appliqué is more or less only 1/4'' apart. I wanted the appliqué to really stand out, so a border was needed.

Instead of following the original Alturas pattern I added more width (and another row of blocks from the pattern) to the border by using additional charm squares as the border. This was another way to showcase the fabrics I used as the background for the appliqué, quite a nice treat considering you don't see much of it under the appliqué.

And, shock of all shocks, I made the quilt rectangular. I adore square quilts but something about this begged to be a rectangle to me. That's why I added that extra row of appliqué. And a third row to the border on the bottom. That last part is totally inspired by Carolyn Friedlander (she who wrote the pattern) because she often has one side wider than another on her borders.


(This grey fabric is from my very first quilt. Can you believe that?! This is officially the last scrap of it that can be used.)


In the end I'm quite happy with my decision to add a few bits of yellow to the quilt. I'm not sure what it adds, other than a shot of sunshine, but it feels right. The grey/coral/navy/teal combo is pretty awesome all on its own. Yellow just amps it up a bit more. With winter just around the corner (thank goodness last week's snow is gone) this highlight will be well received.

I'm also happy that I made a few blocks with quite low contrast. I realize that, from a distance, they kind of disappear. That's okay. I think that this fact, along with the yellow, keeps your eye moving. Instead of just seeing all the appliqué, all the time.


There are so many old and new fabrics in here. Some I bought just for the project. Some that awesome readers sent in or local friends shared. Some, like I mentioned above, that are 16 years old! There are civil war prints, organic fabrics, modern prints, shirting, and even solids. Just missing batiks and novelty prints. Each block is unique and no appliqué fabric is repeated.

I've already got the backing fabric (more Botanics from Carolyn Friedlander), plus some Cotton and Steel for the binding. I even know how I'm going to quilt it. Now, who is going to baste it for me?

Y2K Charms as Leaders and Enders


My oldest UFO is finally turning into something! Serious progress here, folks.

These are the the Y2K swap charms I found in the garage this summer. I spent a lovely day - in between snack making, diaper changing, water balloons, and policing - getting these sorted. I decided to go for a simpler version than my original sketch. In part, because I knew I would never get it done if I got all fancy. And, in part, because the light/dark distinctions became pretty obvious.


There are certainly some special fabrics in the group! Predominantly calicos because that's what we did and what was available even in the 90s. Some novelty prints too. And a few special Australian fabrics in the mix. Anything goes.

That is how I am approaching the quilt making too. Simply sorted by value, that's all. I found a box lid that fits all the charms. It sits on my sewing table, at the ready. As I sew on other projects I grab from the box, as needed, to start and finish a seam. These have become my leaders and enders. So, instead of cutting threads at the end of the seam I feed a set of charms under the presser foot. Then I snip the growing chain off every time I finish another seam and add a charm. I prefer to make whole rows this way, rather than simply sewing pairs. It helps me keep track of the length and nothing is likely to get lost.


Each row will have 40 charms. Somewhere around 25 I switch from darks to light. That's because I have about two thirds dark and one third lights. I change it up and don't worry too much about the exact number. In total there will be 50 rows. That will finish out at an 80'' by 100'' quilt. Pretty big!

I have no idea how long it will take me to get to all 50 rows. I'll just keep at it. That is the good thing about a leaders and enders project, you end up making most of a quilt top without really thinking about it. I can say that these Round and Round blocks end up with me making progress on a row because there is a lot of stopping and starting with each strip added individually. As I make those blocks one at a time (although you could certainly chain piece them) I use the leaders and enders a lot.

Just keep sewing.


Friday Favourites - Henley Teapot


This is the best teapot ever. It doesn't drip, the tea stays hot, and it cleans up nicely.

We found this teapot about 12 years ago. My FIL was a big tea drinker, he had a pot at breakfast, lunch, and dinner. He was forever frustrated by teapots that dripped so Hubby and I went on a mission to find him a better teapot. Store after kitchen store led us to an out of the way tea shop. Back when there really were no out of the way tea shops.

After he tried it I became convinced. I had a pot for home and one for the office. My MIL still has and uses the original pot we bought. When I would go on mat leave at the office it was a bit of a contest to see who would get my teapot while I was away.

The Henley teapot comes in multiple sizes and even different enamel colours. I like mine big and stainless. Many online tea stores have them now. Even the big A does too. Prices vary, so double check the size you are buying and shop around.

To be totally honest, it isn't perfect. If you don't keep it clean by rinsing or washing after each pot of tea the seal for the spout starts leaking. And it gets very hot on the outside with the tea on the inside. (When making loose tea I have to leave the lid off while brewing or it becomes impossibly hot on that little ball.) I can forgive it these faults completely because I don't have tea drips everywhere. And I can put it on the table without a hot mat below it. Plus, it looks pretty snazzy.

Great New Local Gig

My attempt to have a quieter fall has been thwarted by a few things. One, the snow that is still here! Two, a community project stealing all my weekends. And three, a full slate of teaching.

Join me at My Sewing Room for a whole slew of classes.



Slab Workshop
September 18 and 25 10am - 4pm
(If you've taken a short slab workshop from me before, this will still be a great class as you have plenty of time to sew and a lot of input from me as we put the technique into a whole quilt top.)



Values Quilts
September 23 and 30 6 - 9 pm
Full of tips and tricks for mastering value when choosing fabric, using half square triangles to play. Will also include a demo of a brand new values technique.



Beach Grass
October 14 and 21 10am - 4 pm
This is a great quilt from A Month of Sundays. Very fat quarter friendly too!



Sunday Morning
October 16 and 23 6 - 9 pm
Maybe one of the most popular quilts from Sunday Morning Quilts. We'll make blocks and assemble a top. Go low volume like the original or change it up. Watch for my new samples for other colour ideas.



Scrap Management Workshop
November 22 and 23 10am - 4pm and 11am - 5 pm
Show up with a suitcase or laundry basket or whatever filled with scraps. We'll tackled sorting, storage, and get going on your own individual quilt. Make one of the designs from Sunday Morning Quilts or be inspired by your scraps in a whole new way.

To register for any of the classes call My Sewing Room at 403-252-3711

Round and Round


Okay, so I didn't get rid of ALL of my scraps. I did hold on to the two big glass jars of strips and strings holding court in the studio. They were overflowing with leftovers from projects, binding, and backing. Augmented by a bag of scraps my students in Nova Scotia gave me last year and a shipment of Botanics strips from Carolyn Friedlander, they were in danger of taking over a certain corner of the studio.

Then I saw this quilt.

It hung out in the recesses of my brain for a few weeks, taunting me with its movement, tempting me to test its construction. I tried to make it go away, to convince it that I had other projects to finish. But it wouldn't listen. And a listless and stressful end to summer for me brought on a need to play. So I decided to make just one block, just to see what happened.

Well, like it is a physical impossibility for me to eat just one cookie or have just one piece of chocolate, I couldn't make just one block. The movement, the energy, the use of these scraps. They all add up to a heck of a lot of fun.

Each block measures 16.5'' square. I probably should have made them on a foundation, but I didn't. So I'm treating them carefully and only making more to add to the design wall. I've started with 4, 5, and 6 sides polygons. Maybe even 7 sides. It goes together, roughly, like a log cabin. Adding one side at a time. Sometimes I add a small bit, sometimes a long strip. Eventually they have to be squared up so I'm getting some odd bits at the end. I'm learning to keep at eye on the edges before I get up to size. Doing so saves me sewing things I will end up cutting off, as well as avoiding skinny bits along the edges.

Round and round I go, where I'll stop nobody knows.


Excuse the horrible photos. It is snowing today. No light in the studio.

Why I Shouldn't do Group Work


See these boxes? I found them in the garage clean out this summer. Know what's in them? Round Robins that are over a decade old. In fact, they are probably closer to 15 years old. I'm pretty sure they are circa the same era as my Y2K quilt as they would have been also started with contacts via the World Wide Quilting Page chat group.

I am the worst ever.





In digging through the boxes I see that I did start on my contribution for one of the quilts. But that strip is as far as I got.  This particular quilt was started by Sandi Irish, a great pattern designer. I seem to recall being so thrilled that I was in a group with her and look how I (nearly) threw it away. I've contacted Sandi to see if she wants her quilt back as is or if I can at least finally do what I was supposed to do in the first place and then send it back to her.



The other quilt belongs to a lady named Linda. But I can't seem to track down an address, Facebook link, or email. Oh no! (If any of you know of someone who went by the name Linda Tiwahe from Minnesota, please let me know.) So much work has gone into this that I hate to let it linger here anymore. It deserves to be a real quilt.



Oy. Don't ever let me be in a group project with you.


Gave Away My Scraps


This summer was all about cleaning up, purging, and moving on for me. I'm almost done a massive garage clean out where only garage related items are staying in there. Slowly but surely we are emptying the house of frivolous crap. And one day last week the need to empty my sewing room hit.

I store all my scraps on the shelves of my cutting table. My storage bins were kind of bursting, my glass jars were unable to keep their lids on, and the floor was littered with fabric. It was kind of insane. An honest craft room shot was required, but when the mood hit me to clean I couldn't even be bothered to stop and go upstairs to get my camera!

All of my colour sorted scraps got put in bags and stuffed into this box. And another bag. I had intended to list scrap bundles for sale, but decided I didn't even want to go through that. Not knowing how many local followers I have on Instagram I posted a pic there, with the words FREE TO A GOOD HOME. The only caveat was that the new owner had to pick them up from me. Within minutes I had a text from a friend who is a preschool teacher and a local quilter who just joined our modern quilt guild. Two days later all the scraps were out of my house.



Some of the fabrics there had been used many, many times. Some of the fabrics were at least a decade old. There were large pieces and small, in the entire rainbow of colours. For the record, that is a box that would fit 30 of my books in it and those are the Large size Ziploc bags.

It's just that I was kind of done with them. I kept seeing the same fabrics when I went in the bins to look for a bit of orange or grey. To be honest, they didn't get me excited anymore. And if I don't want to use my scraps then something is seriously wrong. I so needed a fresh slate. And by giving them away I was able to give someone else new inspiration and even some kids a host of possibilities. And the fabric has new life in someone else's hands. Have fun @quiltcrazy!

Now to get down to the business of creating new scraps.

Friday Favourites - Susan Connor Linen Throw


As a quilter there seems to be no real reason to purchase a blanket. Sure, most of us quilters give away more quilts than we keep. But with all the book quilts and family requests, there are a few dozen quilts in my house. So, really, I didn't need to buy another blanket.

Then I saw Susan Connor's work. And I needed a birthday pick me up a few months back. And well, it is just gorgeous.


We've had a gorgeous summer here, so even a linen throw has been superfluous. I use it for a bit in the morning when I decide to take my tea outside. And this past week I was under the weather and there was a sudden chill in the air, so I lived with this gorgeousness wrapped around me. It feels so luxurious. I have a feeling I will use this a lot more as the weather starts to turn. Instead of a sweater, and before I need my swobe, this will be on my shoulders.


Susan starts with a linen and block prints her own designs on it. She has a selection of colours and designs. As tempting as navy was, I was smitten with this aqua colour the second she previewed it on Instagram. And this particular print has the feel of an infinity symbol to me and I really like that aspect. And the raw edges show off the weave of the linen beautifully as the warp and weft are different colours.

Keeping her work personal and on the small scale for collections allow her to produce nearly custom products, with an ever changing inventory. Supporting a small scale artist with the purchase of their creations is definitely my preferred method of shopping for goods.


Now, if only I could convince Susan to send her scraps my way...

Giant Dresdens Quilt



Giant Dresdens for Baba O
62'' x 90''

Sometimes quilts are really hard to give away. And sometimes you are so excited to do just that. Not because you want the quilt off your hands, but because you know the recipient will love it. Then there are the times you are sad to see the quilt go, but it is totally worth it because you get to see your cousins you hardly see in order to pass it on to their family. Sometimes.

I come from a giant extended family. My mom, an only child, became the 11th child of her aunt and uncle because that's how things work in big Ukrainian families on neighbouring farms. So I grew up with that family as mine as well. And while almost all of the family was in Saskatchewan, there was one set of cousins with us in Edmonton. We spent a lot of time together growing up, dancing, eating, playing, tormenting each other, laughing.

A few months back they asked me if I would make them a quilt for the Baba on the other side of the family as they are celebrating her 90th birthday this fall. Even though I don't really do commissions I wouldn't say no. Plus, I got to play with some ideas and that is always fun.


Three big Dresden plates, made with the Fat Cat Ruler. Gorgeous fabrics and loads of negative space to quilt on the long arm. Pretty quick to get together  - I think each Dresden took me about an hour to make, then only appliqué time. I machine appliquéd, so that wasn't very long either. Just 3 blocks to sew together and long strips for the side. And that was it.

I have a feeling there will be more Dresdens in my future. Maybe. I might need another request from the cousins in the midst of the other deadlines...


My dot to dot quilting on the long arm needs a fair amount of work, but I'm feeling very comfortable with all over free motion work. It is quite liberating and such a thrill to have it come together quickly. For this twin size quilt I was off the machine in slightly less than 4 hours, including my loading time and breaks for texts and instagram.  I used what I call a Paisley pattern, and my long arm teacher calls  headbands. I've used it before, but on my home machine.


The back was pieced with what I had at home, including this Amy Butler print from years ago. I bought it for another project that never came to fruition. I was worried it would be too girly for a 90 year old, but my cousins assured me that Baba O will like it. A few extra inserts of fabric that was also used on the front to bring it up to size.

On the front, in the centre of the Dresdens I wrote out birthday wishes. This way there is no need to flip it over to see the real reason Baba O is receiving this quilt. On the back are the labels - one with wishes from the family and one with maker and care info. As I pointed out, the quilt is likely to outlive even them, so the history needs to go with the quilt. But thankfully my cousin's wife has very neat handwriting so she actually wrote out the labels instead of me! I stitched those on over deck cocktails with my cousins. A gaggle of our kids eating popsicles and popcorn and playing in the backyard. Our conversations full of the stories of now and yesterday. Love, history, and the future all coming together, thanks to a quilt.


Creativity in Quilting Input Needed

Dear readers, I need your help. I've got something in the works and I'm looking for input. Any feedback you can provide would be really helpful.

Not everyone uses patterns when quilting. And some people never use patterns. I know we've discussed this in the past, but I really want to dig deep into this. Pretend I am your therapist, tell me your real reasons for sticking with patterns. Are you afraid? What are you afraid of? If you decide to go out on your own does anything beat you down? Do you hold yourself back? Does someone else hold you back?

I'm looking for what quilters perceive as the limitations to their own creativity.  Because, whether you believe it or not, we are all creative when it comes to our craft. It's just that not everyone sees that in themselves. I want to know why not.

In the flip side, many have no qualms at all about creativity. They feel confident when it comes to doing their own thing. What about their approach or mindset makes these people different?

As I said, any input you provide be valuable to me. If you prefer to comment anonymously I totally understand. And feel free to send me an email directly if that is your preference.

Thank-you

Abstract Painting with Kids


While many of my American friends are seeing the end of summer, and the return to school for their kids, we've still got 3 more weeks of summer vacation. I've been trying to make the most of it. For both myself and the kids. Field trips, swimming, lazy days, and new creative activities.

Last week we started abstract painting. To be fair, I think the kids have been doing this for a while! But this time we did a bit of research on abstract painting, discussed emotions and their expression, and I used real, ADULT acrylic paints on canvas. Having fancy supplies goes a long way.

To start with, the girls picked colours to express an emotion. Our first emotion was happy. Yellows, oranges, red, pink, turquoise, and silver. Bright, shiny colours. My only bit of control over the project was that I doled out the colours on the canvas. So I dotted it where they told me. Then they went to town.


They ground the paint into the canvas, they gingerly spread the paint, they used broad strokes. They played. And I resisted - badly - all attempts to direct their activities. That was very, very difficult. In part I wanted to participate. I also wanted to interrupt and give directions constantly. But I held off and only spoke when adding more paint or to emphasize the emotion they were conveying.

They filled the canvas, making sure no white spots remained. They touched it up with silver. And then, because they didn't quite get the notion of abstract, they added some lettering.

You know what? They were happy doing it. And I was happy watching them. It was a new form of creativity in this house. I think my oldest, especially, loved the idea of expressing something without having to be literal in her art. Because when you are 8 you are usually literal. This gave her an unexpected freedom.


The whole idea for the project came through Pinterest. Yes, I've finally joined Pinterest. And lo and behold, I saw this idea on a random pin one of the first days I was on there. No instructions, just the image of the paint dots, painting, and the canvas. Because Pinterest is still new for me I actually acted  on the inspiration!

To start with we looked up some abstract painters, classic and current. Like Kandisky, Lisa Congdon, and Marissa Anne from Creative Thursday. We talked about what one can do with just paint and about expressing feelings or ideas. It all felt rather liberating.

We've since done more canvases. (A friend of mine gave me the tip that we could buy small canvases at the dollar store. That certainly cuts down on the cost once we invested in the paints.) I still police the paint use as a certain Evil Genius has a tendency to want to use ALL the paint. I do not, however, paint myself with them. I find my kids compare my work with theirs and I don't think that is fair to them at all. They skip the adult versus kid part of that and get deflated because they perceive mine as better. So I let them be and wander around their own creativity.


If you are on Pinterest, you can follow me. I am trying to fill my boards with all sorts of inspiration. More pins daily. And let me know if you are on there too.

Friday Favourites - Saltwater Sandals


The only reason I have these sandals is because of social media. Until a few years ago I'd never heard of Saltwater Sandals. But there I was checking out Flickr and Twitter and even blogs and I kept seeing photos of feet in these pretty sandals. A little bit old fashioned, but rather fashionable too. Well, in my opinion at least.

It took a year before I could buy them. And even when I did it was a convoluted process because they are practically impossible to get in Canada, at least in any functional size or a cool colour. I couldn't even order them off a US site because they all wanted US credit cards and shipping addresses. That's where the internet came in handy again. Because of this blog and my quilting I have friends all over the US now. And some of them are even willing to spend money on my behalf!

So thanks to Jen I started getting an annual order. Sandals for both me and the girls. We did skip this year though because my two pairs (I have yellow as well) are still in such good condition even with near daily wear for 3 months straight in the summer.

Saltwater sandals are so comfortable. They aren't for people with arch issues though as they have zero support. But I found there to be no breaking in.

They are leather, but they can get wet. Like, stepping in a lake wet. Or running through the splash park wet. The latter was why my girls liked them so much.

Me, I like them because they are so pretty. And frankly, it's pretty awesome that I don't see anyone else here in Calgary with them. I do like to be unique.

The Oldest UFO


Generally, I like to call my unfinished projects WIPS, or Works in Progress, not UFOs.  This is because I actually like having a catalogue of things to pick from when I get the chance to sew. It doesn't stress me out - usually.  But this, this project must definitely be called a UFO.

I've been quilting for 16 years now. This project is 15 years old.

Going again into the Way, Way Back Machine this project started in 1999, when people were all up in arms over Y2K. Quilters, of course, put their positive spin on it and started swaps. Put 25 mini charms in an envelope, repeat that 80 times, and swap them out. Bang, 2000 charms!

These days people call it Scrap Vomit. I call it a bag of envelopes I found buried in my garage.

(To find out what else I found in my garage check out my Instagram feed. Oh boy. #thingsifindinmygarage)



The smart people with their Y2K swaps took the charms as they came in and sewed together the 25 into one block. Then they were able to quickly put the quilt top together, and keep things manageable. I, of course, wanted to get all fancy. I have sketches and math on trying to figure out creative ways to put my top together. And that's why they are all still in envelopes.

Now it is time to move this into the WIP stack. But me, being me, I need to catalogue all of this first. Into my sketchbook will go the addresses as I unpack. And then I think this will become my next Leader/Ender project. Let's hope it doesn't take another 15 years to finish this!

Update: I found a book where I wrote down all the people I swapped with! Now to just get these organized in piles.



Did any of you participate in a Y2K swap?

Mountain Meadows Quilt Top


This is Mountain Meadows. A loverly quilt top finally finished. I had to go in the Way, Way Back machine to figure out when I started it. My initial sketch and images were made 3 years ago. And I collected the fabric over 2 years ago to make a few blocks. Then it sat and sat and sat. We had the great fortune of a handful of mountain trips this spring and summer and the original inspiration of the mountain meadows was on my mind.

When The Modern Quilt Guild asked me to do a Webinar this quilt popped into my head. Pulling it out and working on it helped me formulate the presentation: Improv With Intention. So I worked hard to get it done in time for the Webinar. It was well worth the effort.

(It measures roughly 55'' x 75''.)


These were my original inspiration images. Hikes in the mountains on sunny days. Meadows filled with small, colourful flowers. Expanses of grass and weeds and plants in varying shades of green. Vistas so beautiful but little tiny bits of life stealing attention. Just how to capture that in a quilt?

In the Webinar I discuss the process of making the quilt - from inspiration to the final top. It isn't as straightforward as one might think. If you are a Modern Quilt Guild Member you can access the Webinar for free now, even if you didn't join me last week. To access it make sure you log in and join the Community site. Then click under Resources and there it is. Not only do you get to see more images and learn about my process, you get to hear my awesome Canadian accent.


It was actually quite appropriate that this quilt was revealed through The Modern Quilt Guild. All of the green fabric in this quilt was generously given to me by quilters, readers of this blog. I knew I wanted green solid scraps and I had absolutely no green solids. To buy them all would have been impossible. So, thanks to the internet I just asked if anyone was willing to share, and boy did you! Packages arrived for weeks and I had a lot of fun sorting through and organizing by value. Some of you sent pieces larger than 1/2 yard cuts! It was so generous and shows exactly how the spirit and kindness of quilters, not to mention the creativity, is fuelled on line. Exactly what comes to mind, for me, when I think of the Modern Quilt Guild.

Thank you to everyone who contributed. I truly appreciate it.

Friday Favourites - I'll Cut You Pillow


Isn't this an awesome pillow. So cheeky. (But also a deeply held sentiment by any a sewer who's had their scissors taken and, gasp! had paper cut with them.)

It was my first decorative purchase when I moved into my little basement studio. Frankly, it's one of the only decorative purchases. I think it was my sister-in-law who saw it first and sent me a link. I had to have it. Such a little treat!

Earth Cadets is the name of the Etsy store where I purchased the pillow. They have a lot of sweet items, but this is definitely my favourite. Did I mention it comes in other colours?


Sewing Machine Quilt Reveal!


Sewing Machine Quilt 
50'' x 50''

It feels like I should have a more creative name for this quilt, but that's exactly what it is. Truth in Advertising. I'm so excited to share this with you. And the news that the pattern for this quilt should be coming in the next month, if all goes well with pattern testing and printing. The pattern will have both improv and precision piecing instructions.

I owe a lot of credit to this quilt for bringing me out of a long slump. For months I was down and not terribly excited about sewing. Sure, I was still sewing, but it was like going through the motions rather than fun. I met my deadlines and plugged away at projects, but I wasn't feeling a lot of joy. But with this quilt I felt joy and excitement. I may have jumped up and down a little even.

A friend of mine pointed out that it was telling that it was quilted sewing machines that got me excited again. You know, I never thought of that! It's so true though. I'm not generally one for symbolism, but this can't be ignored. The sewing machine is how we do our work, where so many of us find peace, and the main tool of our craft. For me to get my mojo back via a sewing machine is about as perfect as it gets.


I revealed this quilt in The Modern Quilt Guild's Webinar I delivered: Improv With Intent. In the presentation I went into great detail about the process for creating this particular quilt (and another one I'll share next week). Look for the Webinar to be posted for Modern Quilt Guild Members on their site later this week.

This quilt was done quite quickly for me. From start to finish in a month. I can't remember the last time I worked so fast! But when that inspiration takes over you have to run with it. It helps that I had long arm time booked and a desire to play with that new tool. It also helps that Le Tour was on when I had hand stitching on the binding to do.

Because this is an improv quilt each sewing machine is a bit different. That's the joy! But it does become a challenge to make them all still look like sewing machines and to solve any little glitches on the fly. Perhaps that's why it got me so jazzed, the little blips in sewing that improv provides are tiny little hills that you have to push yourself just a little bit more to get over. They aren't frustrating, only motivating. And you are always rewarded with the results!

The block below is one of my favourites. Most of the fabrics I chose are favourites, but this one especially so. I've got quite a bit of it hoarded and pull it out often. So glad it is in here.


Don't be afraid to tackle a new idea. Get your fabric out, sketch out the idea, cut and get to sewing. Even if you never make more than the one block you will be rewarded!