Color of Connection Quilt

Color of Connection

58” x 64”

The premise behind the Color of Connection quilt along was to sew together, yes, but to also inspire discussion and efforts around diversity and inclusion in the quilt community.

Diversity and inclusion in the quilt community? I believe that while quilters come in all stripes and colours, the spaces are dominated by white women. So yes, quilters are a diverse bunch, but it is still a far from inclusive community. This #colorofconnectionqal is highlighting that. I've met a number of new quilters and new to me quilters, quite a few with stories about bad experiences with quilt guilds and communities. It is painful, but not surprising that this is still happening. Quilting community is going to be a reflection of the larger world. Just because we are quilters we aren't all magically kind and wonderful, despite the grandma stereotype. If we want the change here and everywhere we have to make the change.

This was my first quilt along, at least the first I can remember participating in. I felt it was important to both join the discussions and lead by example. It really wasn’t about the quilt. (But I will still talk about the quilt in a moment.) It was about a bit of a reckoning for our quilt community. It was also about building community for ALL quilters, for acknowledging that the spaces we are creating may not be welcoming, and for having this Color of Connection community be a truly inclusive space.

Kudos to the organizers Porfiria Gomez, Keyana Richardson, and Michelle Collins.

Now, to the quilt.

It’s me, so you know I have a hard time following a pattern. I followed the quilt along and the discussion prompts, but played with the pattern a bit. The original quilt called for large solids or at least large cuts of prints. As my scrap bins were overflowing I decided I would make slabs and cut my pattern pieces from them. I started with black solely because I was thinking about Black Lives Matter. This particular quilt seemed like a good one to get symbolic. After that I chose warm colours to share joy and warmth of people. And because they looked good.

As usual, The Monster helped me baste the quilt and she suggested the red thread. I used a Wonderfil option from my thread stash. In fact, I bought nothing to make this quilt. The backing was a combination of two fabrics from my Tag collection. I loved the mix of the names prints - showcasing the diverse community of our local elementary school where all the signatures came from - and the texting print of all thumbprints. My batting was put together from leftovers. Nothing like Frankenbatting to truly embrace a make-do approach!

The binding was a fun choice. We know I like a contrasting binding. It actually wasn’t my intention here, but nothing I chose in black, red, pink, or otherwise looked good. On a whim I pulled out my blue and green bins. This royal blue Pearl Bracelet was exactly the right colour and I had just enough to make this work.

The quilting itself, with the aforementioned red thread, was a fun grid. Vertical lines first, every 2”. Then I did a diagonal line with the same spacing, following the lines of the large HSTs in the pattern. It isn’t fancy, but it is effective. And quick.

Obviously, a quilt along is not going to solve systemic racism. What it does achieve, however, is a continued conversation and visibility for the topic. Both are important in our community. With the quilt along finished it is now up to the rest of us to continue that conversation.

As a quilt teacher one of the places I do this is in my classroom, virtual or in person. My goal is to create a space where everyone and anyone is welcome. I promise you I will shut down the commentary, judgement, and racism/homophobia should it come out in the classroom. And if people don't think I should do this then they shouldn't hire me. As a quilter, I will do this by continuing to read, to listen, to encourage the conversation, to use the materials I have on hand, and to use my platform for all of this. I know loads of people want to keep politics out of quilting, but you just can’t. And I won’t.

If you are interested in the Color of Connection pattern or the goals of the project you can find out more here.

Quilt Bravely - Say Hello to Prints as Background

This is the second in a series of posts encouraging you to be different, quilt different, quilt bravely. To bend or even break some rules while pumping up your creative voice. You have the creative confidence, I’m just here to remind you of it.

Most of the first few quilts I ever made - some 2 decades ago - were pretty colours with a white background. For those first few years I couldn’t imagine how I would make a quilt any other way because it just looked so perfect to me. Well, I’m not sure what changed, but it’s been at least a decade since I made a quilt with a plain white background!

To be clear, I was almost never using plain white, a solid. No, I was using that lovely stuff called White on White, or what we used to refer to as WOW prints. A pretty shiny white ink on white fabric. Now, of course, the whites were never all the same and this row of fabrics in any quilt store will read from bright white to eggshell to cream.

Side note: if you ever find that white ink to be too bright, use the wrong side of the fabric. You get the idea of the print without the glaring brightness of the ink.

Then I discovered low volume prints. There weren’t as many then as there are now, but they definitely existed. More often than not that can still be located in the black and white section of the fabric store. Only now you can get a lot more choices of coloured ink.

I do find that people are afraid to use prints in a background, worried that they will overwhelm the design. Or, they are used and the design disappears. Here are two fundamental lessons to making sure neither thing happen.

Antonio’s Quilt

Mod Tree Quilt, pattern in Modern Patchwork

Value Matters

Value is the relative light and dark of a fabric. The key word being relative. It is about what the fabrics look like next to each other. If you want your design to stand out, then you need good contrast between the main design components and the background. This matters especially so when all the fabrics are prints. It isn’t enough to just have colour contrast, or maybe you want a monochromatic look. Either way, making sure the value of the background prints contrast with the design elements is important.

You also want to make sure that your background prints are all of similar values. They don’t have to be match match perfect, but aim for similar. This leads to the next key lesson.

Sewing Machine Quilt, check out Pattern Drop

There is Peace in Pattern

Texture Matters

Texture is the look or density of the print. Is it a sparse, large scale print with negative space between design elements? Is is a dense text print with little space. Side by side, the dense print will look darker.

It isn’t that you have to pick prints where they are all the same density, but knowing that some will pop while others will recede allows you to balance their use across a quilt. And if you have one print that really seems to be taking over the background you can do two things: remove it, or add more similar prints, so nothing stands out on its own.

Compose Yourself from The Essential Guide to Modern Quiltmaking

Smooch

Colour can make a difference in backgrounds. Be willing to experiment with pale colours instead of white. Pick multi coloured low-volume prints instead of black and white. Mix grey with black and white. Or heck, make your main design elements a light colour and your background a delicious, dark print.

Have fun playing with prints. They are a pure delight. And we have such amazing fabric designers in the world providing us with endless inspiration.

Check out the first in the Quilt Bravely Series: Creatively Contrasting Binding.

For more details on using low volume prints as background make sure to check out my book, A Month of Sundays. It gives you all the lessons!