Belated Easter Treats

How very Martha of me. Not that I dyed Easter eggs using cabbage, beets, onions, and turmeric. Not that I also decided to dye some fabric. But the colours are all Martha. And if you look around this site for about five minutes you'll see that I don't generally work in softer colours. Like I always say, it's good to change things up a little.

We dyed eggs with friends on Friday. I was totally enamoured with the colours, and very surprised from that orange from just a few onion skins. So I left all the eggs with our friends, but took home the rest of the dye juices. We dyed a few more eggs but that liquid colour looked too good to throw away. I already had all my scraps out so I grabbed some pieces of white on white and threw them in the bowls. The orange is from onion skins, the yellow from turmeric, and the purple measuring cup contains the liquid from boiled red cabbage.

This is the fabric as it came out of that red cabbage juice. Such a lovely purple. It clearly turned the eggs blue, so this was a bit of a shock. But a good rinse in cold water and some air time to dry and the fabric all turned the same soft blue/grey as the eggs. Perhaps a little less blue.

These are the turmeric stained fabrics right out of the dye water. So yellow! And even though I rinsed and rinsed they stained quite bright. And point of fact: turmeric dyed fabric will smell like turmeric long after it is rinsed and dried.

Look at my strips drying so nicely together!

And here are the eggs and their associated fabrics. In truth, they may be Martha colours, but they really are softer versions of the colours already in our house, namely turquoise and orange.

So I took all the scraps, trimmed them into strips, and started sewing. I went for the silly a little, in making an egg shaped placemat. This was easy to do. I simply created an egg shape out of paper so I had something to compare to as I sewed. You could also use it as a paper pieced project. Then I sewed the strips together. Once I knew I had my desired size I trimmed the top, cut out backing and batting and sewed it all together with right sides together.

Full disclosure, I screwed up twice when sewing it together. That's what I get for rushing to get it done during naptime. But I got myself sorted out and finished it off after turning it all right sides out and sewing that last seam around the edge.

There is a peak of the backing fabric. I put on something bright and fun so that if/when the top gets wrecked/runs I can use the other side for springtime. And there is my Smilosaurus checking it all out.

What Does Modern Quilting Mean to Me?

Over at The Modern Quilt Guild this week they've had a series of posts from some significant bloggers in the the modern quilt movement. I've rather enjoyed the conversation, so I decided instead of just commenting on all the posts, I would create my own post. So, what does modern quilting mean to me?

Central to modern quilting, I believe, is the idea of Freedom. Unlike traditional quilting which can feel very restrictive in both construction and design, modern quilting is about freedom. Freedom to throw tradition out the window or tweak it with fabrics, layouts, and improvisation. Freedom to try something new in colours or construction. Freedom to do what you want without fear of the quilt police knocking down your door.

Improvisation is also central to modern quilting.  This doesn't just mean the wonky log cabin. Improvisation is about starting a quilt and seeing where it goes, without a detailed plan. Maybe you could also talk about process here.  When I was asking you about The Whys of quilting, process was something that was central to me at the end of that discussion. I think modern quilting stresses the process as much as the final product (regardless of your technique) and improvisation is central to many a modern quilter.

Even when a modern quilter is using calm colours or simple designs, The end result is always something quite bold.  It might the fabrics themselves, or the final design, but when I think of modern quilts, subtlety does not come to mind.

I know that there are many traditional quilters out there under the age of 40. And there are modern quilters out there over the age of 50. But when I think of modern quilting I tend to think of youth. Perhaps it is because there is an energy to the work and the movement? It might be because most (but not all) of the bloggers I've encountered are closer to my age than my mom's age? But that youthful enthusiasm and energy has, I think, a powerful influence on the quilting world as a whole.

It would be remiss to not mention the role of technology in modern quilting. I don't just mean the design software. Blogs, virtual quilting bees, Flickr, and Etsy are all having a powerful influence on quilting. Have you heard of Web 2.0, where we the readers are also the content providers and help determine the present of the internet? Well, technology has allowed us to have Quilting 2.0 as well. Not only are we connecting and working together in a way that wasn't possible beyond the traditional guild, we are also working with each other projects, lending opinions through workshops and our blogs, and generating a never ending cycle of inspiration.

Finally, I want to highlight, that for me, it is important not to throw out the baby with the bath water. That is, there is a lot in traditional quilting that shouldn't be thrown away just because we like a modern aesthetic. This includes basic technique - we still want a quality piece at the end, not just one that looks good in a small on-line picture.  It also includes colour theory and design basics. We're modern and it is up to us to push the boundaries a little. Like modern architecture though, the building still has to stand on its own.

In a somewhat contradictory twist to this conversation I will be attending my first guild meeting tomorrow, a traditional guild. I'm quite excited about it, and it seems that this guild has some modern tendencies and vibrant members. With The Modern Quilt Guild springing up across North Amercia, maybe one day there will be a Calgary chapter?

Colour Blocks

A while back I shared with you an improv colour block I made as a sample for my Improv Class. That pile of scraps has developed into a full-blown obsession.  So far I've made 16 blocks (at 16 inches square).  A good dent has been made on the scraps, but I still want to make more. I'm aiming for 25 in total.

Here is the first round of blocks.  I took these photos on our plain white new curtains, hence the stained glass effect.

My goal is to get the blocks together and the quilt finished in time to submit to the Quilt Canada 2010 Invitational.  I see lots of late nights sewing in my immediate future.

Bits and Pieces

Life is a bit all over the place right now.  I'd hoped to have wrapped up the Quilt Along by now. My sincerest apologies.  But if you've been following along then your top should be done. And if you've been following, but not keeping up, then you are probably happy for the break to catch up. Or, the break to actually deal with a hectic holiday season. We'll return to wrap up the Quilt Along (or start it) in January.

Lately it seems like everything I do - whether it is life or quilting - is happening in bits and pieces.  We're knee deep in dust and noise as the basement reno is in full swing - new furnace and water system, walls, and concrete Oh My! Between work, writing, and family there is only time for snippets of life and creativity where one can get it.  That explains the above picture.  I was sorted small scraps while the girls played in the tub. I thought it was bad enough sharing those stylish, but horridly coloured bathroom sinks, so I spared you the charcoal/mustard combo on a 50 year old bathroom! But don't my piles look pretty.

I've been turning those piles into these blocks.

Single colour blocks of scraps, with that one bit of white thrown in for fun.

These blocks are so cathartic to make.  I can simply sit and sew, grabbing as I go. There is no plan to them.  I trim pieces relatively square and start sewing them in pairs.  Then I trim the seam allowances, press, and keep adding pieces.  After I have a couple of sections made I square them up and start playing with overall block layout.  Then I add or trim as necessary until I have a block big enough to trim to 16 inches square.

I say they are cathartic because there is no prep to them.  No cutting, no precision, no purposeful thought.  It is simply sewing.  And when life is throwing you so much it is nice to break down your creativity into simple processes to nurture the soul. No pressure either, just action. Little bits when I can steal little bits of time.