Quilt Snob?

Am I a snob?

Okay, don't answer that right away.

There has been a lot of talk and entertaining posts lately about a lot of quilt arena issues - modern versus traditional, rants about designers, plain old rants, beginners feeling shamed, quilters being snobby, and more. I'm not going to repeat them all here, and I doubt I've even seen them all. But if you want some really interesting posts read them here, and make sure you read all the comments too. Note: I've included different opinions here, only this post is my own.

It is actually the comments I'm reading that are pushing me to write this post. Many folks are upset with "quilt snobs". Unfortunately, it isn't always clear to me what defines a snob.

The way I define a snob is someone who intentionally works to make someone else feel bad for the way they act, dress, define themselves, propping themself up higher on their already high horse in doing so. When it comes to quilting snobs, what does this mean?

... Disdain for one style of quilting over another?

... Talking smack about a fabric line you aren't a fan of, and by extension, the designers?

... Shooting down bloggers who maybe don't have a fancy camera or can only take their pictures late at night when they have a spare moment to work?

... Judging people who are trying to make a living at quilting?

... Being openly critical of bee participants?

... Just another name for the quilt police marking down missed points and skipped stitches?

... Big Name Bloggers refusing to comment on other blogs?

... Groups of friends that are collaborating/chatting and defined as cliques?

I've been critical of charm packs/pre-cuts and the reliance on them. I struggle with group projects where the simple quality of the workmanship is lacking (ie. no 1/4 seams, lack of pressing, and no squaring up of blocks). I'll admit that I'm tired of plain patchwork quilts. And stippling. (I've done more than my fair share of both)

All this, however, doesn't make me a snob. Anytime I think these things I keep my mouth shut (until today, obviously). If I visit a blog I like and see a quilt I don't then I move on to the next one in my Reader. I like to challenge myself so that's why you don't see me do many things twice, but that's me. I have no interest whatsoever in making someone feel bad or trying to make myself feel better with an off-putting or off-colour comment.

I will never condemn you for your pattern choice. I will never judge your fabric choice, but I will share my considered opinion if you ask. I will never shoot someone down in a public forum for their own creativity, work, family, or anything quilty related.

Rather, I want more people quilting. I want blogs to inspire. I want new or hopeful quilters to come to blogs and think "I can do that!" Or, if they are intimidated by the work (and not the quilter) think, "I can't wait until I can do that!" I don't think I'm alone with this goal. I want people to feel motivated to finish their quilts however they like, with the emphasis on finishing.

In pursuit of this goal I will continue to share my own inspiration, my work - both easy and difficult - tips and tutorials and yes, challenge the conventions. I will always encourage people to break free from patterns, charm packs, and single line quilts. I will always, always stress care in construction. I will always answer questions you send my way. I will push for people to be open with their process

This doesn't make me a snob.

Or does it? Be honest, I've got skin as thick as an elephant. But remember, my Dad just died.

(That was a joke.)

What makes a quilt snob? Have you had any run-ins? What's your strategy for dealing with the quilt snobs you encounter?

Upcoming Classes Spring 2011

Interested in some modern quilt classes in the Calgary area? I've got two coming up at, of all places, Traditional Pastimes. It only sounds ironic in name, Bernadette is a great supporter of modern quilting and brings in some of the best new fabrics to hold court next to civil war reproductions.

Want to learn about Values Quilts and perfect your half-square triangle technique? This will be a one night class to get you set. We'll discuss ways to see and use value, make-up a set of blocks, then play with settings.

Thursday, April 14

6:30-9:30 pm

How about Improv? I've made a few adjustments to my Improv class. Not only will we be practicing different techniques for improv blocks, like a wonky log cabin and free piecing, we also tackle the challenges of breaking free from precision cutting and patterns.

Monday, May 2 and May 9

6:30-9:30 pm

To register for either class contact Traditional Pastimes.

Personality

Let's talk books.

I've reviewed a few books here and plan to review a lot more in the coming months. Before I go any further I wanted to bring up a conversation here.

There was a comment on last week's post by Weeks Ringle, one of the authors of The Modern Quilt Workshop, among others. Her comment led to a series of emails between she and I about the writing in quilt books.

I'm a fan of good writing. Just like I'm a fan of a cup of strong tea, colour, and the Edmonton Oilers. I also enjoy entertaining writing, or a piece that challenges or motivates me. While I've only read a couple dozen or so quilt books in my time I can say that it isn't always the writing that attracts me to the book.

Too often, a quilt book is a section outlining the concepts of the book - what makes this book different from all the rest of the books out there - followed by a basics quilting section. After that it is a bunch of patterns. The vast majority of books are glorified packages of patterns.

To be clear, I don't actually see anything wrong with that. I don't own many of this type of book, but they serve a purpose and can be quite motivating. What makes a book buyable and frequently browsed - to me - will be the good writing.

If I flip through a book and the patterns are interesting or exciting to me the first thing I do is read the Introduction. Bad or boring writing usually causes me to set the book down. I'll probably take a mental note of what I liked from the patterns and file it away for later inspiration. If the writing is engaging or grabs me with a challenging concept I am far more likely to take the book.

Of course, I'm also a sucker for pretty and clean layouts.

This leads me to what Weeks Ringle and I were chatting about - what is the appropriate level of personality in a book? The visuals, aside from the quilts themselves, are a strong part of the personality of the author. Compare Simplify with Camille Roskelly with The Practical Guide to Patchwork by Elizabeth Hartman, for example. Same publisher, same book format. But visually they are very different.

The writing is also part of the personality. And making the writing personal is about more than adding a whole pile of exclamation points or silly jokes. Being able to write in a voice that sounds like you when you are talking doesn't come to everyone. More importantly, being able to do so well and still be engaging is a big challenge. Even if you can do it well, it is hard to be great at it all the time.

In a book that is outlining specific concepts or technical design information, is there a place for personality? That was the question Weeks and I were debating. Or it is better to be succinct and specific?

This, of course also leads to the inherent links between blogging and books. Are they separate? Should they be? If you blog and write a book, how much of one should make it to the other - marketing aside?

I'm going to turn it back to you now. You've read the questions above. You've probably read a million books on your own. What are your thoughts? Oh, one more question. What is your experience as a quilter and what type of books do you like to read?

What Does Modern Quilting Mean to Me?

Over at The Modern Quilt Guild this week they've had a series of posts from some significant bloggers in the the modern quilt movement. I've rather enjoyed the conversation, so I decided instead of just commenting on all the posts, I would create my own post. So, what does modern quilting mean to me?

Central to modern quilting, I believe, is the idea of Freedom. Unlike traditional quilting which can feel very restrictive in both construction and design, modern quilting is about freedom. Freedom to throw tradition out the window or tweak it with fabrics, layouts, and improvisation. Freedom to try something new in colours or construction. Freedom to do what you want without fear of the quilt police knocking down your door.

Improvisation is also central to modern quilting.  This doesn't just mean the wonky log cabin. Improvisation is about starting a quilt and seeing where it goes, without a detailed plan. Maybe you could also talk about process here.  When I was asking you about The Whys of quilting, process was something that was central to me at the end of that discussion. I think modern quilting stresses the process as much as the final product (regardless of your technique) and improvisation is central to many a modern quilter.

Even when a modern quilter is using calm colours or simple designs, The end result is always something quite bold.  It might the fabrics themselves, or the final design, but when I think of modern quilts, subtlety does not come to mind.

I know that there are many traditional quilters out there under the age of 40. And there are modern quilters out there over the age of 50. But when I think of modern quilting I tend to think of youth. Perhaps it is because there is an energy to the work and the movement? It might be because most (but not all) of the bloggers I've encountered are closer to my age than my mom's age? But that youthful enthusiasm and energy has, I think, a powerful influence on the quilting world as a whole.

It would be remiss to not mention the role of technology in modern quilting. I don't just mean the design software. Blogs, virtual quilting bees, Flickr, and Etsy are all having a powerful influence on quilting. Have you heard of Web 2.0, where we the readers are also the content providers and help determine the present of the internet? Well, technology has allowed us to have Quilting 2.0 as well. Not only are we connecting and working together in a way that wasn't possible beyond the traditional guild, we are also working with each other projects, lending opinions through workshops and our blogs, and generating a never ending cycle of inspiration.

Finally, I want to highlight, that for me, it is important not to throw out the baby with the bath water. That is, there is a lot in traditional quilting that shouldn't be thrown away just because we like a modern aesthetic. This includes basic technique - we still want a quality piece at the end, not just one that looks good in a small on-line picture.  It also includes colour theory and design basics. We're modern and it is up to us to push the boundaries a little. Like modern architecture though, the building still has to stand on its own.

In a somewhat contradictory twist to this conversation I will be attending my first guild meeting tomorrow, a traditional guild. I'm quite excited about it, and it seems that this guild has some modern tendencies and vibrant members. With The Modern Quilt Guild springing up across North Amercia, maybe one day there will be a Calgary chapter?