Improv Curves Within A Daily Practice

My morning practice, is paying off in spades. It helps me focus and manage my emotions for the day. It acts in a very similar way to a meditation practice by centering me and filtering the noise. And on top of that - I finish quilt tops!

These blocks started as samples for teaching a class. One day I grabbed a stack of solids and just used them. Well then I really liked the accidental combination so I did some editing and adding. Over the course of a few classes more blocks were made. When I was pulling blocks for my daily practice I came across these. Perfect! It was quick to get the blocks done, it took much longer to figure out the best layout.

Quarter circles, like half square triangles, give you many, many, many layout options. Because I'd gone with an only somewhat controlled colour scheme I was trying layouts to give me order more than anything. Random is awesome, but sometimes it doesn't give you a good design. Because I'd included many colours, in both lights and darks, there was no clear cut way to get a successful design. For me, however, that's the fun. I LOVE the challenge of finding a good design.

If you follow me on Instagram you probably saw the many iterations for this quilt top. I wavered, I played, I experimented, I wavered some more. Finally I found my order by focusing on colour and the interconnecting of the one print in the quilt. This design may not be everyone's favourite, but I am in love.  

It's definitely going to be a fun one to quilt!

If you would like to know more about Improv Curves look for a class of mine near you (or book one) or check out my Inset and Applique Circles by Machine class on Craftsy, we cover it in one of the lessons.

Scraps Go Round - An Improv Log Cabin Style Quilt

Those early mornings sessions are totally paying off. Number one, for my mental health. Number two, for quilt productivity. A few years after starting these blocks are finished and the quilt top done!

(I've also finished the blocks for another top already and have been working on some snippets now.)

Depending on if you are a glass half full or half empty person, you will love or hate this - I probably still have enough strips left for another quilt like this! If you make quilts you will always have scraps. Good thing there are a million fun ways to use them!

These blocks were made by simply cutting a pentagon, hexagon, or even a heptagon. Then I added scrap strips, log cabin style, all around. And kept going. I did not use a foundation. Some might argue that the blocks are more unstable with it. And they would be right. But I took my time, was careful not to stretch as I sewed, and squared them up at the end. 25 blocks later and I have a 80'' by 80'' quilt top.

An interesting observation for me as I finished this is that there really isn't much of mine that plays in the medium range of value. A lot of lights, a few darks, and some mediums. This is in contrast to the majority of us quilters who live in the medium range. And to most manufacturers who provide us with those medium value fabrics. If you made this quilt with your scraps it would be a completely different look!

The harder part was trying to get a picture of the top with my 8 and 4 year olds at the park! It seems I underestimated my wingspan. And underestimated the height of the man I freakishly asked to help me hold the quilt while The Evil Genius snapped mostly blurry photos. But hey, they are happy and willing to indulge this part of the quilting so I am happy with the outcome no matter what.

Create Before You Consume

Last week I changed a habit. It's totally changed my life.

What is the first thing you do in the morning, after your victuals? Don't lie. How many of you said check your phone or get online? My hand is up, that's for sure. Yet how many times have we been told that is the worst thing we could do for ourselves? That it kills the soul a little and reduces our effectiveness. Like a smoker who won't quit or a certain person, ahem, who can't stop eating cookies even though she needs to lose weight. We are bound to our social media.

I've been watching the 30 Days of Genius series here and there from Creative Live. One interview really struck me, especially one part of it. Marie Forleo is a life coach and as life coaches can be is pretty cheery and full of clever commentary. She and the host, Chase Jarvis, got to talking about the consumption of social media. She started comparing it to the consumption of a certain disgusting alcohol (to be clear, I like booze, but Goldschlager is nasty stuff). Then she said the words that stopped me straight in my tracks.

"You need to create before you consume."

Number 1, I've never really thought of my time on social media or the internet as consumption. That framing makes so much sense to me though. It might be because I am trying to lose weight so consumption as an act is front of mind. It might just be the thing I needed to hear to make me see that it needs to be managed better.

Number 2, while I often do my best creative work in the morning it generally takes me about 15 minutes to get to it after waking up. I make tea, catch up with the things that came on my phone - email, instagram, twitter, facebook, even texts - overnight. Only then, with a cuppa and the finally feeling that it is time to buckle down and be creative do I get to work. That time is all wasted time for me.

Now, I've been getting up at the same time but skipping tea. And this is the most important part:

I do not look at my phone. Nor do I even unplug it from the charger on the nightstand. 

That's right, I keep it there, plugged in and alarm off. Then I shuffle straight into my sewing room and the first thing I turn on is the sewing machine. For the first 15 minutes of my day now I am sewing. No music on, no radio, no podcast. Just me and my machine and a stack of fabric. 

This is, effectively, a morning meditation for me. I am not going to start actually meditating, I don't feel I need to because the act of sewing first thing like this has me quiet and centered as it is. Then I can tackle a short workout, work on an article or bigger project, and attend to the kids and their morning needs until they are out the door. And bonus! Quilt blocks get made. In just one week of 15-30 minutes first thing in the morning I finished the last 6 of these scrappy improv cabin variations. 

I can't say that watching this interview will change your life as well, but I would definitely encourage you to take the Create Before You Consume message to heart. See what it does for you.

Note: The tea and social media are still there when I get to them a few hours later. 

Prairie Winter Study - With Thanks to Gwen Marston

Longtime readers of this blog will know that I've had a goal for a few years to make the next in my Alberta Landscape series. It's been percolating so long I think the water is tepid now. Then something happened at QuiltCon.

I signed up for Gwen Marston's class. She is a personal hero of mine and it was Liberated Quiltmaking, the book, that set me on a creative path I am loathe to ever stray from. So while yes, I am totally comfortable with Improv and I am not a fan of small quilts, I signed up for her class on small studies. Best idea I've had in a very long time!

First off, it was good to find out that I share many similar philosophies with Gwen when it comes to making good Improv/Liberated quilts. Or perhaps I am more influenced by her than I give credit?

Second, she is a damn funny lady!

Third, the idea of a study for a larger work - while not new to me - was absolutely brilliant in this case. I wasn't interested in replicating Gwen's techniques or creating a stand alone Improv Mini Quilt. But when she talked about using a small piece as a study for something larger the landscape idea immediately popped into my head. More specifically, the Prairie winter landscape idea.

From the giant bag of scraps I'd brought to play with I pulled my golds and whites. That's it. I was picturing the cut stalks of straw, the golden stalks left in the field instead of being tilled under. They stand in undulating rows in the winter snow, gold on white. For the rest of the day I played, experimented with how I might sew these rows together. I thought I was working on a small scale but quickly realized this would be the exact height and width of my rows in a larger quilt (which means a lot of sewing when it comes to that one). But by fiddling on this piece I now know that. 

To be honest, I thought I would make the little top and it would sit there as reference. But after a month of so hanging out in the corner of my design wall I decided to finish it. Some wavy line quilting that took about 30 minutes. Then bias binding scraps left over from a project in A Month of Sundays. So easy I don't know why I even debated finishing it.

A few more deadlines to make on some work projects and the big quilt just might get started. Well, maybe by winter.