The Orenda (Weekend Reads)

As a reader, one of my biggest pet peeves is when a novel peters out at the end. The story is trucking along and then what should be a climax is really just a pfft of storyline. And in two pages is wraps up and you are left wondering what the heck happened. Following quite closely is an ending that is a little too perfect, especially after the imperfections of a life in fiction.

The Orenda has neither. A brilliant story builds to a violent and fascinating climax, with little surprises that make you gasp. At the same time expectations are met and the story continues as it should. The ending fits, it just makes sense. And it made me not want to stop reading yet hug the book with the satisfaction of a well written novel read.

At first I struggled with the novel. It is told from the point of view of three different characters and it jumps between them every chapter. It's actually quite frustrating at the beginning. But once the story builds it ends up being the perfect structure for telling the story. The three main characters are Bird, a Huron warrior, a Jesuit priest named Christophe trying to convert souls, and Snow Falls, an Iroquois girl taken in by Bird after he kills her family. Being able to see events from all three perspectives ends up being exactly the way the story needs to be told. The parallels in the characters are both obvious and subtle and only truly reveal themselves in the latter half of the novel.

The story, beyond the one about survival, battle, and clanship, is rooted in the history of the Jesuits in Quebec and their ultimate role in the demise of the Huron nation. It is a story I know well, one I remember writing about in my youth, and the reason I have an anthropology undergraduate degree. It parallels the story told in the novel and movie, Black Robe, but it frankly does it so much better. Less about the history (albeit accurate from my memory), however, The Orenda is a masterpiece of storytelling.

Joseph Boyden is a Canadian author that captures so much of the spirit and struggle of our First Nations. Three Day Road is one of my top ten novels. He is clearly meticulous in his research and epic in his writing. He can capture the details of an event in a way that leads you into the space of the story and writes of the events in a way that make you breathless. Now, with The Orenda, he delivers a  tome destined to define a moment in time.

Currently up for Canada Reads, our national contest for the best book - this year focused on books that all Canadians should read. My vote definitely goes for The Orenda because even if you put aside the storytelling brilliance, it is a story that we all need to read. A moment in our past that is ugly, brutal, and defining of relationships in Canada (and in many other places of the world) between First Nations and the rest of us. And a reminder of the mistakes made, the hopes misguided, and the spirit of all.

Slabs Meet Low Volume

No doubt about it, scraps get overwhelming at times. And other times the scraps are so inspiring and excited. This time it is the latter.

When I was working on A Month of Sundays all my scraps ended up together in one large messy pile. Then that pile moved to a bag. And that bag moved around and was shoved in different corners. I'm not sure why I felt the need to keep these all together, but I'm glad I did.

Ever so slowly I've been sewing together slabs from the scraps. It is like both my books are colliding into a beautiful mess. I'm in love! I didn't, however, want to just make slabs. I wanted to be a bit more creative, experiment a little.

At some point I read Denyse Schmidt's Modern Quilts Traditional Inspirations. Her interpretation of Shoeman's Puzzle struck me the most of all the quilts. Without a moment's hesitation I started turning my slabs into Shorman's Puzzle blocks. She uses templates, as she usually does. Because of the slabs and the proliferation of bias edges I chose a different route. My blocks are paper pieced. Each block has three seams, about one of the easiest paper pieced options ever. It was a smart choice as it is keeping the blocks in check.

Now, to find the time to make more. I've got more slabs sitting there waiting. When I teach a slab class this is the demo fabric I use. I just need a bit more time and some freezer paper patterns. I made the blocks 10'' square which means I can't print them. So freeze paper it is.

Aren't they fun?

Brave New Quilts (Weekend Reads)

Brave New Quilts is the latest and last book by Kathreen Ricketson. Inspired by Twentieth Century Art movements it speaks to inspiration and translating that inspiration to a quilt.

Kathreen died earlier this year. I woke up to the news one morning during Quilt Market. I'd woken early to actually answer some emails for her, only to get the news. Many others had the same story. And we all walked around in shock. And we were just fellow quilters and writers, colleagues and friends from online, not her family reeling from the tragedy.

Now, her book is out and travelling the world without her. A final legacy to her work.

Kathreen and I were working on our books at the same time, clearly with very similar deadlines. We would exchange tweets and emails about our status on the work. We knew what the other was going through. So, even though our books are quite different from a content perspective, they parallel each other in the timeline of my mind. That leads me to what I want to talk about today on this last stop on her Legacy Tour.

For all the book reviews, Amazon reviews, and social media comments it is important to remember two things. One, there are people behind these books. And two, these books are a creative enterprise as much as a quilt is, they are a work of art too.

The author of any book pretty much gets all the credit, or critique. But they are team efforts (unless self published). But for any and all credit and critiques you have to remember that these are real people. They have feelings, thick or thin skin, and real emotions. It seems easy to think of the book as an independent entity, free from its creator. That makes it easier to dismiss or criticize. I get that, it is a part of human nature to complain. But it is important to remember that these books do not exist without the people behind it.

That leads me to the second point: these books are a creative expression of the author and designers. When someone is writing a book they aren't just thinking, "Hey, I'm going to make a bunch of quilts and someone else will take pictures and we'll put them all together in a book and then people will read it." No, we think about themes, and details like illustration style, layout, styling of each quilt photo. We agonize over fabric selection more than you ever have, we tinker and run out of ink on red pens, we obsess over a block that won't lay flat. For the authors and designers, the quilts and their patterns are only just a part of the book, not the be all and end all.

Every author has a different reason for writing a book. Some want to translate their teaching to the written page, some want to share inspiration, some are looking to collate patterns, some love to write. All of them are coming to the book as a form of creative expression. Writing the book is as much that as designing and making a quilt.

Now I'm not saying that we authors are immune to critique and I, personally, welcome comments and constructive criticism. But when you make any comments on a book - good or bad - remember that there are people behind it and we put a lot of personality and creativity into that book. (Keep all this in mind as well if you are contemplating writing a book.)

That's why, when I read Brave New Quilts, I think of Kathreen. I think of her frantically sewing to make deadlines, photo shoot styling flying through her head as the stitches go in. I think of her cleaning and organizing just so for the shot to be exactly as she wants. I think of her spending an hour on a single paragraph to make sure her intentions and directions are as clear as they can be. I think of her anxiously anticipating the Pages for review to see how the designer put together everything.

Perhaps I am projecting my own experience onto Kathreen's, I will admit that. But we did speak of the process together. And now that I see her book I have a bigger picture of her own process. More importantly, I have a picture of Kathreen, a glimpse of her inspiration and translation, and of her creativity that goes beyond 12 quilts and beyond the emails and tweets we shared. I'm glad to have this bit of her in the world. A legacy to her creativity indeed.

To read more about the book and other takes on it, make sure you visit the other stops on the Legacy Tour for Brave New Quilts.

Stash Books
Heather Jones
Kristin Link
Maya Donenfeld
Alexandra Smith
Sonya Philip
Ellen Luckett Baker
Andrea Jenkins
Shannon Cook
Mimi Kirchner

Shucked (Weekend Reads)

Have I ever told you that my five year old - The Evil Genius/Death Wish - has a thing for oysters? Raw oysters. And preferably the East Coast varieties.

She tried them once when we were out for brunch. Hubby and I were sharing a dozen so we doled a bite out to the girls. The One Bite rule, right? They were both rather meh about them so we didn't think anything of it. Another trip to the same brunch spot a month or so later and she asked for one more. We're generous folks and don't mind sharing, especially with the kids, but before I had a chance to have my second oyster she'd had 6!

From there she went straight to eating dozens, literally, at a time. Taking her out for dinner or brunch is getting expensive!

So when I saw this book on the shelf at Anthropologie, of all places, I had to grab it. Purely for parental research, you know? Shucked: Life on a New England Oyster Farm is the personal story of a food and lifestyle writer in Boston. Erin Byers Murray is feeling jaded and bored and without too much thought decides to take a year off and work on an oyster farm. She describes her brutal, cold first days  - cleaning and culling just harvested oysters on the frozen Duxbury Bay, Massachusetts. Then summer comes and the work is backbreaking but thrilling. There are the challenges to her marriage with her now an oyster farmer at the mercy of the tides and her husband the bartender. There are also the highs of food festivals and post work beers and new relationships. Behind all that is the story of an oyster from seed to table. Not to mention all the farmers who make it happen.

My five year old is too young to read this book just yet, but I'll be keeping it on the shelf for her. And I predict she'll read it round about the time she starts paying for her own oysters.