Rocky Road to Kansas With a Vibrant, Modern Twist

When you don’t have enough fabric to make a quilt you make pillows.

When you have an idea that won’t get out of your head you make something.

Back in September, when I was painting traditional quilt blocks fo Morning Make I painted one particular block: Rocky Road to Kansas. It’s quite a cool design. Even Barbara Brackman doesn’t say much about the block’s particular history, but it does have a long one. The block is seen in quilts nearly 130 years old, in variations more like a crazy quilt or a string quilt. It is definitely a block that can read extremely modern too. Like most quilt blocks, it all depends on the fabric you use.

In my case - once the idea borrowed itself in my creative consciousness - I went with a collection of hand dyed fabrics and some charcoal linen. The hand dyes came from two sources. The vibrant colours were a gift from my husband and daughter 5 years ago. At the culmination of a epic road trip to Whitehorse they came across a quilt store and shockingly, went in for me. They came across some vibrant fabric that was dyed by a local. Well, that local, it seems, now lives in Fiji so I think these tropical colours make a lot of sense now! The rest of the fabric was a collection of precious scraps from Debbie Aruda. I met Debbie teaching at The Workroom. Using natural dyes she was manipulating fabric in gorgeous ways and she gifted me with some. The combination of luminescent and subtle colours works so well together, I think.

To make the quilt block I drafted a freezer paper template. That way I could get nice, crisp lines and, hopefully, matching points. It was also useful as I was working with a limited supply of fabric. Each block is actually a four patch. Together they make a 24” square.

I probably had enough fabric to make a total of 10 corners. Of course, I could have augmented the blocks with other stash fabric too. At one point I entertained doing a whole deconstructed thing. You know, one block with 4 corners, one with 3, one with 2, and then just 1. That would have got me a decent size quilt. it would have also got me a quilt top that likely would have sat for years before being finished. So, pillows it is.

My husband actually hates decorative pillows on the bed and I hate laying in bed for anything other than sleep and well, sex. But these pillows are on the bed and they look pretty good there too. I guess they will be purely for show and I am not complaining one bit!

In March I played with making marks with watercolour. That led to further watercolour explorations. That led to sewing these blocks. This project is a perfect example of creativity begets creativity.

Morning Make August 2020

At the start of the month I knew I needed something slow and meditative to start my days. Something that wasn’t pushing or pulling, something that could be interrupted, something pretty. I had a couple of ideas for doodles so just ran with that.

Really, that’s all these are: doodles. Playing with markers and sometimes a ruler, I doodled my way through the month. Some are intricate and detailed, many play with scale, and almost all are an experiment. Not once did I plan, sketch, or try an idea first. Like improv quilting for me, it was about making it work once I got started. It’s easy to see that some are more striking than others. You can’t win them all. Then again, it was all about the process, not the product. Just like improv quilting.

Speaking of fabric… As I posted these on IG daily I got quite a bit of feedback about turning them into fabric. Never was that my intention, but I can also see the potential. It could go a few ways and maybe that will be something I can play with if time allows or interest dictates.

I can say that this was one of my favourites of the year. It was so soothing to work on all of these. I could get lost in making the marks, filling the page, seeing the idea through to fill. And it was exactly what my mental health needed at the time.

So, if these were to develop into something like fabric, which ones do you like the best?

Sunny Day Stars

Sunny Day Stars

72” x 72”

This was one of the oldest quilts from the Quilts Under Construction list. I looked back and realized I started it in 2007! It began as a free Block of the Month called Celestial Migraine by Planet Patchwork. Shortly after the year it ran the whole thing disappeared. (Planet Patchwork also appears to be no more.) I think I made 3/12 blocks. I do remember that the final quilt was quite lovely in a seemingly random layout with a lot of negative space, mimicking stars in the night sky.

Over the years I would make another star block or two when I was craving some precision piecing. Lucky for me there are a tonne of traditional, free star block patterns. A few modern ones too. Then late last summer I got it in my head to actually finish this quilt. Well, at least the top! So I set out to make stars.

Each star block is repeated 3 times, for a total of 12 different star patterns. Each one, however, has a different combination of fabrics. Orange, gold, green, grey, beige, and white. In truth, it is a rather spring coloured quilt. But I finished the top during a September snow storm and finished the whole thing in the summer thunder storms. Still all about the sunshine!

It was a lot of fun to play with fabric on this quilt. Some stars pop, others recede. By playing with the contrast between the stars and the background, or the different components of the design I could change the entire look. The key was making sure not one star was too bossy.

The quilt back started with the scraps from making the last of the stars. Little bits and leftover triangles sewn together for fun. I used that as the centre and raided my stash for the rest. That large floral just happens to go with the first stars I made years ago. All of them are from a collection by Heather Bailly. The rest was just stuff I had around to make it work.

Quilting inspiration came from Dara Tomasson and her book, Walk, Jog, Run. She shared a ribbon quilting pattern - essentially a large meander that you echo to look like a ribbon. It was perfect for this. I quilted the whole thing in a peach Aurifil 50W.

I won’t lie, I wanted a green binding. Alas, there was not enough of the right greens in my stash and these are Covid times. No in person shopping. Then I found the grey and white stripe hiding on the cutting table. Perfection!

This quilt is already in it’s new home. As I was finishing the quilt top last fall I decided it would eventually go to a friend of mine. I wanted to spoil her with something just for her. Giving quilty gifts is the best!

Morning Make - June 2020

When I am teaching certain quilt classes I get students to draw. This is because if you can’t draw the line, you can’t sew the line. Inevitably one or a handful of people complain about their drawing skills. The self deprecation and apologies spread like wildfire. I shut it all down by showing them how I draw!

Spoiler alert: I do not draw well at all!

So for Morning Make in June I decided I would draw an object or scene in my home every morning. You can’t improve on something if you don’t do it with some regularity.

After a month of practice I’ve come to the following conclusions:

• 30 days is nowhere near enough practice to make noticeable improvements.

• Areas of improvement I would like - simpler lines AND shading. I seemed to land somewhere in between in the awkwardness showed in my drawing.

• Perspective is a failing on mine.

• My drawings were definitely sketches and not my best work.

• I definitely do not have a career as an illustrator in my future.

All that being said, I enjoyed the process. Some days I did struggle with the decision on what to draw. I also can’t say that I liked what I did most of the time. That doesn’t mean it wasn’t a worthwhile effort. I learned what I would need to improve on. I learned that I should try and pick one style and work harder on that to see more improvement. I learned that you don’t have to know how to draw in order to draw.