Create Before You Consume

Scrappy Cabin Blocks

Last week I changed a habit. It's totally changed my life.

What is the first thing you do in the morning, after your victuals? Don't lie. How many of you said check your phone or get online? My hand is up, that's for sure. Yet how many times have we been told that is the worst thing we could do for ourselves? That it kills the soul a little and reduces our effectiveness. Like a smoker who won't quit or a certain person, ahem, who can't stop eating cookies even though she needs to lose weight. We are bound to our social media.

I've been watching the 30 Days of Genius series here and there from Creative Live. One interview really struck me, especially one part of it. Marie Forleo is a life coach and as life coaches can be is pretty cheery and full of clever commentary. She and the host, Chase Jarvis, got to talking about the consumption of social media. She started comparing it to the consumption of a certain disgusting alcohol (to be clear, I like booze, but Goldschlager is nasty stuff). Then she said the words that stopped me straight in my tracks.

"You need to create before you consume."

Number 1, I've never really thought of my time on social media or the internet as consumption. That framing makes so much sense to me though. It might be because I am trying to lose weight so consumption as an act is front of mind. It might just be the thing I needed to hear to make me see that it needs to be managed better.

Number 2, while I often do my best creative work in the morning it generally takes me about 15 minutes to get to it after waking up. I make tea, catch up with the things that came on my phone - email, instagram, twitter, facebook, even texts - overnight. Only then, with a cuppa and the finally feeling that it is time to buckle down and be creative do I get to work. That time is all wasted time for me.

Now, I've been getting up at the same time but skipping tea. And this is the most important part:

I do not look at my phone. Nor do I even unplug it from the charger on the nightstand. 

That's right, I keep it there, plugged in and alarm off. Then I shuffle straight into my sewing room and the first thing I turn on is the sewing machine. For the first 15 minutes of my day now I am sewing. No music on, no radio, no podcast. Just me and my machine and a stack of fabric. 

This is, effectively, a morning meditation for me. I am not going to start actually meditating, I don't feel I need to because the act of sewing first thing like this has me quiet and centered as it is. Then I can tackle a short workout, work on an article or bigger project, and attend to the kids and their morning needs until they are out the door. And bonus! Quilt blocks get made. In just one week of 15-30 minutes first thing in the morning I finished the last 6 of these scrappy improv cabin variations. 

I can't say that watching this interview will change your life as well, but I would definitely encourage you to take the Create Before You Consume message to heart. See what it does for you.

Note: The tea and social media are still there when I get to them a few hours later. 

 

Prairie Winter Study - With Thanks to Gwen Marston

Prairie Winter Study

Longtime readers of this blog will know that I've had a goal for a few years to make the next in my Alberta Landscape series. It's been percolating so long I think the water is tepid now. Then something happened at QuiltCon.

I signed up for Gwen Marston's class. She is a personal hero of mine and it was Liberated Quiltmaking, the book, that set me on a creative path I am loathe to ever stray from. So while yes, I am totally comfortable with Improv and I am not a fan of small quilts, I signed up for her class on small studies. Best idea I've had in a very long time!

First off, it was good to find out that I share many similar philosophies with Gwen when it comes to making good Improv/Liberated quilts. Or perhaps I am more influenced by her than I give credit?

Second, she is a damn funny lady!

Third, the idea of a study for a larger work - while not new to me - was absolutely brilliant in this case. I wasn't interested in replicating Gwen's techniques or creating a stand alone Improv Mini Quilt. But when she talked about using a small piece as a study for something larger the landscape idea immediately popped into my head. More specifically, the Prairie winter landscape idea.

From the giant bag of scraps I'd brought to play with I pulled my golds and whites. That's it. I was picturing the cut stalks of straw, the golden stalks left in the field instead of being tilled under. They stand in undulating rows in the winter snow, gold on white. For the rest of the day I played, experimented with how I might sew these rows together. I thought I was working on a small scale but quickly realized this would be the exact height and width of my rows in a larger quilt (which means a lot of sewing when it comes to that one). But by fiddling on this piece I now know that. 

Prairie Winter Study Close Up

To be honest, I thought I would make the little top and it would sit there as reference. But after a month of so hanging out in the corner of my design wall I decided to finish it. Some wavy line quilting that took about 30 minutes. Then bias binding scraps left over from a project in A Month of Sundays. So easy I don't know why I even debated finishing it.

A few more deadlines to make on some work projects and the big quilt just might get started. Well, maybe by winter.

Northern Arizona

Northern Arizona for Quilts of Valor

Northern Arizona

29'' x 22''

My Northern Arizona quilt is done and shipped. This beauty will be auctioned off for the Quilts of Valor Foundation as part of America Quilts EXPO at the Iowa Events Center May 26–28 in Des Moines, Iowa. 100% of funds raised via the auction benefits Quilts of Valor Foundation.

The inspiration for this quilt came from our trip through northern Arizona last summer. I think I did a pretty good job of capturing my inspiration.

Northern Arizona Quilt Detail

To quilt this mini I used 4 different colours of Aurifil thread. Shockingly, I had them all in my thread stash! I went from orange to a barely there cream, with coral and peach in between. Just matchstick quilting. On this little piece that still took almost 2 hours to do! Kudos to those of you who do this on large pieces. 

The binding is more of the solids in the quilt. I coordinated it, roughly, with the gradation in colour and value. A label and a hanging sleeve to finish it off.

You have to be in Des Moines, or know someone going, to bid on my quilt or any of the others up for auction. I've seen a few on Instagram in the last few weeks - amazing! Heather Jones, May Chappell, Amy Ellis, Cristy Fincher, Mark Lipinski, Latifah Safir, Alex Anderson, Victoria Findley Wolfe and so many more have donated quilts for the auction. I really wish I could see them all in person. 

All proceeds from the auction go to the Quilts of Valor Foundation. Quilts of Valor provides quilts to returning service men and women. We all know the value of the gift of a quilt. 

Improv Applique Top Done and Hand Quilting Suggestions

Improv Applique Quilt Top

When you just get addicted to the process it is hard to stop, but stop I did. I totally could have continued making more and more of these. They finish quick, they are perfectly portable, and there are endless fabric combinations. Can you imagine a bed sized quilt?

Alas, I stopped at 25 blocks. It makes for a 22.5'' x 22.5'' square. A lovely mini. Shocking, I know!

Now I need to quilt it. I've got this crazy idea. Crazy, mostly because it is hand quilting. It might also be crazy because I'm not sure it would work. Instead of any outlining or a running stitch I am thinking of doing something like an embroidery seed stitch all over. On a piece this size that should be manageable, right?

Right?