Neutral Values Quilt Top

Woah! Major back pain/sciatic flare up here. I spent last weekend either laying on the floor or rocking on my feet - in between ballet recitals and year end parties. I needed a creative boost. And, frankly, something to do that was distracting. Since I needed to stand a lot I spent some time on the design wall.

You see, this is the nice thing about so many quilts under construction. I needed a set of blocks for some design wall play and was able to pick from a few stacks. I chose a bunch of half square triangles. They started life as sample blocks in my Values class. Always make samples that coordinate and eventually you have enough for a quilt!

It was just a stack of random blocks. I asked my sick, bored kid to count the blocks, then I played around with an idea until I could make it work with the blocks I had. In my time on the floor I lay below the design wall to contemplate options. While standing I could move things around and eventually sew here and there. I’m really happy with the way it worked out. It isn’t that big - only 55” square - but for now I’m adding it to the list of quilt tops. But if I teach that class again this coming year I might have more blocks to add to it!

Euroa Quilt Update

And done.

Not the quilt, just the second row. It seems I am on track for one row a year as I started this quilt a little over two years ago. I haven’t quite worked up the energy to assemble the two rows together. More accurately, I haven’t found the time to clear the dining room table to do so because that is the only place I can do it.

This whole thing is sewn together via the flat back stitch. I love it! Unlike a whip stitch, which most of us seem to use for EPP, the stitches totally disappear with the flat back stitch. On the small scale it is no less portable than the whip stitch. I always have my sketch book with me so I tape my pieces together on then get right to stitching. On the large scale though, like when I have a mega block together or am assembling a row like this, I need to go back to my old stand by - the dining room table.

In time for summer I should have the two rows together and the next batch of blocks ready for work. Slow and steady on this project. I will say that finishing this row is motivation. Yes it is only row two out of five, but seeing it all together is exciting! It reminds me that my work is indeed getting me somewhere. One block at a time it seems interminably slow, but I am drinking in the process. Camping, road trips, and the odd lazy afternoon are coming up, perfect for a little more assembly. Probably by the time I get the third row done it will be dandelion season again!

Plus Size - Scrap Quilt Extraordinaire

Plus Size

96” x 96”

When you get the kids involved in the quilt photo shoot there will always be a Dab. There were a few other moves, if I’m being perfectly honest. Good for laughs, and fun photos.

Finished the binding on this massive quilt recently. It took me a few weeks to get it done due to that whole chronic pain thing and a desire to not sit much. And this is definitely one of those instances where I didn’t quite appreciate just how big of a quilt I was making!

The entire quilt started with me walking the walk, instead of just talking. An IKEA bag full of scraps that needed to be sorted combined with a few sample blocks. An obsession with making blocks and dealing with all those scraps later and I have a finished quilt. Well, a few more steps in there. But funny how as soon as you finish the quilt your forget all the steps that got you there!

Of course, it helped that I had someone else quilt it for me! When I finished the top my local friend asked if she could work on it. Um, yes! I made up a back with some multicolour prints in my stash and dropped it off. The good thing about a scrappy quilt like this is that an all over design is absolutely perfect. With so much going on in piecing and prints you won’t see the quilting. Well, unless the sun is directly shining on it! Lee picked this great modified paisley. I’m a girl who likes contrast so I really like it against the angular piecing.

Initially I was going to do a black binding. Too harsh in this case against all the prints. Then I was going to do a black and white stripe but I after tearing apart my stash for the one I had in mind I remembered that I used it on the back! In the end I went with a grey from my Tag fabric collection. The text is written on the bias so it makes a perfect binding. To keep it from being too boring I pieced in other colours where there was grey on the edge of the quilt.

The name - like many of my quilts - has a double meaning. Triple, actually. 1. The blocks are based on a class I teach called Values Plus. 2. I like the double pluses - using the plus blocks to make colour block pluses. 3. Today was a fat day. Hey, we all have them. And when I was lamenting my plus size body I saw the quilt and it made me smile. My body is real, and this quilt is Plus Size.

Firefly Quilt Top in Solids

All 15 fireflies taking flight!

After finishing up my epic scrap quilt last week I needed a break. Not from sewing, mind you. Only a break from little pieces and all those scraps. Like a sorbet course in a very fancy meal I thus turned to my palate cleanser - precision piecing.

Thanks to my handy dandy list of Quilts Under Construction it was easy to pick and locate a project to play with. And when I took out the blocks I had already made I realized I only needed 3 more to finish my top. A few Morning Make sessions and the blocks were all done. A quiet Sunday and the top was assembled!

There is a reason I only made 15 fireflies and left a block blank, I will share that later. If, and when, I get this quilted.

Each firefly is unique. I played around with my small stash of solids, going with colour combinations that felt right. There was no regard for colour theory or even a colour story, to be perfectly honest. I would pick three fabrics for the body, sometimes a gradient, sometimes not. Then I would pick a dark for the head and back and a light for the wings. The only really conscious decision was trying not to repeat combinations or colours in each part. For example, in the photo above the two top fireflies have a pale pink and a pale peach for their wings, they aren’t the same colour.

Do you want to hear something else? I’ve never actually seen a firefly before. They aren’t native to around here and I’ve never been somewhere else during firefly season.

That didn’t stop me from trying to have a little glow in each precious bug. The highlight around their bodies is actually Metallic Essex by Robert Kaufman. It almost blends into the regular Essex background, almost. Just enough of a sparkle to me. And I liked the idea of the metallic being woven in as I find most metallic prints fade quite a bit with regular washing.

A few things to note:

- The combination of solids and the Essex linens mean there are A LOT of loose threads on the back of the quilt. It will require a thorough going over but I will do this right before I baste it so no more appear in the night.

- It is extraordinarily hard to get a full shot of this quilt when you are taking selfies in the back alley. But hey, at least the lilacs smelled nice.

For those of you wondering, the pattern itself is by Pen and Paper Patterns. It is one of the most detailed patterns I’ve read, I don’t think she forgot a thing! As I am not generally a pattern follower I truly appreciate it when it is so clear, no questions for my improv brain! You can buy it from Pattern Drop, Lindsey Neill designed it exclusively for them. (I was a Pattern Drop designer myself last year.) Here I thought I would make one or two blocks to help promote the pattern and now I have a whole top!