a year of talking quilts

A Year of Talking Quilts - First Cuts




There are generally two camps when it comes to cutting fabric - those that are nervous to do it and those that can't wait.

The nervous ones of us are worried about wrecking the fabric. Worse than that, we've put the fabric on such a high pedestal that a rotary cutter is far, far beneath it. In that case, the fabric is so awesome it can't be cut.

We've all been that quilter at least once.

Most of the time, however, we can gleefully cut up our fabric, excited at what is to come. Cutting represents the first real hands-on step of making. Before we cut it's all been scheming and dreaming. Before fabric is cut it only represents quilt potential.

That, by the way, is precisely why we should cut it. Fabric isn't a stock or money in the bank. It's value only comes from being used. Admiring it on the shelf lets you know that there is more pretty in the world, but actually using the fabric for what it was intended for, gives it true value and purpose.



Just like there are two camps when it comes to fabric I find that there are two types of cutters - those who cut every single piece of fabric out before they sew a stitch and those who cut as they go.

The first group are generally following patterns with very specific instructions. Indeed, patterns are almost always written with cutting instructions first. Gets this bit out of the way so you can get to the real business of sewing. But if you make a mistake and don't have extra fabric, then you need to cry or get creative. Or both.

The second group cut as they go. A little bit here, enough for a few blocks there. It is more stop and go, for sure. But it is really just another route to the same finish. If you are improvising, testing a concept, or unsure how many blocks you want to make, this is likely your chosen path. This route can both save and waste more fabric, depending on how much you cut and end up using.

Personally, I don't often cut everything first. When I am designing quilts for publication, this is when I do it. In that case I usually draft the pattern, check my math a million times, then cut everything. This effectively gets me testing my own pattern. If I have to, I will go back and make changes or cut more. But when I do cut first I am always surprised at how quickly it all comes together afterwards!

Because my true love is improv piecing, and often using scraps, it isn't often that I am spending a lot of time cutting and prepping for this kind of sewing. I might grab scraps and start, or cut a bit and play. After stopping and regrouping I will decide what more I need. Or if I even need more.

No matter what kind of quilter you are, there is something so satisfying about the sound the rotary cutter makes. Almost like the scrape of wet sugar on a plate, but uniquely its own. It is always the start of something good.



Since we're talking about cutting, I wanted to give you a few tips on successful cutting:

- Always have a sharp blade in your rotary cutter. If you are getting frustrated with your cutting, change your blade.

- Cut to the lines on your ruler, not your mat. (In fact, I have my mat flipped over so it is a soft grey, not that awful green).

- Before you make your first cut, and periodically as you cut, square up your fabric. Almost everyone tells you to line up your selvages, line up the ruler on the fold, then make a clean cut on the edge. Just make sure that when you line up your selvages the fabric is hanging straight. If it isn't then you need to shift the selvage edges right and left until it does.

- Make sure you close and lock your rotary cutter after every cut. Every. Single. Time. Even if you are the only one in your sewing space, please do it. I've seen too many injuries from open cutters. Better yet, invest in a retractable one.

- If you do not have the luxury of a cutting table, use your kitchen counter. Your back will thank you for the extra height. That is, unless you are short and it is more comfortable on a regular table.

- Never leave your cutting mat in direct sun or in a car. Then warp and will never go back in to shape.

- Replace your mat every few years, more or less depending on how often you are using it. Self healing only goes so far. But if you are cutting based on the lines on the ruler, not the mat, you can rotate and flip it to give it a longer life.

- This should go without saying, but pay attention to what you are doing when you are cutting. Trust me, my missing fingertip can explain to you why.

This is the fourth post in a year long series on all the steps of making a quilt. Musings and thoughts on the process. 

A Year of Talking Quilts - Choosing the Pattern

You sit staring at the pile of fabric you just picked up, the pretty colours swirling in a kaleidoscope in front of you. You love them so much yet you can't move. You are paralyzed with indecision, overwhelmed with options, stuck with opportunity.

You have the inspiration, you have the fabric, now you need the pattern.

There are the times when we know exactly what we want to make, when the quilt pattern dictates the fabric selection. Those times are, admittedly, a bit easier. Picking fabric can still be a challenge, but having a starting point goes a long way to providing the necessary focus to get started.

Then there are the times that you need to start a new quilt or simply want to turn a beautiful stack of fabric into a quilt and you have no idea where to start. What quilt to make? Pinterest boards full of options, a drawer full of patterns, a shelf of books with pages marked all give us great ideas. They don't, however, answer the tough question.



In my early years of quilting the way I looked for a quilt design was by searching for just the right block. For example, because my brother proposed to my SIL on top of the Empire State Building I knew I wanted to make a New York Beauty based quilt as their wedding present. Often I would stroll through the block designs on a site like Quilter's Cache. Then I would make up a bunch of blocks, still not knowing what the final quilt would look like. After some sewing I would try to make it all come together. I could pick a block based on its name or what it looked like and how that referenced the recipient. It was actually a really good step towards design because it allowed for personal creativity while working within the confines of a block pattern.

Now, with so many quilts on the go I am often - if I'm being honest - not stuck for ideas. I generally have a problem NOT starting a new quilt, a new pattern. There comes that time when a baby is being born, a friend is getting married, a book is being written and I need to decide on demand what exactly I am going to make. In those moments I do one of two things, some times both.

1. Ask myself: Am I improvising this one?

You see, if I am going to improvise I might just start with my fabric or my idea and let loose. Bring on the rotary cutter and the neutral thread because I am just going to play until something more concrete forms.

2. Flip through my sketchbooks.

I keep detailed sketchbooks, have done so for years. They are where I capture any and all ideas. Gone are the days of scratching a design on hotel stationary and receipts from my wallet. My sketchbook lives by my side. So when I need to make something new I can pull out the dozen or so stashed on the cutting table in my sewing room, make a pot of tea, and flip through the pages until an old idea seems so RIGHT NOW.



Even with all the books on my not quite bookshelf I will often transfer the idea to my sketchbook (with proper sourcing) so that I only have one thing to look through.

One thing I know I do, and I think many others do, is getting hung up on making just the right quilt. We have to tell ourselves though that the recipient, if there is one, is going to love anything we make; that the symbolism we are assigning to our choices is 80% of the time only visible to us, the maker. And if they do get the symbolism they don't need the explanation and it doesn't have to be evident in every single step of the quilt making.


 (Photo by Kate Inglis for You Inspire Me to Quilt, C&T Publishing 2015)

When there is no recipient and we are making for the sake of making then I firmly believe we should try the first idea we had. Our instincts are usually correct, for one. Just like when you go to a restaurant and talk yourself out of the pasta you really want but think you should try their signature chicken dish, then are sorely disappointed. Not because the dish is bad, but because it wasn't the pasta.

And two, no one says you have to make the whole quilt. Just try out a few blocks, or put some of the fabrics together in sewn form to make sure they work. Try, play, experiment. You can always change your mind. Just because you start the quilt, doesn't mean it has to become a quilt.

There are so many choices to make in quilt making and picking the quilt to make is the most challenging. But it is also the most exciting. We need to keep ourselves from getting overwhelmed by the choice. Keep a running selection. Or don't. My friend Rossie, for example, doesn't keep a sketchbook because she says the good ideas will surface when they need to. Also, we all need to accept that we will never make all the ideas we have, there are not enough years in our lives and there are lives that need to be lived, so we should make the quilts that get us the most excited at that moment.

This is the third post in a year long series on all the steps of making a quilt. Musings and thoughts on the process.

Talking Quilts... Picking Fabric

There was once a girl who only bought fabric as she made a quilt. She only bought the fabric she needed for that particular quilt. I know this to be true because I worked with her for ten years. At first I thought she was kidding. I mean, how is that even possible? But as I watched her make quilts I did not see her stash grow. It was amazing.

I am so not that girl.



Frankly, I was buying fabric at quilts shops long before I even quilted. I could sew and I would buy little fat quarters under the pre tense of making napkins with them. I did, once. They were really, really bad napkins in an odd shape because all I did was turn under the edges to hem the fat quarter. But oh, that fabric!

Fabric is probably the reason 95% of us quilt. Yes, there is the making aspect. But it is the fabric that brought us to our glorious making. And it is the fabric that gets us most excited, provides a level of frustration, and where most of our money gets spent. Fabric is awesome.



Pulling fabric for a new quilt is one of my top treats in the quilt making process. I've been known to pull fabric just because. A little shopping in my stash to create a random pile of fabric itching to become a quilt. Sometimes all its dreams are fulfilled. I find just the right inspiration, block, pattern, or concept and the quilt comes into being. Sometimes the fabric lingers or hovers on the edge of the scene (the closet shelves) slowly being picked through for other projects until I eventually return all the pieces to their rightful colour stacks.



Having a large stash makes this all possible. Never will I add up how much money I've spent on fabric, but I think it is safe to say that if I were to never buy fabric again and quilt for another 30 years I'd likely still have fabric left over. It means I always shop at home first. And usually only. Fabric buying involves getting something new that I love, just for the sake of loving it. Or picking up enough yardage for a backing or something specific for a binding. My stash fits in one normal size closet, with a tiny bit spilling over into scraps bins or the quilts under construction/batting closet. Gone are the days when it fit under a bed in a plastic bin.

When I started quilting nearly 17 years ago the advice du jour when picking a palette for your quilt was to find a large scale print you liked for the colours, then pick coordinating fabric for your blocks, add a little zinger of a border around your blocks, and make a big border of that large scale print. I still see that in action all the time. When I give trunk shows at guild meetings I will take a quilt in the room that I see made that way and fold away the large scale border to show quilters the difference in the quilt. Those large scale prints are often quite gorgeous, but they are doing nothing for the quilt. And all that piecing the quilter did is lost to the large scale border. So let them be your guide for picking fabrics, then set it aside or put it on the back. And if you are worried about the quilt being too small now, make more blocks. Or use whatever background fabric you have to be the border now.



Looking back on my childhood I've realized that I was destined to be a quilter. It wasn't the sewing of the barbie dresses or winning the Home Ec award in grade 8. It was my constant reorganization of my colouring supplies. One day it was rainbow, the next I was making colour combinations. I wrote my notes in colour order and obsessed over 4 colour pens. It was not acceptable to me to have a single box of jumbled up colours. This wasn't OCD, this was playing with colour.

Picking fabric is also playing with colour. Play being the key word there. No one is saying your piles of fabric have to become anything. Pick and repick, dig through your stash and challenge yourself to make a certain ugly fabric play nicely with others, get lost in interpreting a store window through your stash.



For some quilters picking fabric is stressful and hard. I feel for you. Getting to the point of fearlessness and confidence in fabric selection is no different than being comfortable with free motion quilting. It takes time. And practice.

The only way to gain confidence in fabric selection is to just do it. Read or take classes in colour theory, learn about value, stop obsessing over whether this particular green is the same as the green in that fabric, step away from the pre cuts. Pull fabric for the sake of pulling fabric. Leave the bundle be for a little while then put it all away and start again. Make practice blocks in your fabric pull before launching into a full quilt. Ask for advice and actually listen. It should never cause stress, only joy. It should bring excitement and possibly induce a little bit of drooling.

If you've got the inspiration, now you pick the fabric. Fabric is awesome and the root of what we quilters do.

This is the second post in a monthly series on all the steps of making a quilt. Musings and thoughts on the process.

Talking Quilts... Inspiration

Keep your eyes open.
Keep your spirit open.
Carry a phone, a sketchbook, a photographic memory.
Never stop dreaming.
Look up, down, and all around.

And then...

I can never think of such cool things.
There is no way I could turn that into a quilt.
My brain just doesn't work that way.

(The texture of these boards with the mix of colour has me thinking about the woodgrain fabrics I've been collecting.)

Today I'm talking about inspiration. Namely, the inspiration for quilts. The colour combinations, patterns, and ideas that get us buying fabric, cutting it up, and sewing it back together. All in the name of a warm end product.

Quite often I am asked just where I get my inspiration. Frankly, it is kind of a hard question to answer. That's because, for one, there isn't a single answer. And two, you really never know when you will be inspired. Inspiration isn't something you can teach. Translating it, yes, but not finding it.

That means I will answer that it can be anything like...

... a toddler's scribbles (Inspired Improvisation)
... a handful of crayons and some painful experiences (2+2=4)
... family property (Roots)
... the tool of my trade (Sewing Machine Quilt)
... a hike with the family (Mountain Meadows)
... my flag (Oh Canada!)
... a necklace (Austin Circle Sampler)

Among others. 

(I've never actually made a rainbow quilt, but the lines on this sidewalk art for Pride have me thinking of trying something a little different when I do feel motivated to do one.)

There have been bundles of fabric that get me excited, colour combinations dancing around and waiting for the right pattern. It can be a feeling I get that needs to come out and fabric is the way. It can be a tile floor, a comment or request by my husband. Frankly, it can come from anywhere and you never know when it will hit. 

Then there will be times where nothing comes, nothing seems exciting, nothing gets you wanting to sew. For a creative person those times are really, really awful. Burnout, stress, being overwhelmed. When there is too much other stuff crowding your heart and stealing away your energy then the inspiration doesn't find you. Rather, you don't see it.

That's because it is always there. As people who work in colour and shape on a regular basis it is impossible to not see quilts in so much around us. When people ask me about finding inspiration the answer is truly in being able to see it for yourself. I can't give you my inspiration and expect you to get jazzed about it. I can only encourage you to see it as something you can do for yourself. The inspiration is there.

(One of those aspirational magazines you find in expensive hotels, but I loved both the art and the layout of this article.)

Those platitudes about opening your eyes and your heart are true. When we are closed off and walking around with blinders on we can't see everything that is around us. (I'll admit, there are times when this is a good thing.) To see the inspiration we need to be open to it.

I truly believe that we all need a way to capture the inspiration. A dedicated sketchbook works for me, as do pictures. The main reason I believe in capturing everything is that when the darker times come, you have reference material. You can show yourself things that once got you excited. It is also handy when a deadline of a baby or magazine looms, you have something to call on. Inspiration on demand is a hard thing.

Not everyone tracks things this way. Some prefer to let the good ideas stick around as they need to while the others trickle away as less exciting. Whatever works for you.

(Inner tubes, for my circle obsession. Plus, who doesn't love the turquoise of summer pools and Caribbean beaches?)

Quilt stores try to do a lot of this work for you. So do magazines, books, and pattern designers. Inspiration doesn't mean you are creating your own unique designs all the time. It is still inspiration when you are drawn to the cover of a pattern or the bundle the store put together. Does it get you excited to quilt? Does it make you want to create? Then it is inspiring. 

Inspiration isn't magical or ephemeral. Bluntly, inspiration is something pretty that makes us want to create. How and what you create is up to you. So, yes, keep your eyes open. Then get your butt in the seat and sew.

This is the first post in a monthly series on all the steps of making a quilt. Musings and thoughts on the process.