"scraps"

Inuvik Trip Part 1


A week ago I was driving the ice road from Inuvik to Tuktoyaktuk. A week before that I was snorkelling in the Caribbean. And this morning I'm sipping tea in slippers and listening to Motown. Have I mentioned before that I love my life?!

One of the things I absolutely love about my life is the chance to teach quilting (and travel to do it). Being in a classroom full of people who absolutely want to be there, whether they are there for a new experience or just a weekend off, is an energy boost for me. You can't help but ride their enthusiasm. And my weekend with the guild in Inuvik was unlike any other.

There is just so much to share about my trip to Inuvik that I have to break it down into two posts. It was such a phenomenal experience. Up first, the class.



Seeing as Inuvik is located in the far North, we chose to run a Scrap Management workshop. They have to pay a lot to bring in supplies, so I thought it best to get people excited about scraps. And get excited they did! As did I. The days would start at the sun was coming into the sky, peering over the irons as we set up in the morning.

Like most scrap classes I run many people at first think they don't have much that's useful. But after we sort then run through the slab technique eyes are opened. The potential can't be hidden anymore. Some people brought scraps they inherited from mothers and friends. Some seriously cool scraps there. One lady brought scraps an Inuit maker gave her last year at the Great Northern Arts Festival. And like everyone does, it was fun to see the history of their quilting careers, family, and guild projects through the scraps.





One of the great things about teaching with a guild is that most people know each other well. So there is an instant camaraderie. For the teacher it can feel like you are the outsider, but definitely not with this group! They instantly welcomed me in, sharing gossip and stories, and taking me under their wing for northern adventures. You know they are a cohesive group when three of them bring the same kind of muffins for us one day.

During this two day workshop we explored scraps - sorting, remembering, making slabs and storage boxes, and working on individual projects. Some people choose projects from Sunday Morning Quilts, some take off in their own direction. The important part is that they be excited by what they are working on. I'm just there to guide the process, teach some technique, and troubleshoot, if necessary.








I had one of the best moments ever in my career as a teacher there too. Two of my students were art therapists. They work in the elementary schools - for the kids and the teachers. They have a tough job, seeing the best and worst of these isolated communities. Communities that have most definitely seen the worst of times beyond the weather - addiction, residential schools, relocations, abuse. Coming to guild, for these women, is a break for them, a chance to recharge and put work behind them. Well, on the second day one woman pulled me aside and thanked me for her own creative breakthrough. She was sewing more than she ever does in guild and was recharged personally. Usually I am pretty happy if people have fun and are inspired to sew more once the class is over, but to hear that, from an art therapist no less, was inspiring to me.





Not to mention this beading. Oh, the beading... (This one wasn't by a student, but a woman dropped by to share it.)

Thank you to the NWT Arts Council for the funding to bring me to Inuvik.

Good Times with Alex Anderson



Last week I had the pleasure of chatting with Alex Anderson about my books, quilts, non-obligation sewing and finding the pleasure in quilting and the craziness of life. This first bit includes a lot about how I like to slow down and sew, and how you can too. Not to mention some gorgeousness and advice from the book.

Check it out here! And stay tuned for the second part.

Checkerboard Chillin'


Remember when I was setting my goals for the year? Well one of them was to finish all the quilt tops in my closet. That's a lot easier when you actually remember all the tops you have. Seems I forgot this one. Oops.

Measuring at 60'' by 60'' it isn't a huge top and I can manage to quilt this at home. I even have batting cut for it already.

This is my version of the Checkerboard quilt from Sunday Morning Quilts. When I went to make it at some point after the book came out I decided to control the colour scheme. So I raided all my turquoise, purple, grey, and white scraps. From these I cut all my 2 1/2'' squares. There may have been some stash raiding to finish up the quilt. Shh. It is smaller than that original, however. Partly because of the fabric limitations and partly because this has to join me on the road and the big quilts take up a lot more room.

Seeing as I have another trunk show in a few weeks I might be motivated to finish this up and reveal it then.


One of the things I love the most about this quilt is the way it comes together. Amanda Jean wrote the pattern so you are making it one row at a time. And you press to one side as you go. Then you just flip over every second row. Your seams nest and it comes together as a top in no time. It still works as a leaders and enders project.

Make sure to check out the book for detailed instructions, including the cutting requirements for a larger, twin sized quilt.


Cataloguing the Scraps


So I designed a quilt. It uses 36 fat quarters but there are some leftovers and scraps. Such pretty scraps. I know people hate to see waste and overly generous yardage requirements in patterns. I do too. When I made the quilt I made a point to keep and organize all the scraps. Here they are.

They could combine to do some really fun and beautiful things. Instead of using the extra blocks on the back I kept them aside and they will be used in a baby quilt. There are all those circles cut from the back of larger circles appliqués. They could be another small quilt if appliquéd on a background. Then there are strips and snippets and trimmings. The fabrics are this Vanity Fair bundle from Dear Stella plus a lot of additions from my stash. All pretty. All useful.

Oh the possibilities!

When the pattern comes out in the Spring issue of Quilter's Connection we can talk more about the scraps - how they came to be and what I may have even done with them by then.